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cies above remain intact. The higher the amplitude of the peak resonance
frequency, the more you cut off the mud below, effectively performing two
functions at once. A dedicated "flat" button allows you to quickly audition
A/B comparisons.
The VOG is intended for mixing, mastering, post-production sweetening,
In Use
sound design, and audio restoration. Use it to easily simulate proximity effect
for adding chest resonance and "heft" to vocals. Simple adjustments will also
yield enormous sounding drums — just like tweaking the tension of a drum-
head. Or, completely transform the tonal characteristics of electric bass tracks
— for example, go from a solid body sound to a chambered body sound in
seconds. The VOG's flexibility makes it the right choice on a wide range of
musical sources; it's the perfect way to tune the low end of any mix for incred-
ible detail and punch.
Stereo
The original hardware is monophonic. When the plug-in is used in
Functionality
mono-in/stereo-out and stereo-in/stereo-out configurations, the controls affect
both the left and right signals.
Little Labs VOG Parameters
Amplitude
Amplitude adjusts the amount of the effect. Increasing the
control boosts the gain of the frequencies determined by
the Frequency and Center controls.
Note:
0 – 10, are arbitrary and do not reflect a particular dB
value.
Frequency
page
Like the original hardware, increasing the Frequency value (rotating clock-
wise) actually lowers the target frequency (by decreasing the center frequency).
Changes to this setting are heard only if Amplitude is set above zero.
UAD Powered Plug-Ins Manual
The control values for Amplitude, which range from
This control adjusts the target frequency of the effect. Fre-
quencies above the current setting are boosted by the
amount set with the Amplitude control. Frequencies below
the current setting are attenuated by –24 dB per octave.
The available frequency range is determined by the Cen-
ter button settings, and are shown in
318.
- 317 -
Table 23 on
Chapter 29: Little Labs VOG
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