Orban OPTIMOD-FM 5500 Operation Manual page 145

OPTIMOD-FM DIGITAL
are therefore more likely to encourage longer times spent listening than are these
"loud" presets.
For Album-Oriented Rock (AOR) we recommend the ROCK-LOUD or BASS-SLAM
with L -M turned down somewhat (depending on your market and competi-
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tive situation). A L
very clean sound.
URBAN-LOUD was derived by modifying ROCK-LOUD. URBAN LOUD is tuned for
the maximum amount of bass we could add without creating obvious distortion on
some program material.
This amount of bass may be excessive with certain consumer radios (par-
ticularly "boom-boxes") that already have substantial bass boost. Use it
with care.
URBAN: This is identical to URBAN-LOUD but with a lower L
Equalizer Controls
Group
Bass Shelf
Low
Mid
High
Brilliance
HF Enhancer
DJ Bass
30HZ HPF
Phase Rotate
-M setting of 5.0 will yield reasonable loudness along with
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Basic/ Advanced
Full Modify Name
Name
BASS FREQ Bass Frequency
BASS GAIN Bass Gain
BASS SLOPE Bass Slope
LF FREQ Low Frequency
LF GAIN Low Gain
LF WIDT Low Width
MID FREQ Mid Frequency
MID GAIN Mid Gain
MID WIDTH Mid Width
HIGH FREQ High Frequency
HIGH GAIN High Gain
HIGH WIDTH High Width
BRILLNCE Brilliance
HF ENH High Frequency
Enhancer
DJ BASS DJ Bass Boost
30HZ HPF 30 Hz High Pass
Filter
PH-ROTATE Phase Rotator
Table 3-2: Five-Band Equalization Controls
-M setting.
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Range
80, 85, 90, 95, 100, 105, 110,
115, 120, 125, 130, 135, 140,
145, 150, 160, 170, 180, 190,
200, 210, 220, 230, 240, 250,
270, 290, 310, 330, 350, 380,
410, 440, 470, 500Hz
0 ... 12 dB
6,12,18 dB/Oct
20 ... 500 Hz
–10.0 ... +10.0 dB
0.8 ... 4 octaves
250 ... 6000 Hz
–10.0 ... +10.0 dB
0.8 ... 4 octaves
1.0 ... 15.0 kHz
–10.0 ... +10.0 dB
0.8 ... 4 octaves
0.0 ... +6.0 dB
0 ... 15
Off, 1... +10 dB
Off/On
Out/In
3-21
OPERATION