Orban OPTIMOD-FM 5500 Operation Manual page 10

Digital audio processor
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Preparing for Communication through Null Modem Cable ..............................2-53
Connecting Using Windows XP Direct Serial Connection ..................................2-58
Preparing for Communication through Modems ...............................................2-63
Connecting Using Windows 2000 Modem Connection ......................................2-63
Connecting using Windows XP Modem Connection ..........................................2-69
5500'
3
.........................................................................................................................................3-1
.........................................................................................................3-1
Some Audio Processing Concepts.................................................................................... 3-3
Distortion in Processing ................................................................................................... 3-4
Loudness and Distortion .................................................................................................. 3-4
OPTIMOD-FM - from Bach to Rock ......................................................................3-4
Monitoring...............................................................................................................3-5
5500'
Signal Flow...............................................................................................................3-6
Stand-Alone Stereo Encoder Mode ................................................................................. 3-9
ITU-R 412 Compliance ...........................................................................................3-10
Two-Band Purist Processing ..................................................................................3-10
Input/Output Delay ...............................................................................................3-11
5500'
Basic Modify...........................................................................................................3-12
Full Modify .............................................................................................................3-12
Advanced Modify ..................................................................................................3-13
Gain Reduction Metering .....................................................................................3-13
To Create or Save a User Preset ............................................................................3-14
Table 3-1: Factory Programming Presets....................................................................... 3-17
Table 3-2: Five-Band Equalization Controls .................................................................. 3-21
Table 3-3: Stereo Enhancer Controls ............................................................................. 3-26
............................................................................................................3-27
Table 3-4: AGC Controls ................................................................................................. 3-27
Advanced AGC Controls........................................................................................3-30
.........................................................................................................3-33
Table 3-5: Clipper Controls ............................................................................................ 3-33
The Protection Presets...........................................................................................3-36
Setting Up the Two-Band Structure for Classical Music......................................3-37
Customizing the Settings ......................................................................................3-38
Table 3-6: Two-Band Controls ....................................................................................... 3-39
Advanced Two-Band Controls ..............................................................................3-42
Putting the Five-Band Structure on the Air.........................................................3-44
.................................................................................2-75
..........................................................................................3-3
...................................................................................3-11
...............................................................................3-15
...................................................................................3-16
....................................................................................................3-22
.........................................................................................3-26
...........................................................................................3-36
............................................................................................3-43
.............................................................2-53
..............................................................3-6

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