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B Contents
s and Multi-Timbral Paris
D Guitar Section (1 Par)-
Making
the Connection:
Keyboard ee
How to Initialize the Song in the Recorder ---
Calling Up the Demo Song
How to: Record Parts 1, 2 and 3
Changing
V
b and Chorus Vol
Loop Recording
Tightening Up Drum Parts (Quantize
3. Entering the Drum Part
Changing the Volume, Reverh Volume and Pan for
Percussion Instrument :-
D
Copy
5.19
Cl Erase-
5.22
(1 Delete
-24
Section 6 Expanding
Guitar-
B Type B: Multi-Timbral
Sound
Modules
with
Five
or Less
Parts; or, You Just Want to Cut
Down
on
the
Number
of
Paris
and
Channels Used «e
6-4
ii Type C: Mono-Timbral
Sound
Modules
in Mono
Mode --
Using the GR-1
Pedals to $
Sound Module
Number to a Patch Changes ee
6-7?
O-8
for Each
"4-8
by the GR-1
How to: Transm
String
TIMIDI Messages Sent to External Modules
ropping the Pitch of
Devices by One Octave
witching Ton
Module --
13
CiChanging Things Like Volume and Channel for Each
Part-
6-15
19
Recording Data with the Guitar (GR-1) for Playback
on a Keyboard or External Sound Module eee
6.19
Hooking Up the GR-1 and a Sequencer
620
if You
Want
to Tum
Local
On and Off
During
Performance «eene
iere
retten esta tanen 6-22
4. Transferring
Songs from
a Sequencer to the
Recorder
5. MIDI Control of External Effec
6-27
6. Exchanging Patches and Recorded Songs with
External Devices Via MIDI-
630
Section 7 Some Handy Functions
Song Data in the Recorder
7. Expansion Board
[Checklist for Section 7]
Ax
'
Point 1...
wo da dà
ynthesizer Sound Heard Later--
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