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i. Setting
String
Mode
2nd}
for Each
String
@Siring
Mode
in Action !
—
E T
ET
TATE
CUT TUNE
|
Using the same
eral procedure, here are some more examples of settings that will:
€ Set the top four strings to 1st Tone only, the bass strings to a mix of the ist and 2nd Tones.
First string:ist
Second string:ist
Third string:1st
E]
Fourth string:1st
|
Fifth string:1st«2nd
|
@Mute the synth sound so you have guitar sound only for the first through fourth strings, and layered
synth bass and straight guitar sound on the fifth and sixth strings.
First string: MUTE
d
--
i
Second string: MUTE
AM ha
ha ha
pup
Third string: MUTE
=
~ 617 P5 Pi 17
jist
Fourth string:MUTE
6
5
4
3
2
|
Fifth string:1st
Sixth string:ist
@ tst Tone played on the first, third and fifth strings, 2nd Tone on the second, fourth and sixth strings.
First string:ist(L)
Second string:2nd(R)
Third string:tst(L)
Fourth string:2nd(R)
Fifth string:1st(L)
Sixth string:2nd(R)
+ In this example: assign the same Original Tone to the 1st and 2nd Tones, but with the E
pan set hard left on the 1st Tone and hard right on the 2nd Tone. Then when you play £
an arpeggio or other alternating string pattern through a stereo system, the notes will
alternate between speakers.
4—4
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