Yamaha 006IPTO-F0 Owner's Manual page 318

Digital production console version 2
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318
Appendix A: Parameter Lists
DELAY->REV
One input, two output delay and reverb effects in
series.
Parameter
Range
DELAY L
0.0–1000.0 ms
DELAY R
0.0–1000.0 ms
FB. DLY
0.0–1000.0 ms
FB. GAIN
–99 to +99%
DELAY HI
0.1–1.0
THRU,
HPF
21.2 Hz–8.00 kHz
50.0 Hz–16.0 kHz,
LPF
THRU
DLY.BAL
0–100%
REV TIME
0.3–99.0 s
INI. DLY
0.0–500.0 ms
REV HI
0.1–1.0
DIFF.
0–10
DENSITY
0–100%
SYNC
OFF, ON
1
NOTE L
NOTE R
*1
NOTE FB
*1
1.
(Maximum value depends on the tempo setting)
DIST->DELAY
One input, two output distortion and delay effects in
series.
Parameter
Range
DST1, DST2,
DST TYPE
OVD1, OVD2,
CRUNCH
DRIVE
0–100
MASTER
0–100
TONE
–10 to +10
N. GATE
0–20
DELAY
0.0–2725.0 ms
FB. GAIN
–99 to +99%
HI. RATIO
0.1–1.0
FREQ.
0.05–40.00 Hz
DEPTH
0–100%
DLY.BAL
0–100%
SYNC
OFF, ON
1
DLY.NOTE
2
MOD.NOTE
1.
Maximum value depends on the tempo setting)
2.
DM1000 Version 2—Owner's Manual
Description
Left channel delay time
Right channel delay time
Feedback delay time
Feedback gain (plus values for
normal-phase feedback, minus
values for reverse-phase feed-
back)
Delay high-frequency feedback
ratio
High-pass filter cutoff frequency
Low-pass filter cutoff frequency
Delay and delayed reverb bal-
ance (0% = all delayed reverb,
100% = all delay)
Reverb time
Initial delay before reverb begins
High-frequency reverb time ratio
Spread
Reverb density
Tempo parameter sync on/off
Used in conjunction with
TEMPO to determine left chan-
nel DELAY L
Used in conjunction with
TEMPO to determine right chan-
nel DELAY R
Used in conjunction with
TEMPO to determine FB. DLY
Description
Distortion type (DST = distor-
tion, OVD = overdrive)
Distortion drive
Master volume
Tone control
Noise reduction
Delay time
Feedback gain (plus values for
normal-phase feedback, minus
values for reverse-phase feed-
back)
High-frequency feedback ratio
Modulation speed
Modulation depth
Distortion and delay balance
(0% = all distortion, 100% = all
delayed distortion)
Tempo parameter sync on/off
Used in conjunction with
TEMPO to determine DELAY
Used in conjunction with
TEMPO to determine FREQ.
MULTI FILTER
Two input, two output 3-band multi-filter
(24 dB/octave).
Parameter
Range
TYPE 1
HPF, LPF, BPF
TYPE 2
HPF, LPF, BPF
TYPE 3
HPF, LPF, BPF
FREQ. 1
28.0 Hz–16.0 kHz
FREQ. 2
28.0 Hz–16.0 kHz
FREQ. 3
28.0 Hz–16.0 kHz
LEVEL 1
0–100
LEVEL 2
0–100
LEVEL 3
0–100
RESO. 1
0–20
RESO. 2
0–20
RESO. 3
0–20
FREEZE
One input, one output basic sampler.
Parameter
Range
REC
MANUAL, INPUT
MODE
–1000 to +1000
REC DLY
ms
TRG LVL
–60 to 0 dB
TRG
0–1000 ms
MASK
MOMENT,
PLY MODE
CONTI., INPUT
1
START
END
1
LOOP
1
LOOP
0–100
NUM
START
0–262000
[SAMPLE]
END
0–262000
[SAMPLE]
LOOP
0–262000
[SAMPLE]
–12 to +12 semi-
PITCH
tones
FINE
–50 to +50 cents
MIDI TRG
OFF, C1–C6, ALL
(
1.
0.0–5941.0 ms (fs=44.1 kHz), 0.0 ms–5458.3 ms (fs=48 kHz),
0.0–2970.5 ms (fs=88.2 kHz), 0.0 ms–2729.2 ms (fs=96 kHz)
Description
Filter 1 type: high pass, low pass,
band pass
Filter 2 type: high pass, low pass,
band pass
Filter 3 type: high pass, low pass,
band pass
Filter 1 frequency
Filter 2 frequency
Filter 3 frequency
Filter 1 level
Filter 2 level
Filter 3 level
Filter 1 resonance
Filter 2 resonance
Filter 3 resonance
Description
In MANUAL mode, recording is
started by pressing the REC and
PLAY buttons. In INPUT mode,
Record-Ready mode is engaged
by pressing the REC button, and
actual recording is triggered by
the input signal.
Recording delay. For plus values,
recording starts after the trigger is
received. For minus values,
recording starts before the trigger
is received.
Input trigger level (i.e., the signal
level required to trigger record-
ing or playback)
Once playback has been trig-
gered, subsequent triggers are
ignored for the duration of the
TRG MASK time.
In MOMENT mode, the sample
plays only while the that the PLAY
button is pressed. In CONT mode,
playback continues once the PLAY
button has been pressed. The
number of times the sample plays
is set using the LOOP NUM
parameter. In INPUT mode, play-
back is triggered by the input sig-
nal.
Playback start point in millisec-
onds
Playback end point in milliseconds
Loop start point in milliseconds
Number of times the sample plays
Playback start point in samples
Playback end point in samples
Loop start point in samples
Playback pitch shift
Playback pitch shift fine
PLAY button can be triggered by
using MIDI Note on/off messages.

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