BSS Audio FDS366T OMNIDRIVE User Manual page 17

FDS-366T
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Typical Applications
Triple Bi-amp The FDS-366T can provide 3 channels of bi-amp crossover for monitor racks
with EQ, delays, and limiters. With so much EQ available in the FDS-366T, it
(Stage monitors)
is easy to assign 12 bands of EQ to the input, as well as EQ to the output
bands, saving the need for external EQ.
In LHLHLH mode by default, input A feeds outputs 1 and 2, input B feeds
outputs 3 and 4, and input C feeds outputs 5 and 6.
In this mode, it is possible to remove 'hot spots' on stage. Where the same mix
is sent to a number of performers, interaction between wedges can create lobes
of high intensity sound causing confusion. Using a fine delay to shift wedge
feeds can move these 'hot-spots' to less sensitive areas on stage.
LCR cinema
A similar configuration to the triple 2-way setup above.
systems (3x2-way)
6-Way zoning
The FDS-366T can be also be used as a zone distribution system, without
using any of its crossover facilities. Using this mode, a common input signal
distribution
can be routed to up to 6 separate outputs, each with delays, EQ and limiters.
Typical uses for this mode would include feeding a number of under-balcony
loudspeakers with integral passive crossovers, using the delays of the FDS-
366T for time correction, and EQ for tuning response.
For this application set the configuration to Mono and each output should be
full range (unless you particularly want to band restrict the outputs). Use the
'Xover Freq' screens in the output channel to set each band edge to be 'OUT'.
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