Creating A Rhythm Set; How To Make Rhythm Set Settings; Editing A Rhythm Set Quickly (Patch Zoom Edit); Rhythm Set - Roland Fantom G8 User Manual

Creating a Rhythm Set

With the Fantom-G, you have total control over a wide variety of
settings. Each item that can be set is known as a parameter. When
you change the values of parameters, you are doing what is referred
to as Editing. This chapter explains the procedures used in creating
rhythm sets, and the functions of the rhythm set parameters.
How to Make Rhythm Set
Settings
Start with an existing rhythm set and edit it to create a new rhythm
set. Rhythm sets are created from a collection of multiple rhythm
tones (percussion instruments). You can change the assignments of
the rhythm tones for each key with rhythm set edit.
The rhythm tone assigned to each key consists of up to four waves.
Rhythm tones and waves are related in the same way that patches
and tones are related.
112
Editing a Rhythm Set Quickly
(Patch Zoom Edit)
The Patch Zoom Edit screen allows you to edit the most important
parameters of a patch. If you want to have access to all of the
parameters, use the Patch Pro Edit screen (p. 114).
1.
Select the rhythm set whose settings you want to edit (p. 52).
2.
Press [PATCH].
The Patch Zoom Edit screen appears.
fig.07-001_50
Groups
F-key operations in the Patch Zoom Edit screen
F-key Explanation
F1 Moves the edit group tab upward.
Group/Up
F2 Moves the edit group tab downward.
Group/Down
F4 Rhythm
Util Menu Set
Initialize
Rhythm
Key
Initialize
Rhythm
Tone Copy
F5 Accesses the PFX (Patch Multi-effect) ed-
PFX iting screen.
F6 Accesses the Patch Pro Edit screen, where
Pro Edit you can edit all of the parameters.
F7 Selects the part to be edited.
Part Select
F8 Selects the tones that will sound.
Wave Sw/Sel
Parameters
Page
–
–
Initializes the settings of p. 115
the currently selected

rhythm set.

Initializes the settings of p. 115
the currently selected
rhythm key.
Copies settings from a de- p. 115
sired rhythm set to the
currently selected rhythm
set.
p. 157
p. 114
–
p. 113