Roland Fantom G8 User Manual page 11

03: Sound Generator, Section 2 (Controlling Sounds)... 71
Modifying the Sound in Real Time ......................................................................... 72
Waving Your Hand Over the D Beam to Modify the Sound (D Beam Controller) .................................................... 72
Using Knobs, Sliders or S1/S2 Buttons to Modify the Sound (Realtime Controller) ................................................. 75
Using a Pedal to Modify the Sound (Control Pedal) ....................................................................................................... 77
Playing Arpeggios.................................................................................................... 78
About Arpeggio .................................................................................................................................................................... 78
Playing Arpeggios ................................................................................................................................................................ 78
Arpeggio Settings ................................................................................................................................................................. 78
Saving the Arpeggio You Have Created (Write) ............................................................................................................. 80
Using the Chord Memory Function (Chord Memory) ........................................... 81
About the Chord Memory Function .................................................................................................................................. 81
Performing with the Chord Memory Function ................................................................................................................ 81
Creating Your Own Chord Forms...................................................................................................................................... 82
Saving the Chord Forms You Have Created .................................................................................................................... 82
04: Sound Generator, Section 3 (Creating Sounds) .. 83
Creating a Patch....................................................................................................... 84
How to Make Patch Settings ............................................................................................................................................... 84
Saving Patches You've Created (Write)............................................................................................................................. 88
Functions of Patch Parameters............................................................................................................................................ 89
Creating a Rhythm Set........................................................................................... 112
How to Make Rhythm Set Settings .................................................................................................................................. 112
Saving Rhythm Sets You've Created (Write).................................................................................................................. 116
Functions of Rhythm Set Parameters............................................................................................................................... 117
Making Settings for the D Beam Controller ....................................................................................................... 73
Changing Realtime Controller Settings............................................................................................................... 76
Making Control Pedal Settings............................................................................................................................. 77
Turning Arpeggio On and Off.............................................................................................................................. 78
Determining the Tempo for Arpeggio Performances ....................................................................................... 78
Holding an Arpeggio ............................................................................................................................................. 78
Importing SMF or Phrases to an Arpeggio Style ............................................................................................... 79
Turning Chord Memory Function On and Off .................................................................................................. 81
Selecting Chord Forms........................................................................................................................................... 81
Sounding a Chord in the Order of Its Notes (Rolled Chord) ........................................................................... 82
Editing a Patch Quickly (Patch Zoom Edit)........................................................................................................ 84
Editing All Parameters of a Patch (Patch Pro Edit) ........................................................................................... 86
Initializing Patch/Tone Settings (Patch Initialize/Tone Initialize)................................................................. 87
Copying Patch (Tone) Settings (Patch Tone Copy) ........................................................................................... 87
Cautions When Selecting a Waveform................................................................................................................ 88
Auditioning the Save-Destination Patch (Compare)......................................................................................... 89
Settings Common to the Entire Patch (General) ................................................................................................ 89
Modifying Waveforms (Wave)............................................................................................................................. 91
Changing How a Tone Is Sounded (TMT).......................................................................................................... 92
Modifying Pitch (Pitch/Pitch Env) ...................................................................................................................... 96
Modifying the Brightness of a Sound with a Filter (TVF/TVF Env) .............................................................. 98
Adjusting the Volume (TVA/TVA Env)........................................................................................................... 100
Output .................................................................................................................................................................... 102
Modulating Sounds (LFO1/2/Step LFO) ......................................................................................................... 102
Apply Portamento or Legato to the Sound (Solo/Porta) ............................................................................... 105
Miscellaneous Settings (Misc)............................................................................................................................. 107
Matrix Control Settings (Control 1-4) ............................................................................................................... 109
Setting Effects for a Patch (PFX) ......................................................................................................................... 111
Editing a Rhythm Set Quickly (Patch Zoom Edit)........................................................................................... 112
Editing All Parameters (Patch Pro Edit)............................................................................................................ 114
Initializing Rhythm Set/Key Settings (Rhythm Set Initialize/Rhythm Key Initialize) ............................. 115
Copying Rhythm Tone Settings (Rhythm Tone Copy)................................................................................... 115
Cautions When Selecting a Waveform.............................................................................................................. 116
Auditioning the Save-Destination Rhythm Set (Compare)............................................................................ 117
Making Settings Common to the Entire Rhythm Set (General)..................................................................... 117
Modifying Waveforms (Wave)........................................................................................................................... 119
Changing How a Rhythm Tone Is Sounded (WMT)....................................................................................... 120
Modifying Pitch (Pitch/Pitch Env) .................................................................................................................... 121
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