Roland Fantom G8 User Manual page 169

26: HEXA-CHORUS
Uses a six-phase chorus (six layers of chorused sound) to give
richness and spatial spread to the sound.
fig.MFX-26
L in
Balance D
Hexa Chorus
R in
Balance D
Parameter Value
Pre Delay 0.0–100.0 ms
Rate # 0.05–10.00 Hz, note
Depth 0–127
Pre Delay 0–20
Deviation
Depth -20– +20
Deviation
Pan Deviation 0–20
Balance # D100:0W–D0:100W
Level 0–127
27: TREMOLO CHORUS
This is a chorus effect with added Tremolo (cyclic modulation of
volume).
fig.MFX-27
L in
Balance D
Tremolo Chorus
R in
Balance D
Parameter Value
Pre Delay 0.0–100.0 ms
Chorus Rate # 0.05–10.00 Hz, note
Chorus Depth 0–127
Tremolo Rate # 0.05–10.00 Hz, note
Tremolo 0–127
Separation
Tremolo Phase 0–180 deg
Balance # D100:0W–D0:100W
Level 0–127
L out
Balance W
Balance W
R out
Description
Adjusts the delay time from the
direct sound until the chorus
sound is heard.
Frequency of modulation
Depth of modulation
Adjusts the differences in Pre
Delay between each chorus
sound.
Adjusts the difference in modu-
lation depth between each cho-
rus sound.
Adjusts the difference in stereo
location between each chorus
sound.
0: All chorus sounds will be in
the center.
20: Each chorus sound will be
spaced at 60 degree intervals
relative to the center.
Volume balance between the di-
rect sound (D) and the chorus
sound (W)
Output Level
L out
Balance W
Balance W
R out
Description
Adjusts the delay time from
the direct sound until the cho-
rus sound is heard.
Modulation frequency of the
chorus effect
Modulation depth of the cho-
rus effect
Modulation frequency of the
tremolo effect
Spread of the tremolo effect
Spread of the tremolo effect
Volume balance between the
direct sound (D) and the trem-
olo chorus sound (W)
Output Level
28: SPACE-D
This is a multiple chorus that applies two-phase modulation in
stereo. It gives no impression of modulation, but produces a
transparent chorus effect.
fig.MFX-28
Balance D
L in
Space D
Space D
R in
Balance D
Parameter Value
Pre Delay 0.0–100.0 ms
Rate # 0.05–10.00 Hz, note
Depth 0–127
Phase 0–180 deg
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–D0:100W
Level 0–127
29: 3D CHORUS
This applies a 3D effect to the chorus sound. The chorus sound will
be positioned 90 degrees left and 90 degrees right.
fig.MFX-29
L
3D Chorus
R
Parameter Value
Filter Type OFF, LPF, HPF
Cutoff Freq 200–8000 Hz
Pre Delay 0.0–100.0 ms
Rate # 0.05–10.00 Hz, note
Depth 0–127
Phase 0–180 deg
Output Mode SPEAKER, PHONES
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–D0:100W
Level 0–127
Effects List
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Description
Adjusts the delay time from
the direct sound until the
chorus sound is heard.
Frequency of modulation
Depth of modulation
Spatial spread of the sound
Gain of the low range
Gain of the high range
Volume balance between
the direct sound (D) and the
chorus sound (W)
Output Level
2-Band
L out
EQ
2-Band
R out
EQ
Description
Type of filter
OFF: no filter is used
LPF: cuts the frequency
range above the Cutoff Freq
HPF: cuts the frequency
range below the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from the
direct sound until the chorus
sound is heard.
Frequency of modulation
Modulation depth of the chorus
effect
Spatial spread of the sound
Adjusts the method that will be
used to hear the sound that is
output to the OUTPUT jacks.
The optimal 3D effect will be
achieved if you select SPEAK-
ER when using speakers, or
PHONES when using head-
phones.
Gain of the low range
Gain of the high range
Volume balance between the
direct sound (D) and the chorus
sound (W)
Output Level
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