Roland Fantom G8 User Manual page 174

Effects List
44: LONG DELAY
A delay that provides a long delay time.
fig.MFX-44
L in
Long Delay
Feedback
R in
Parameter Range
Delay Time 0–2600 ms, note
Phase NORMAL, INVERSE
Feedback # -98– +98%
HF Damp 200–8000 Hz,
BYPASS
Pan # L64–63R
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–D0:100W
Level 0–127
45: SERIAL DELAY
This delay connects two delay units in series. Feedback can be
applied independently to each delay unit, allowing you to produce
complex delay sounds.
fig.MFX-45
L in
Delay 1
Feedback 1
R in
Parameter Range
Delay1 Time 0–1300 ms, note
Delay1 -98– +98%
Feedback #
Delay1 HF 200–8000 Hz,
Damp BYPASS
Delay2 Time 0–1300 ms, note
Delay2 -98– +98%
Feedback #
174
2-Band
L out
EQ
Pan L
Pan R
2-Band
R out
EQ
Explanation
Delay time from when the
original sound is heard to
when the delay sound is
heard
Phase of the delay (NORMAL:
non-inverted, INVERT: in-
verted)
Proportion of the delay sound
that is to be returned to the in-
put (negative values invert
the phase)
Frequency at which the high-
frequency content of the de-
layed sound will be cut (BY-
PASS: no cut)
Panning of the delay sound
Amount of boost/cut for the
high-frequency range
Amount of boost/cut for the
high-frequency range
Volume balance of the origi-
nal sound (D) and delay
sound (W)
Output volume
L out
Pan L
Delay 2
Pan R
Feedback 2
R out
Explanation
Delay time from when sound
is input to delay 1 until the de-
lay sound is heard
Proportion of the delay sound
that is to be returned to the in-
put of delay 1 (negative values
invert the phase)
Frequency at which the high-
frequency content of the de-
layed sound of delay 1 will be
cut (BYPASS: no cut)
Delay time from when sound
is input to delay 2 until the de-
lay sound is heard
Proportion of the delay sound
that is to be returned to the in-
put of delay 2 (negative values
invert the phase)
Parameter Range
Delay2 HF 200–8000 Hz,
Damp BYPASS
Pan # L64–63R
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–D0:100W
Level 0–127
46: MODULATION DELAY
Adds modulation to the delayed sound.
When Feedback Mode is NORMAL:
fig.MFX-46a
Balance D
L in
Delay
Modulation
Feedback
Feedback
Delay
Modulation
R in
Balance D
When Feedback Mode is CROSS:
fig.MFX-46b
Balance D
L in
Delay Modulation
Feedback
Feedback
Delay Modulation
R in
Balance D
Parameter Value
Delay Left 0–1300 ms,
note
Delay Right
Feedback NORMAL,
Mode CROSS
Feedback # -98– +98 %
HF Damp 200–8000 Hz,
BYPASS
Rate # 0.05–10.00 Hz,
note
Depth 0–127
Phase 0-180 deg
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–
D0:100W
Level 0–127
Explanation
Frequency at which the high-
frequency content of the de-
layed sound of delay 2 will be
cut (BYPASS: no cut)
Panning of the delay sound
Amount of boost/cut for the
low-frequency range
Amount of boost/cut for the
high-frequency range
Volume balance of the origi-
nal sound (D) and delay
sound (W)
Output volume
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Description
Adjusts the time until the delay sound
is heard.
Selects the way in which delay sound is
fed back into the effect (See the figures
above.)
Adjusts the amount of the delay sound
that's fed back into the effect. Negative
(-) settings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don't want to filter out any
high frequencies, set this parameter to
BYPASS.
Frequency of modulation
Depth of modulation
Spatial spread of the sound
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level