Overview; Features - Sony VENICE MPC-3610 Operating Instructions Manual

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1. Overview

Features

New 36×24 mm Full Frame CMOS
Image Sensor
Supports image capture at resolutions up to 6048
× 4032 pixels.* By switching the imager mode, the
unit can natively support many shooting formats,
including Super 35 24.3 × 12.8 mm, 4096 × 2160
pixel resolution (equivalent to 3-perforation
motion picture film) and 4:3 Anamorphic* Super
35 24.3 × 18.3 mm, 4096 × 3024 pixel resolution
(equivalent to 4-perforation motion picture film).
* Full Frame and Anamorphic modes require licenses sold
separately.
Wide Latitude
The unit supports 15+ stops of latitude. It features
very low noise for delivering phenomenal images
in conditions from searing sunlight to almost
no light, allowing for unprecedented creative
freedom in grading.
Wide Color Space Capture
Images can be captured in a color space that
exceeds DCI-P3. The degree of freedom in the
grading is dramatically improved when using
Sony's S-Gamut and S-Gamut3.Cine color space
together with S-Log3.
Dual Base ISO
The unit supports two selectable native ISO
settings (ISO500 and ISO2500). Using Base ISO500
under normal lighting conditions and Base
ISO2500 under low light conditions allows you
to maintain the latitude balance between bright
and low light conditions when shooting, without
graining (noise).
PL Lens Mount
Equipped with the industry-standard PL lens
mount. The lens mount supports Cooke /i
technology, and lens information is recorded as
metadata frame by frame.
E Mount Lens
E mount lenses are supported by removing the PL
lens adaptor. E mount lenses are smaller and lighter
than PL lenses, and are available in a diverse lineup for
expanded possibilities in image reproduction.
Compact Body and Intuitive
Operation
A relatively compact design for a device equipped
with a large Full Frame image sensor, achieved
using Sony's miniaturization technology, which
allows easier shooting in confined spaces or on
drones.
The position, shape, and size of the control
buttons reflect the requirements of camera
operators for intuitive operation. They also feature
backlighting for ease of use in dark locations.
Engineered to Survive
The chassis is made from magnesium alloy for
high robustness and durability. The ventilation
system is completely isolated from all electronic
components to prevent ingress of dust, sand, and
liquids.*
The silent-running fan can be removed and
cleaned on-set quickly and easily to maintain high
readiness.
* Design protects against dust and rain, but cannot
completely prevent the ingress of dust and liquid.
Modular Design
Features a fully modular design, allowing you
to flexibly support various rigs and peripheral
equipment according to the shooting application.
The top handle and viewfinder are easily adjustable
to maintain ergonomic balance and ease of use with
lenses. The height of the optical axis is the same
as the PMW-F55, permitting the use of peripheral
devices used with the PMW-F55. And an optional
AXS-R7 Portable Memory Recorder can be securely
attached to the rear of the unit using four hex screws.
8-Position Optical ND Filter
Employs an 8-position optical ND filter. It offers
a wide ND range of 0.3ND (1/2 = 1 stop) to
2.4ND (1/256 = 8 stops) that reduces time lost
on set changing external ND filters. The ND filter
mechanism is servo-controllable.
Intuitive and Familiar On-Set
Operation
The menu screen is available from both sides of
the camera, with the main control display on the
Assistant side of the camera for fast access to the
camera settings by the camera assistant while
shooting.
An OLED mini display on the Operator side allows
the operator to access commonly accessed
features such as ND filter position, shutter, white
balance, exposure index (EI), and frame rate (FPS),
making it convenient for the operator to check the
status of the unit.
Paint Control from RM/RCP Units
The unit supports control from an RM/RCP panel
that can be used with broadcast camcorders
and system cameras. When connected, ITU-R
Rec. 2020 color space and HLG are selectable
and adjustment of various paint parameters is
supported.
High Frame Rate (HFR) Shooting
4K RAW recording at frame rates up to 120 fps is
supported using the unit in combination with an
AXS-R7.