Behringer DEEPMIND 12 User Manual page 87

87 DeepMind 12 User Manual
HallRev (HALL REVERB)
No DM12 REF PARAMETER
1 PD PreDelay
2* DCY Decay
3 SIZ Size
4* DMP Damping
5 DIF Diff usion
6* MIX Mix
7* LC LoCut
8* HC Hi Cut
9* LFX BassMult
10 SPR Spread
11* SHP Shape
12 MOD ModSpeed
ChamberRev (CHAMBER REVERB)
No DM12 REF PARAMETER
1 PRE PreDelay
2* DCY Decay
3 SIZ Size
4* DMP Damping
5 DIF Diff usion
6* MIX Mix
7* LC LoCut
8* HC Hi Cut
9* LFX BassMult
10 SPR Spread
11* SHP Shape
12 SPI Spin
UNITS MIN MAX
ms 0.0 200.0 ms
s 0.2 s 4.9 s
-- 2.0 200.0
Hz 1000 Hz 20000 Hz
-- 1.0 30.0
% 0.0% 100%
Hz 10.0 Hz 500.0 Hz
Hz 200.0 Hz 20000.0 Hz
-- 0.5 2.0
-- 0.0 50.0
-- 0.0 250.0
-- 0.0 100.0
UNITS MIN MAX
ms 0.0 200.0 ms
s 0.3 s 28.9 s
m 4.0 m 76.0 m
Hz 1000 Hz 20000 Hz
% 0.0% 100%
% 0.0% 100%
Hz 10.0 Hz 500.0 Hz
Hz 200.0 Hz 20000.0 Hz
-- 0.2 4.0
-- 0.0 50.0
-- 0.0 250.0
% 0.0% 100%
DESCRIPTION
Controls the amount of time before the reverb is heard following the source signal.
Controls the amount of time it takes for the reverb to dissipate.
Controls the perceived size of the space being created by the reverb.
Adjusts the decay of the high frequencies within the reverb tail.
Controls the initial refl ection density.
Controls the mix (or ratio) of wet (processed) and dry (unprocessed) signals.
Allows the low frequencies aff ected by the reverb to be reduced.
Allows the high frequencies aff ected by the reverb to be reduced.
Controls the low frequency build-up.
Emphasizes the stereo eff ect of the reverb.
Adjusts the contour of the reverberation envelope.
Controls the reverb tail modulation rate.
DESCRIPTION
Controls the amount of time before the reverb is heard following the source signal.
Controls the amount of time it takes for the reverb to dissipate.
Controls the perceived size of the space being created by the reverb.
Adjusts the decay of the high frequencies within the reverb tail.
Controls the initial refl ection density.
Controls the mix (or ratio) of wet (processed) and dry (unprocessed) signals.
Allows the low frequencies aff ected by the reverb to be reduced.
Allows the high frequencies aff ected by the reverb to be reduced.
Controls the low frequency build-up.
Emphasizes the stereo eff ect of the reverb.
Adjusts the contour of the reverberation envelope.
Controls randomization / modulation eff ects within the reverb.