Eff Ects Reference Guide; Eff Ects Table; Eff Ects Descriptions; Tc Deep Reverb - Behringer DEEPMIND 12 User Manual

79 DeepMind 12 User Manual

9. Eff ects Reference Guide

9.1 Eff ects Table

No Name Description
1 TC-DeepVRB

TC Deep Reverb

2 AmbVerb Ambient Reverb
3 RoomRev Room Reverb
4 VintageRev Vintage Room Reverb EMT250
5 HallRev Hall Reverb
6 ChamberRev Chamber Reverb
7 PlateRev Plate Reverb
8 RichPltRev Rich Plate Reverb
9 GatedRev Gated Reverb
10 Reverse Reverse Reverb
11 ChorusVerb Chorus & Reverb
12 DelayVerb Delay & Reverb
13 FlangVerb Flange & Reverb
14 MidasEQ Midas Equaliser
15 Enhancer Enhancer
16 FairComp Fair Compressor
17 MulBndDist Multi-Band Distortion Midas ProX*
18 RackAmp Rack Amplifi er
19 EdisonEX1 Stereo Imaging
20 Auto Pan Auto-Panning
21 NoiseGate Noise Gate
22 Delay Delay
23 3TapDelay 3-Tap Delay
24 4TapDelay 4-Tap Delay
25 T-RayDelay Tel-Ray Delay
26 DecimDelay Decimator Delay
27 ModDlyRev Mod, Delay & Reverb
28 Chorus Chorus
29 Chorus-D Chorus D
30 Flanger Flanger
31 Phaser Phase
32 MoodFilter Mood Filter
33 DualPitch Dual Pitch Shifter
34 RotarySpkr Rotary Speaker
* - Direct algorithms from the hardware devices designed by Music Group
companies.

9.2 Eff ects Descriptions

Here is a list and brief description of the eff ects available on the DeepMind 12
synthesizer.
TC Deep Reverb
TC Electronic is synonymous with some of the best sounding reverbs out there.
There are nine iconic reverb modes you know and love into this eff ect that simply
sounds so insanely good – you just have to try it. It's amazing that just four
controls (Decay, Tone and PreDelay) can give such a wide range of tonal options –
bright and springy, warm and bouncy or gigantic dark refl ections... It's all there
– and then some.
The PRE DELAY fader controls the amount of time before the reverb is heard
following the source signal. TONE enhances high frequencies for positive settings
and enhances low frequencies for negative settings. DECAY controls the amount
of time it takes for the reverb to dissipate. Note: The decay range changes
depending which of the modes is selected.
Device Inspiration Type
TC Hall of Fame Reverb
Lexicon 480L Reverb
Lexicon 480L Reverb
Reverb
Lexicon 480L Reverb
Lexicon 480L Reverb
Lexicon PCM-70 Reverb
Lexicon 480L Reverb
Lexicon 300/480L Reverb
Lexicon 300/480L Reverb
Lexicon PCM-70 Reverb
Lexicon PCM-70 Reverb
Lexicon PCM-70 Reverb
Midas ProX* Processing
SPL Vitalizer Processing
Fairchild 670 Processing
Processing
Tech 21 SansAmp Processing
Edison EX-1 Processing
Behringer X32* Processing
Midas ProX* Processing
Behringer X32* Delay
Behringer X32* Delay
Behringer X32* Delay
Tel-Ray Delay Delay
Decimator Delay Delay
Lexicon PCM-70 Delay
Behringer X32* Creative
Roland Dimension D Creative
Behringer X32* Creative
Behringer X32* Creative
Moog Type Filter Creative
Harmonizer Creative
Leslie Creative
HallRev, AmbVerb, RichPltRev, RoomRev, ChamberRev
These 5 reverb emulations are inspired by the Lexicon 480L. Hall simulates the
reverberation that occurs when sound is recorded in medium to large-sized
concert halls. Ambience creates a customizable virtual acoustic space to add
warmth and depth without coloring the direct sound.
The PRE DELAY fader controls the amount of time before the reverb is heard
following the source signal. DECAY controls the amount of time it takes for the
reverb to dissipate. SIZE controls the perceived size of the space being created by
the reverb. The DAMP fader adjusts the decay of the high frequencies within the
reverb tail. DIFF(usion) controls the initial refl ection density, and LEVEL controls
the eff ect output.
LO and HI CUT allow the frequencies aff ected by the reverb to be narrowed.
BASSMULT(iplier) controls the low frequency build-up. SPREAD emphasizes
the stereo eff ect of the reverb. SHAPE adjusts the contour of the reverberation
envelope. MOD SPEED controls the reverb tail modulation rate and TAIL GAIN
adjusts the volume of the reverb tail. The Rich Plate and Room reverbs allow
the stereo ECHO DELAY and the delay FEEDBACK to be adjusted independently
for each side. The Chamber reverb allows the stereo REFL(ection) DELAY and
GAIN to be adjusted independently.
VintageRev
Vintage Room simulates the reverberation that occurs when sound is recorded in
a small room. When you want to add a bit of warmth and just a touch of reverb,
the Vintage Room breathes life into close-mic'd guitar and drum tracks. (Inspired
by the Quantec QRS)
Set the early refl ection times for the left and right channel with ER DELAY L
and ER DELAY R. ER LEVEL sets the loudness of the early refl ection level. REV
DELAY controls the amount of time before the reverberation is heard following
the source signal. HI/LOW MULTIPLY adjusts the decay time of the high and
bass frequencies. ROOM SIZE adjusts the size of the room eff ect being created
incrementally from small to large. HIGH CUT sets the frequency above which
the source signal does not pass through the reverb. DENSITY manipulates the
refl ection density in the simulated room. (This slightly changes the reverb decay
time). LOW CUT sets the frequency below which the source signal does not pass
through the reverb.