Setting Up Individual Rhythm Tones; Tips For Choosing Rhythm Tone Waveforms - Roland XV-5050 Owner's Manual

64 voices 2x expansion sound generator
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Chapter 2. Creating a Rhythm Set
Setting up Individual Rhythm
Tones
EFFECTS
Patch/Rhythm Set Mode Settings (p. 70)
CONTROL
Other Settings (p. 61)
WAVE
Modifying a Rhythm Tone's Waveform and Panning (p. 57)
PITCH
Modifying a Rhythm Tone's Pitch (p. 59)
TVF
Modifying the Brightness of a Sound with a Filter (p. 59)
TVA
Making the Volume Change (p. 61)
56
Editing Procedure:
1. Choose the Rhythm Set you wish to set up.
2. Press [EDIT] to make its indicator light.
3. Press [
CURSOR] a few times to move the cursor to the
parameter group in the upper line of the display.
4. Turn [VALUE] to choose the parameter group containing the
parameter you wish to set up.
5. Press TONE SW [1]–[4] to choose the Tone you wish to set
up.
[1]: Selects the key one octave below the currently selected key.
[2]: Selects the key a semitone below the currently selected key.
[3]: Selects the key a semitone above the currently selected key.
[4]: Selects the key one octave above the currently selected key.
* You can also press a key on a connected MIDI keyboard to select the
desired percussion instrument sound (key). (p. 54)
The selected key appears in the upper left of the display.
fig.2-05
6. Press [CURSOR
] to move the cursor to the parameter
name.
7. Turn [VALUE] to choose the parameter you wish to set.
8. Press [CURSOR
] to move the cursor to the selected
parameter's value.
9. Turn [VALUE] to choose the desired value.
10.Repeat Steps 3–10 to finish setting up the Rhythm Set.
11.Press [EXIT] to return to the RHYTHM PLAY screen.
A "*" symbol appears at the left of the Rhythm Set name,
indicating that its settings have been changed.
fig.2-04
If you turn off the power or choose another Rhythm Set while
the "*" symbol is displayed, your new Rhythm Set settings will
be lost. If you wish to preserve them, save the changed Rhythm
Set using the Write operation. (p. 104)
Tips for Choosing Rhythm Tone
Waveforms
Refer to p. 43.

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