Making Settings For Receiving Midi (Midi); Making Settings For Each Part (Part) - Roland XV-5050 Owner's Manual

64 voices 2x expansion sound generator
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GM REVERB
Parameter
EFFECTS
Rev Type
Reverb type
Reverb Time
Reverb time
Reverb Output
Reverb output assign
Asgn
Rev Output Level
Reverb output level
If the Mix/Parallel parameter (p. 107) is set to MIX, all sounds are output from the OUTPUT A (MIX) jacks in stereo.

Making Settings for Receiving MIDI (MIDI)

These parameters determine how each Part will transmit and receive MIDI messages.
Parameter
MIDI
Rx Channel
MIDI receive channel
Rx Switch
Receive switch
Mute Switch
Mute switch

Making Settings for Each Part (PART)

Here you can select the GM Patch/Rhythm Set assigned to each Part, and set the volume, pan, and pitch of each Part.
Parameter
PART
Part Type
Part type
Num
Number
Level
Level
Pan
Pan
Coarse Tune
Coarse tune
Fine Tune
Fine tune
Cutoff Offset
Part cutoff offset
Resonance Offset
Part resonance offset
Attack Offset
Part attack time offset
Release Offset
Part release time off-
set
Bend Range
Pitch bend range
Mono/Poly
Part mono/poly
Portamento Sw
Part portamento
switch
Portamento Time
Part portamento time
What is Portamento?
Portamento is an effect which smoothly changes the pitch from the first-played key to the next-played key. With the Mono/Poly parameter
set to MONO, portamento is especially effective when simulating playing techniques such as a violin glissandos. Portamento can also be
applied when this parameter is polyphonic.
Chapter 7 Using the XV-5050 as a General MIDI Sound Module
Value
SMALL ROOM,
MEDIUM ROOM,
LARGE ROOM,
MEDIUM HALL,
LARGE HALL, PLATE,
DELAY, PAN DELAY
0–127
A, B
0–127
Value
Description
1–16, OFF
Sets the MIDI receive channel for each Part.
OFF, ON
Specifies whether each Part will receive Note messages (ON), or not (OFF).
OFF, MUTE
Mute Sw temporarily mutes (ON) or releases the mute (OFF) for the performance of each Part.
* The Mute Sw parameter does not turn the Part off, but rather mutes the sound by setting the
volume to 0. Therefore, MIDI messages are still received.
Value
Description
PATCH,
Sets the assignment of a GM Patch (PATCH) or GM Rhythm Set (RHYTHM) to each of the Parts.
RHYTHM
001–256 / 001–
Selects the desired GM Patch or Rhythm Set by its number.
009
* In GM mode, Patches or Rhythm Sets other than the GM Patches and Rhythm Sets in PR-H can-
not be selected. Furthermore, GM Patches and Rhythm Sets cannot be edited.
0–127
Adjusts the volume of an individual Part. This setting's main purpose is to adjust the volume bal-
ance between Parts.
RND, L63–63R
Adjusts the pan of each Part. L64 is far left, 0 is center, and 63R is far right.
-48– +48
Adjusts the pitch of the Part's sound up or down in semitone steps (+/-4 octaves).
-50– +50
Adjusts the pitch of the Part's sound up or down in 1-cent steps (+/-50 cents).
-6– +63
Adjusts the cutoff frequency for the GM Patch or Rhythm Set assigned to a Part.
-64– +63
Adjusts the Resonance for the GM Patch or Rhythm Set assigned to a Part.
-64– +63
Adjusts the TVA Envelope Attack Time for the GM Patch or Rhythm Set assigned to a Part.
-64– +63
Adjusts the TVA Envelope Release Time for the GM Patch or Rhythm Set assigned to a Part.
0–24
Specifies the amount of pitch change in semitones (2 octaves) that will occur when the Pitch Bend
Lever is moved. The amount of change when the lever is tilted is set to the same value for both
left and right sides.
MONO, POLY
Set Mono/Poly to MONO when the GM Patch assigned to the Part is to be played monophonical-
ly, or to MONO when the GM Patch is to be played polyphonically.
* For the Part to which the GM Rhythm Set is assigned, this setting will be ignored.
OFF, ON
Determines whether the Portamento effect will be applied (ON) or not (OFF). Turn this parameter
ON when you want to apply Portamento and OFF when you don't.
0–127
Adjusts the time over which the pitch will change. Higher settings will cause the pitch change to
the next note to take more time.
Description
Selects the type of Reverb.
SMALL ROOM: Reverb resembling that obtained in a small room.
MEDIUM ROOM: Reverb resembling that obtained in a somewhat larger room.
LARGE ROOM: Reverb resembling that obtained in a large room.
MEDIUM HALL: Reverb resembling that obtained in a medium-sized concert hall.
LARGE HALL: Reverb resembling that obtained in a large concert hall.
PLATE: Plate-type reverb effect.
DELAY: Conventional delay effect
PAN DELAY: Delay effect with echoes that pan left and right
Adjusts the length of the Reverb time.
Specifies how the sound routed through Reverb will be output.
A: Output to the OUTPUT A (MIX) jacks in stereo.
B: Output to the OUTPUT B jacks in stereo.
Output level of reverberation
113

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