Applications For Patches; Syncing The Lfo Cycle To The System Tempo; Synchronizing Multi-Effects To The System Tempo - Roland XV-5050 Owner's Manual

MATRIX CTR1–4 (Matrix control 1–4)
This select the parameters to be controlled in the Matrix Control 1–4
Source and the Sens settings, as well as the Tone to which they're
applied. Up to four parameters can be specified for each controller
and controlled simultaneously.
Ctl1–4 Dest1–4
(Matrix Control 1–4 Destination 1–4)
This chooses the parameters to be controlled.
No control
OFF
PCH Pitch
CUT Cutoff Frequency
Resonance
RES
LEV Level
PAN
DRY Dry Level
CHO Chorus Send
REV Reverb Send
PIT-LFO1(2) LFO1(2) Pitch Depth
TVF-LFO1(2) LFO1(2) TVF Depth
LFO1(2) TVA Depth
TVA-LFO1(2)
PAN-LFO1(2) LFO1(2) Pan Depth
LFO1(2)-RATE LFO1(2) Rate
PIT-ATK Pitch Envelope Attack
Time
PIT-DCY Pitch Envelope Decay
Time
PIT-REL Pitch Envelope Release
Time
TVF-ATK TVF Envelope Attack
Time
TVF-DCY TVF Envelope Decay
Time
TVF-REL TVF Envelope Release
Time
TVA Envelope Attack
TVA-ATK
Time
TVA-DCY TVA Envelope Decay
Time
TVA-REL TVA Envelope Release
Time
TMT
FXM Wave FXM Depth
MFX1–4 MFX CTRL1–4
Ctl1–4 Sens1–4 (Matrix Control 1–4 Sens 1–4)
This adjusts the amount of change that occurs in response to
controller movements. Negative (-) values invert the change. For
example, with LFO Depth, the phase is reversed when a negative
Sens value is chosen. With LFO Rate, setting Sens to a negative value
increases the cycle length, slowing down the LFO, while setting it to
positive value shortens the cycle, speeding it up.
Ctl1–4 Switch1–4
(Matrix Control 1–4 Tone Control Switch 1–4)
This selects the Tone to be controlled using the two previous
parameter settings. "ON" activates the control of a Tone, "OFF" de-
activates it, and "REVERSE" reverses the (+) or (-) nature of the
change being applied.
Chapter 8 Examples of Applications Using the XV-5050
PITCH parameters (p. 45)
TVF parameters (p. 46)
TVA parameters (p. 48)
EFFECTS parameters (p. 74)
LFO parameters (p. 50)
PITCH parameters (p. 45)
TVF parameters (p. 46)
TVA parameters (p. 48)
COMMON parameters
(p. 41)
WAVE parameter (p. 44)
EFFECTS parameters (p. 74)

Applications for Patches

Syncing the LFO Cycle to the System
Tempo
1. Choose the Patch you wish to synchronize on the PATCH
PLAY screen.
2. Set the Patch Clock Source parameter (PATCH:COMMON
screen) to SYSTEM.
3. Set the beat length of the RATE (PATCH:LFO screen) of each
Tone to match the System Tempo.
4. Set the System Clock Source parameter
(SYSTEM:GENERAL screen) to INT.
* When the System Clock Source parameter is set to MIDI or USB, you
can synchronize the LFO cycle to an external device.
5. If the System Tempo (SYSTEM:GENERAL screen) changes,
the LFO Rate changes along with it.
6. Set the modulation depth as desired using LFO Depth
(PATCH:LFO screen) for each Tone.
Synchronizing Multi-Effects to the
System Tempo
You can change Multi-Effects parameter values in time with the
System Tempo when you've selected the following values for the
Type MFX parameter.
Type MFX Parameter
16: STEP FLANGER Step Rate
19: 3 TAP DELAY Delay C/L/R
20: 4 TAP DELAY Delay 1–4
41: St PHASER Rate, Step Rate
42: KEYSYNC FLG LFO Rate, Step Rate
43: FORMANT FLTR Rate
45: MLT TAP DLY Delay 1–4
46: REVERSE DLY Delay 1–4
47: SHUFFLE DLY Delay
48: 3D DELAY Delay C/L/R
58: SLICER Rate
60: 3D CHORUS LFO Rate
61: 3D FLANGER LFO Rate, Step Rate
62: TREMOLO Rate
63: AUTO PAN Rate
64: St PHASER 2 Rate, Step Rate
65: St AUTO WAH Rate
66: St FORMN FLT Rate
67: MLT TAP DLY2 Delay 1–4
68: REVERSE DLY2 Delay 1–4
69: SHUFFLE DLY2 Delay
70: 3D DELAY 2 Delay C/L/R
71: ROTARY 2 Low Slow/Fast, High Slow/Fast
72: ROTARY MULTI Low Freq Slow/Fast, High Freq Slow/Fast
73: KEYBD MULTI Phaser Rate, Delay Time L/R
74: RHODES MULTI Phaser Rate, Cho/Flg Rate, Tre/Pan Rate
81: GTR MULTI A Delay Time L/R, Cho/Flg Rate
82: GTR MULTI B Cho/Flg Rate
83: GTR MULTI C Wah Rate, Delay Time L/R, Cho/Flg Rate
84: CL GTR MLT A Delay Time L/R, Cho/Flg Rate
85: CL GTR MLT B Wah Rate, Delay Time L/R, Cho/Flg Rate
86: BASS MULTI Cho/Flg Rate
89: 3D AUTO SPIN Speed
Here's an example in which STEP FLANGER is used for the Multi-
Effects.
115