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Chapter 4 Using the XV-5050 Effects
When Using 3D Effects
The following 3D effects utilize RSS (Roland Sound Space)
technology to create a spaciousness that cannot be produced by
delay, reverb, chorus, etc.
48: 3D DELAY
60: 3D CHORUS
61: 3D FLANGER
70: 3D DELAY 2
89: 3D AUTO SPIN
90: 3D MANUAL
When using these effects, we recommend that you place your
speakers as follows. Also, make sure that the speakers are at a
sufficient distance from the walls on either side.
fig.02-031
30˚
If the left and right speakers are too far apart, or if there is too
much reverberation, the full 3D effect may not be realized.
Each of these effects has an "Output Mode" parameter. If the
sound from the OUTPUT jacks is to be heard through speakers,
set this parameter to "SPEAKER." If the sound is to be heard
through headphones, set it to "PHONES." This ensures that the
optimal 3D effect is achieved. If this parameter is not set
correctly, the full 3D effect may not be realized.
note *1:
fig.MFX-note1.e_88
(Eighth-note triplet),
(Sixteenth note),
(Half-note triplet),
(Dotted eighth note),
(Dotted quarter note),
(Half note),
note *2:
fig.MFX-note2.e_88
(Sixty-fourth-note triplet),
(Sixty-fourth note),
(Thirty-second note),
(Sixteenth-note triplet),
(Eighth-note triplet),
(Sixteenth note),
(Eighth note),
(Quarter-note triplet),
(Quarter note),
(Half-note triplet),
(Whole-note triplet),
(Dotted half note),
(Dotted whole note),
(Double-note triplet),
102
30˚
(Dotted sixteenth note),
(Eighth note),
(Quarter note),
(Half-note triplet),
(Thirty-second-note triplet),
(Dotted thirty-second note),
(Dotted sixteenth note),
(Dotted eighth note),
(Dotted quarter note),
(Half note),
(Whole note),
(Double note)
Chorus Parameters
The XV-5050's Chorus effect unit can also be used as a stereo delay
unit.
These settings allow you to select chorus or delay, and the
characteristics of the selected effect type.
Parameter
Value
Type
0 (OFF),
1 (CHORUS),
2 (DELAY),
3 (GM2 CHO-
RUS)
Type: 1 (CHORUS)
Cho Rate
0.05-10.00 Hz
Cho Depth
0-127
Cho PreDly
0.0-100.0 ms
Chorus Feedback
0-127
Cho Filter Type
OFF, LPF,
HPF
Cho Cutoff
200-8000 Hz
Cho Phase
0-180 deg
Type: 2 (DELAY)
Delay L
0-1000 ms,
note
Delay R
Delay C
Dly Feedback
-98-+98 %
Dly HF Damp
200-8000 Hz,
BYPASS
Dly L Level
0-127
Dly R Level
Dly C Level
Type: 3 (GM2 CHORUS)
Chorus Level
0-127
Chorus Feedback
0-127
Chorus Pre-LPF
0-7
Chorus Delay
0-127
Chorus Rate
0-127
Chorus Depth
0-127
Chorus Send to
0-127
Rev
note:
fig.MFX-note2.e
(Sixty-fourth-note triplet),
(Sixty-fourth note),
(Thirty-second note),
(Sixteenth-note triplet),
(Eighth-note triplet),
(Sixteenth note),
(Eighth note),
(Quarter-note triplet),
(Quarter note),
(Half-note triplet),
(Whole-note triplet),
(Dotted half note),
(Dotted whole note),
(Double-note triplet),
Description
Selects either Chorus or Delay.
0 (OFF): Neither Chorus or Delay is
used.
1 (CHORUS): Chorus is used.
2 (DELAY): Delay is used.
3 (GM2 CHORUS): GM2 Chorus is
used.
Frequency of modulation
Depth of modulation
Adjusts the time until the chorus is
heard.
Adjusts the amount of the chorus
sound that's fed back into the effect.
Type of filter
OFF: no filter is used
LPF: cuts the frequency range above
the Cutoff Freq
HPF: cuts the frequency range below
the Cutoff Freq
Basic frequency of the filter
Spatial spread of the sound
Adjusts the time until the delay is
heard.
Adjusts the amount of the delay sound
that's fed back into the effect. Negative
(-) settings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don't want to filter out any
high frequencies, set this parameter to
BYPASS.
Volume of each delay
Volume of the chorus sound
Adjusts the amount of the chorus
sound that's fed back into the effect.
Cuts the high frequency range of the
sound coming into the chorus.
Higher values cut more high frequen-
cies.
Adjusts the time until the chorus is
heard.
Frequency of modulation
Depth of modulation
Adjusts the amount of chorus sound
sent to the reverb.
(Thirty-second-note triplet),
(Dotted thirty-second note),
(Dotted sixteenth note),
(Dotted eighth note),
(Dotted quarter note),
(Half note),
(Whole note),
(Double note)
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