Roland Juno-Stage User Manual page 184

Effects List
57: LOFI COMPRESS
This is an effect that intentionally degrades the sound quality for
creative purposes.
fig.MFX-57
L in
Compressor
R in
Compressor
Parameter Value
Pre Filter Type
1–6
LoFi Type 1–9
Post Filter Type
OFF, LPF, HPF
Post Filter
200–8000 Hz
Cutoff
Low Gain
-15–+15 dB
High Gain -15–+15 dB
D100:0W–
Balance #
D0:100W
Level #
0–127
58: LOFI RADIO
In addition to a Lo-Fi effect, this effect also generates radio noise.
fig.MFX-58
L in
Lo-Fi
Radio
Lo-Fi
R in
Parameter Value
LoFi Type 1–9
OFF, LPF,
Post Filter Type
HPF
Post Filter
200–8000 Hz
Cutoff
Radio
0–127
Detune #
Radio Noise
0–127
Level #
Low Gain -15–+15 dB
High Gain -15–+15 dB
D100:0W–
Balance #
D0:100W
Level 0–127
184
2-Band
Lo-Fi
EQ
2-Band
Lo-Fi
EQ
Explanation
Selects the type of filter applied to the sound
before it passes through the Lo-Fi effect.
1: Compressor off
2–6: Compressor on
Degrades the sound quality. The sound
quality grows poorer as this value is
increased.
Type of filter
OFF: no filter is used
LPF: cuts the frequency range above the
Cutoff
HPF: cuts the frequency range below the
Cutoff
Basic frequency of the Post Filter
Gain of the low range
Gain of the high range
Volume balance between the direct sound
(D) and the effect sound (W)
Output level
2-Band
L out
EQ
2-Band
R out
EQ
Explanation
Degrades the sound quality. The sound
quality grows poorer as this value is
increased.
Type of filter
OFF: no filter is used
LPF: cuts the frequency range above the
Cutoff
HPF: cuts the frequency range below the
Cutoff
Basic frequency of the Post Filter
Simulates the tuning noise of a radio. As this
value is raised, the tuning drifts further.
Volume of the radio noise
Gain of the low range
Gain of the high range
Volume balance between the direct sound
(D) and the effect sound (W)
Output level
59: TELEPHONE
This effect produces a muffled sound, like that heard through a telephone.
fig.MFX-59
L in
L out
R in
Parameter
R out
Voice
Quality #
Treble
Balance #
Level
60: PHONOGRAPH
Simulates a sound recorded on an analog record and played back on a
record player. This effect also simulates the various types of noise that are
typical of a record, and even the rotational irregularities of an old turntable.
fig.MFX-60
L in
Phonograph
Phonograph
R in
Parameter
Signal
Distortion
Frequency
Range
Disc Type
Scratch Noise
Level
Dust Noise
Level
Hiss Noise
Level
Total Noise
Level #
Wow
Flutter
Random
Total Wow/
Flutter #
Balance #
Level
Telephone
Telephone
Value Explanation
0–15 Audio quality of the telephone voice
-15–+15 dB Bandwidth of the telephone voice
D100:0– Volume balance between the direct sound
D0:100W (D) and the effect sound (W)
0–127 Output level
Balance D
Balance W
Balance W
Balance D
Value Explanation
0–127 Depth of distortion
Frequency response of the playback system
Decreasing this value will produce the
0–127
impression of an old system with a poor
frequency response.
Rotational speed of the turntable
LP, EP, SP This will affect the frequency of the
scratch noise.
Amount of noise due to scratches on the
0–127
record
0–127 Volume of noise due to dust on the record
0–127 Volume of continuous "hiss"
0–127 Volume of overall noise
0–127 Depth of long-cycle rotational irregularity
0–127 Depth of short-cycle rotational irregularity
Depth of indefinite-cycle rotational
0–127
irregularity
0–127 Depth of overall rotational irregularity
D100:0W– Volume balance between the direct sound
D0:100W (D) and the effect sound (W)
0–127 Output level
L out
R out
L out
R out