Roland Juno-Stage User Manual page 174

Effects List
30: 3D FLANGER
This applies a 3D effect to the flanger sound. The flanger sound will
be positioned 90 degrees left and 90 degrees right.
fig.MFX-30
L
3D Flanger
R
Parameter Value
Filter Type OFF, LPF, HPF
Cutoff Freq
200–8000 Hz
Pre Delay
0.0–100 msec
Rate #
0.05–10.00 Hz, note
Depth 0–127
Phase 0–180 deg
Feedback # -98–+98%
Output Mode
SPEAKER, PHONES
Low Gain -15–+15 dB
High Gain
-15–+15 dB
Balance #
D100:0W–D0:100W
Level
0–127
31: 3D STEP FLANGER
This applies a 3D effect to the step flanger sound. The flanger sound
will be positioned 90 degrees left and 90 degrees right.
fig.MFX-31
L
3D Step Flanger
R
Parameter Value
Filter Type OFF, LPF, HPF
Cutoff Freq
200–8000 Hz
174
2-Band
L out
EQ
2-Band
R out
EQ
Explanation
Type of filter
OFF: no filter is used
LPF: cuts the frequency range
above the Cutoff Freq
HPF: cuts the frequency range
below the Cutoff Freq
Center frequency when using the
filter to cut a specific frequency
range
Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard.
Frequency of modulation
Depth of modulation
Spatial spread of the sound
Adjusts the proportion of the
flanger sound that is fed back into
the effect. Negative (-) settings will
invert the phase.
Adjusts the method that will be
used to hear the sound that is
output to the OUTPUT jacks. The
optimal 3D effect will be achieved
if you select SPEAKER when using
speakers, or PHONES when using
headphones.
Gain of the low range
Gain of the high range
Volume balance between the
direct sound (D) and the flanger
sound (W)
Output Level
2-Band
L out
EQ
2-Band
R out
EQ
Explanation
Type of filter
OFF: no filter is used
LPF: cuts the frequency range
above the Cutoff Freq
HPF: cuts the frequency range
below the Cutoff Freq
Center frequency when using the
filter to cut a specific frequency
range
Parameter Value
Pre Delay 0.0–100 msec
Rate #
0.05–10.00 Hz, note
Depth 0–127
Phase 0–180 deg
Feedback # -98–+98%
Step Rate # 0.10–20.00 Hz, note
Output Mode
SPEAKER, PHONES
Low Gain -15–+15 dB
High Gain
-15–+15 dB
Balance #
D100:0W–D0:100W
Level 0–127
32: 2 BAND CHORUS
A chorus effect that lets you apply an effect independently to the low-
frequency and high-frequency ranges.
fig.MFX-32
L in
High Band Chorus
Split
High Band Chorus
Split
R in
Parameter Value
Split Freq 200–8000 Hz
Low Pre Delay 0.0–100 msec
Low Rate # 0.05–10.00 Hz, note
Low Depth 0–127
Low Phase 0–180 deg
High Pre Delay 0.0–100 msec
High Rate #
0.05–10.00 Hz, note
High Depth 0–127
High Phase 0–180 deg
Balance # D100:0W–D0:100W
Level 0–127
Explanation
Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard.
Frequency of modulation
Depth of modulation
Spatial spread of the sound
Adjusts the proportion of the
flanger sound that is fed back into
the effect. Negative (-) settings will
invert the phase.
Rate (period) of pitch change
Adjusts the method that will be
used to hear the sound that is
output to the OUTPUT jacks. The
optimal 3D effect will be achieved
if you select SPEAKER when using
speakers, or PHONES when using
headphones.
Gain of the low range
Gain of the high range
Volume balance between the
direct sound (D) and the flanger
sound (W)
Output Level
Low Band Chorus
Low Band Chorus
Explanation
Frequency at which the low and
high ranges will be divided
Delay time from when the
original sound is heard to when
the low-range chorus sound is
heard
Rate at which the low-range
chorus sound is modulated
Modulation depth for the
low-range chorus sound
Spaciousness of the low-range
chorus sound
Delay time from when the
original sound is heard to when
the high-range chorus sound is
heard
Rate at which the low-range
chorus sound is modulated
Modulation depth for the
high-range chorus sound
Spaciousness of the high-range
chorus sound
Volume balance of the original
sound (D) and chorus sound (W)
Output volume
L out
R out