Roland Juno-Stage User Manual page 178

Roland juno-stage: user guide
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Effects List
43:
DELAY
This is a stereo delay.
When Feedback Mode is NORMAL:
fig.MFX-43a
Balance D
L in
Delay
Feedback
Feedback
Delay
R in
Balance D
When Feedback Mode is CROSS:
fig.MFX-43b
Balance D
L in
Delay
Feedback
Feedback
Delay
R in
Balance D
Parameter
Value
Delay Left
0–1300 msec,
note
Delay Right
Phase Left
NORMAL,
INVERSE
Phase Right
Feedback
NORMAL,
Mode
CROSS
Feedback #
-98–+98%
200–8000 Hz,
HF Damp
BYPASS
Low Gain
-15–+15 dB
High Gain
-15–+15 dB
D100:0W–
Balance #
D0:100W
Level
0–127
178
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Explanation
Adjusts the time until the delay sound is
heard.
Phase of the delay sound
Selects the way in which delay sound is fed
back into the effect. (See the figures above.)
Adjusts the amount of the delay sound that's
fed back into the effect. Negative
(-) settings invert the phase.
Adjusts the frequency above which sound fed
back to the effect is filtered out. If you don't
want to filter out any high frequencies, set this
parameter to BYPASS.
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct sound
(D) and the delay sound (W)
Output level
44:
LONG DELAY
A delay that provides a long delay time.
fig.MFX-44
L in
Long Delay
Feedback
R in
Parameter
Value
Delay Time
0–2600 msec, note
Phase
NORMAL, INVERSE
Feedback #
-98–+98%
200–8000 Hz,
HF Damp
BYPASS
Pan #
L64–63R
Low Gain
-15–+15 dB
High Gain
-15–+15 dB
Balance #
D100:0W–D0:100W
Level
0–127
2-Band
L out
EQ
Pan L
Pan R
2-Band
R out
EQ
Explanation
Delay time from when the
original sound is heard to when
the delay sound is heard
Phase of the delay (NORMAL:
non-inverted, INVERT: inverted)
Proportion of the delay sound
that is to be returned to the input
(negative values invert the phase)
Frequency at which the
high-frequency content of the
delayed sound will be cut
(BYPASS: no cut)
Panning of the delay sound
Amount of boost/cut for the
high-frequency range
Amount of boost/cut for the
high-frequency range
Volume balance of the original
sound (D) and delay sound (W)
Output volume

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