Roland Juno-Stage User Manual page 99

Changing How a Tone is Sounded (Structure)
Parameter
Struct 1 & 2, 3 & 4
(Structure Type)
Struct 1&2, 3&4
ZOOM
Type 01
TONE 1 (3) WG
TONE 2 (4) WG
With this type, tones 1 and 2 (or 3 and 4) are independent. Use this type
when you want to preserve PCM sounds or create and combine sounds
for each tone.
Type 03
WG
TONE 1 (3) TVA
TONE 2 (4) WG
This type mixes the sound of tone 1 (3) and tone 2 (4), applies a filter,
and then applies a booster to distort the waveform.
Type 05
TONE 1 (3) WG TVA
TONE 2 (4) WG
This type uses a ring modulator to create new overtones, and combines
the two filters. The tone 1 (3) TVA will control the volume balance of the
two tones, adjusting the depth of ring modulator.
Type 07
TONE 1 (3) WG
TVF TVA
TONE 2 (4) WG
This type applies a filter to tone 1 (3) and ring-modulates it with tone 2
(4) to create new overtones.
Type 09
TONE 1 (3) WG
TVF TVA
TONE 2 (4) WG TVF
This type passes the filtered sound of each tone through a ring modulator
to create new overtones. The tone 1 (3) TVA will control the volume
balance of the two tones, adjusting the depth of ring modulator.
* When TYPE 02–10 is selected and one tone of a pair is turned off, the other tone will be sounded as TYPE 01 regardless of the displayed setting.
* If you limit the keyboard area in which a tone will sound (KEY RANGE, p. 102) or limit the range of velocities for which it will sound (VELOCITY
RANGE, p. 102), the result in areas or ranges where the tone does not sound is just as if the tone had been turned off. This means that if TYPE
02–10 is selected and you create a keyboard area or velocity range in which one tone of a pair does not sound, notes played in that area or
range will be sounded by the other tone as TYPE 01 regardless of the displayed setting.
Value
TYPE 01–TYPE 10
TVF TVA
TVF TVA
TVF
B
TVF TVA
TVF
R
TVF TVA
R
TVF TVA
R
TVA
Chapter 8. Detailed Editing for Patches
Explanation
Determines how tone 1 and 2, or tone 3 and 4 are connected.
The following 10 different Types of combination are available.
Type 02
TONE 1 (3) WG
TVA
TONE 2 (4) WG
This type stacks the two filters together to intensify the characteristics of
the filters. The TVA for tone 1 (or 3) controls the volume balance between
the two tones.
Type 04
WG
TONE 1 (3) TVA
B
TONE 2 (4) WG
This type applies a booster to distort the waveform, and then combines
the two filters. The TVA for tone 1 (or 3) controls the volume balance
between the two tones and adjusts booster level.
Type 06
TONE 1 (3) WG TVA
R
TONE 2 (4) WG
This type uses a ring modulator to create new overtones, and in addition
mixes in the sound of tone 2 (4) and stacks the two filters. Since the ring-
modulated sound can be mixed with tone 2 (4), tone 1 (3) TVA can
adjust the amount of the ring-modulated sound.
Type 08
TONE 1 (3) WG
TVF TVA
TONE 2 (4) WG
This type sends the filtered tone 1 (3) and tone 2 (4) through a ring
modulator, and then mixes in the sound of tone 2 (4) and applies a filter
to the result.
Type 10
TONE 1 (3) WG
TVF TVA
TONE 2 (4) WG TVF
This type passes the filtered sound of each tone through a ring modulator
to create new overtones, and also mixes in the sound of tone 2 (4). Since
the ring-modulated sound can be mixed with tone 2 (4), tone 1 (3) TVA
can adjust the amount of the ring-modulated sound.
TVF
TVF TVA
TVF
TVF TVA
TVF
TVF TVA
R
TVF TVA
R
TVA
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