Korg Triton-Rack Parameter Manual page 230

• In Combination and Multi modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track. ( p.41, 59
"Portamento SW CC#65")
• In Multi mode, portamento time/switch messages will
be transmitted by each track whose "Status" is BTH,
EXT, or EX2 when you set "Portamento" (3.1–3a/4a), re-
select a song or SMF, or return to the beginning of a
measure. ( p.55 "Portamento"-"MIDI")
Controlling the volume
Volume (CC#07) [Bn, 07, vv]
If you assign the above CC# to the B-mode function of a
REALTIME CONTROLS [1]–[4] knob, and operate the corre-
sponding controller of the TRITON-Rack, volume messages
will be transmitted and the volume will change. When this
message is received, the result will be the same as when the
controller is operated.
Expression (CC#11) [Bn, 0B, vv]
If you assign the above CC# to the B-mode function of a
REALTIME CONTROLS [1]–[4] knob, and operate the corre-
sponding controller of the TRITON-Rack, expression mes-
sages will be transmitted and the volume will change. When
this message is received, the result will be the same as when
the controller is operated.
The volume of the TRITON-Rack is determined by multiply-
ing the value of the Volume message with the value of the
Expression message.
If adjusting the Volume message does not increase the vol-
ume as you expect, or if there is no sound, transmit MIDI
messages from an external device to reset the value of the
Expression message (set vv to 127). In Multi mode, this will
be reset when you re-select the multi.
• In Combination mode, Volume messages will be
transmitted by each timbre whose "Status" is EXT or
EX2 when you re-select the combination.
• When you change the "Volume" setting (MULTI 1.1–4a/
5a) in Multi mode, or when you re-select the song or
return to the beginning of the song in Multi mode,
volume messages will be transmitted by each track
whose "Status" is BTH, EXT, or EX2.
Regardless of the "Status" settings, re-selecting a multi,
or returning to the beginning will reset the internal Vol-
ume value to the value specified by each track (the
starting settings), and will reset the Expression value to
the maximum.
The volume can be controlled independently for each
track. You should use Volume messages to set the vol-
ume in the track setting data, and normally use Expres-
sion messages within the musical data of an external
sequencer etc. to create changes in dynamics during a
song. ( p.35, 53 "Volume"-"MIDI")
By using the universal exclusive Master Volume message,
you can adjust the overall volume without changing the vol-
ume balance between timbres or tracks. ( p.226 "About
system exclusive messages")
Controlling panpot (stereo position)
Panpot (CC#10) [Bn, 0A, vv]
(vv: value, where 00 is far left, 64 is center, and 127 is far
right)
When the above CC# is assigned to the ASSIGNABLE
PEDAL or as the B-mode function of a REALTIME CON-
TROLS knob [1]–[4], operating that controller will transmit
Panpot messages, and the panning will change. When this
message is received, the result will be the same as when the
controller is operated.
• When you set the "Pan" (1.1–4a/5a) in Multi mode, or
re-select the multi or return to the beginning of the
measure in Multi mode, Panpot messages (except for
RND) will be transmitted by each track whose "Status"
is BTH, EXT, or EX2 ( p.52 "Pan" - "MIDI").
Post insert effect panpot (CC#08)
[Bn, 08, vv] (vv: value, where 00 is far left, 64 is center, and
127 is far right)
When the above CC# is assigned as the B-mode function of a
REALTIME CONTROLS knob [1]–[4], operating that con-
troller will transmit Post Insert Effect Panpot messages, and
the panning of the sound following the insert effect will
change. When this message is received, the result will be the
same as when the controller is operated.
• In Program mode and Sampling mode, this message is
transmitted/received on the global MIDI channel. In
Combination, and Multi modes, this message is
transmitted/received on the MIDI channel specified for
each insert effect.
• When you set "Pan (CC#8)" (MULTI 7.2–1a) in Multi
mode, or when you re-select the song or return to the
beginning of the measure in Multi mode, Post Insert
Effect Panpot messages will be transmitted by each
track whose "Status" is BTH, EXT, or EX2 ( p.70
"Insert FX Setup" - "MIDI").
Effect control
Effect control 1 (CC#12) [Bn, 0C, vv]
Effect control 2 (CC#13) [Bn, 0D, vv]
When the above CC# is assigned as the B-mode function of a
REALTIME CONTROLS knob [1]–[4], operating that con-
troller will transmit Effect Control 1/2 messages, and the
specified dynamic modulation will be controlled. When this
message is received, the result will be the same as when the
controller is operated.
Although various types of control change can be selected as
dynamic modulation sources, Effect Control 1 (CC#12) and
2 (CC#13) are dedicated for dynamic modulation.
Effect 1 depth (Send 2) (CC#91) [Bn, 5B, vv]
Effect 3 depth (Send 1) (CC#93) [Bn, 5D, vv]
When the above CC# is assigned as the B-mode function of a
REALTIME CONTROLS knob [1]–[4], operating that con-
troller will transmit Effect 1 Depth (Send 2) or Effect 3 Depth
(Send 1) messages, and the send level 1 or 2 to the master
effects MFX1 or MFX2 will be controlled respectively. When
this message is received, the result will be the same as when
the controller is operated.
On the corresponding MIDI channels, this will simulta-
neously control the timbre/track setting as well as the set-
ting following the insertion effect.
• In Combination, and Multi modes, the actual send level
of the timbre/track is determined by multiplying this
value with the send 1/2 settings for each oscillator
(PROG 7.1–1a). ( p.26, 47, 70 "Send 1, 2" - "MIDI")
• When you adjust "S1 (Send1(MFX1))" or "S2
(Send2(MFX2))" (MULTI 7.1–1a/2a, 7.2–1a) in Multi
mode, or when you re-select a song or return to the
beginning of the measure in Multi mode, Send 1/2 will
be transmitted by each track whose "Status" is BTH,
EXT, or EX2. ( p.69 "Send 1, 2," "Insert FX" - "MIDI").
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