Master Eq; Individual Outputs - Korg Triton-Rack Parameter Manual

3–4. Chain Signal
This parameter enables you to select signals routed between
MFX1 and 2. If the chain direction (order) is from MFX1 to
MFX2, selecting LR Mix will cause the stereo L/R outputs
from MFX1 to be mixed and input to MFX2. This setting is
useful when you wish to serially connect delays that are
panned to L and R (e.g., "043: LCR Delay"). Selecting L
Only or R Only will cause only one channel of stereo out-
puts from MFX1 to be input to MFX2. This setting is suitable
for a chain connection of a reverb effect and a modulation
effect such as 016: St. Chorus.
3–5. Chain Level
This parameter determines the level of signals routed from
one MFX to the other MFX in a chain connection.
3–6. Master EQ Gain[dB]
These parameters are used to set the gain of the Low, Mid,
and High stereo three-band EQ that is located right before
AUDIO OUTPUT (MAIN) L/Mono and R. Low and High
EQs are of the shelving type, and Mid EQ is a band type
equalizer. These slider settings are linked with the Low, Mid,
and High "Gain" parameters of the MEQ page. Use this
MEQ page to set the center frequency, band width (for Mid),
and dynamic modulation of the EQ bands.
4. Controlling the Master Effects via
MIDI
You can use the Dynamic Modulation (Dmod) function to
control all Master Effects parameters in real-time from the
TRITON-Rack's controllers or from an external MIDI
sequencer.
In Program mode, the parameters are controlled on MIDI
Global channel "MIDI Channel" (GLOBAL 2.1–1a).
In Combination mode, and Multi mode, you can set the
control channels for MFX1 and MFX2 using the Setup page
"Control Channel" parameters of the "MFX1–2" tabs. Select
the desired option from Ch01–16, and Gch.
Ch01–16: Select this option if you wish to control the param-
eters for each Master Effect on different channels.
Gch: Select this option if you wish to control the parameters
on MIDI Global channel "MIDI Channel" (GLOBAL 2.1–1a).
This is the normal setting.
Program mode
Effect / Mixer Block Diagram in Program Mode
IFX / Indiv.Out
BUS Select
Pan
Oscillator 1
BUS Select
= IFX1
Oscillator 2
BUS Select
AUDIO INPUT 1
= L/R
BUS Select
AUDIO INPUT 2
= IFX1
GLOBAL 1.1: System Audio In
(Input1,2)
Select from:
L/R
IFX1
IFX2
IFX3
IFX4
IFX5
1
2
3
4
1/2
3/4
Off
PROG 7.2: Insert Effect
Post IFX
Chain Insert Effects Pan(CC#8) BUS Select
stereo
IFX1
IFX1 BUS
stereo
IFX2
IFX2 BUS
stereo
IFX3
IFX3 BUS
stereo
IFX4 BUS IFX4
stereo
BUS Select
IFX5
IFX5 BUS
= L/R
Select from:
L/R
1
2
3
4
1/2
3/4
mono x 4
Off

Master EQ

The Master EQ (stereo, three-band EQ) is located right
before AUDIO OUTPUT (MAIN) L/MONO, R. Low and
High EQs are of the shelving type, and Mid EQ is a peaking
type equalizer. You can control the Low Gain and High Gain
parameters using the Dynamic Modulation function.
The Master EQ (stereo, three-band EQ) is applied to the sig-
nal input from the L/R bus. For more information on the
parameters, p.203.

Individual Outputs

The TRITON-Rack is equipped with four individual AUDIO
OUTPUTs (INDIVIDUALs). You can route the oscillator
(Program), timbre (Combination), and track (Multi) output
or the post-IFX signals to these four individual outputs.
Use "BUS Select" (7.1–1a) of the P8: "Routing" tab in Pro-
gram, Combination, or Multi mode to route the oscillators
(Program), timbres (Combination), or tracks (Multi) to
AUDIO OUTPUTs (INDIVIDUAL).
If you are using the Insert Effects, use "BUS Select" of the
7.2: Ed–InsertFX (or Insert FX), and Setup page to route the
post-IFX signals.
1, 2, 3, 4: Monaural signals are routed to AUDIO OUTPUTs
(INDIVIDUAL).
1/2, 3/4: Stereo signals are routed to AUDIO OUTPUTs
(INDIVIDUAL). Use AUDIO OUTPUTs (INDIVIDUAL) 1/2
in stereo for 1/2, and use AUDIO OUTPUTS (INDIVID-
UAL) 3/4 in stereo for 3/4.
PROG 7.3: Master Effect
Send1 Send2 L/R BUS
GLOBAL 1.1: System Audio In
(Send1,2 on Input1, 2)
Post IFX
stereo
Send1 / 2
Chain Master Effects Return1 / 2
MFX1
mono
stereo
MFX2
mono
stereo
mono x 4
AUDIO OUTPUT
Master EQ
(MAIN) L/Mono, R
AUDIO OUTPUT
(INDIVIDUAL)1/2/3/4
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