Roland DiscLab CDX-1 Owner's Manual page 195

High-Mid Gain (High-Mid Gain)
High-Mid Freq (High-Mid Freq)
High-Mid Q (High-Mid Q)
High Gain (High Gain)
Level (Output Level)
WAH (Wah): The wah effect creates a unique tone by changing the frequency response characteristics of a filter.
Effect On/Off (Effect On/Off)
Polarity (Polarity)
Sensitivity (Sens)
Frequency (Frequency)
Peak (Peak)
Level (Level)
NS (Noise Suppressor): This effect reduces the noise and hum.
Effect On/Off (Effect On/Off)
Threshold (Threshold) *
Release (Release)
* High settings for the Threshold parameter may result in there being no sound when you play with your instruments volume turned down.
Modulation effect type
The Modulation effect type can be selected from the following effects. For details on each effect, refer to "Available types of
modulation and their effect" (p. 202).
FLANGER
(Flanger)
CHORUS
(Chorus)
PHASER
(Phaser) *
P.SHIFT
(Pitch Shifter)
DOUBL'N
(Doubling)
TRM/PAN
(Tremolo/Pan)
* In case of "Phase", output will become monaural.
DLY (Delay): This creates a thicker sound by applying a delayed sound to the direct sound.
Effect On/Off (Effect On/Off)
Effect Type (Type)
Delay Time (Delay Time)
Feedback (Feedback)
Effect Level (Effect Level)
-20–+20 dB This parameter sets the gain (amount of boost or cut) for the high-midrange
equalizer.
100–10.0 kHz This parameter sets the central frequency for the high-midrange equalizer.
0.5–16 This parameter sets the range of change in gain for the frequency set by
"High-Mid Freq." A larger value results in a narrower range of change.
-20–+20 dB This parameter sets the gain (amount of boost or cut) for the treble
equalizer.
-20–+20 dB This parameter adjusts the volume after the equalizer stage.
OFF, ON This parameter turns the wah effect on/off.
UP The frequency of the filter will rise.
DOWN The frequency of the filter will fall.
0–100 This adjusts the sensitivity at which the filter will change in the direction
determined by the polarity setting. Higher values will result in a stronger
response. With a setting of "0," the strength of picking will have no effect.
0–100 This adjusts the center frequency of the Wah effect.
0–100 Adjusts the way in which the wah effect applies to the area around the
center frequency. Lower values will produce a wah effect over a wide area
around the center frequency. Higher values will produce a wah effect in a
narrow area around the center frequency.With a value of "50" a standard
wah sound will be produced.
0–100 Adjusts the volume.
OFF, ON This parameter turns the noise suppressor effect on/off.
0–100 Adjust this parameter as appropriate for the volume of the noise. If the
noise level is high, a higher setting is appropriate. If the noise level is low,
a lower setting is appropriate. Adjust this value until the decay of the sound
is as natural as possible.
0–100 Adjusts the time from when the noise suppressor begins to function until
volume reaches "0."
: The flanger effect gives a twisting, jet-airplane-like character to the sound.
: A sound with a subtly shifted pitch is added to the direct sound, making the final output sound thicker
and broader.
: By adding varied-phase portions, the phaser effect gives a whooshing, swirling character to the sound.
: This effect changes the pitch of the original sound (up or down) within a range of two octaves.
: An effect of multiple sounds heard together (a doubling effect) is produced.
: Tremolo is an effect that creates a cyclic change in volume.
Pan cyclically moves the stereo position between left and right (when stereo output is used).
OFF, ON This parameter turns the delay effect on/off.
SINGLE This is a simple delay.
TAP The delayed sound is panned across the left and right channels. This will
be effective when stereo output is used.
SINGLE: 1–1400 mS This parameter adjusts the delay time (i.e., the interval for which sound is
delayed).
TAP: 1–700 mS
0–100 This parameter adjusts the amount of feedback. Changing the amount of
feedback causes the number of time the delayed sound is repeated to
change as well.
0–120 This adjusts the volume of the delay sound.
Insert effect algorithm list
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