Using The Step Sequencer - Arturia TAE ORIGIN User Manual

Now, the "Cosmology" preset plays with the "Reso_Pad" in a layering fashion.
You can now set the volume of this new layer by turning the second [Volume] knob, on the
[Mixer] panel.
Now you can save your new [MULTI] preset by pressing the [Save] button and follow the same
steps than saving a Program preset (see chapter 1.6 for more details).

7.10 Using the step sequencer

Each sequence used in a program consists of three sub-sequences which can be used to modulate
different parameters. This way, you can easily set up complex sequenced modulations, all
controlled hands-on using Origin's [Sequencer] section.
You can also find up to 200 sequencer presets that you can assign to any of the existing programs.
To explore the main possibilities of the sequencer, we'll start with a simple bass sound. Let's
choose the n°002, "3 Osc" Program preset. This is a Minimoog bass sound.
We've already programmed all the connections with the sequencer for you (feel free to reroute the
connections to anywhere you want later). The pitch of the oscillators is connected on the first sub-
sequence. The cutoff frequency of the filter is routed to the second sub-sequence. What's more,
the trigger of the filter envelope (envelope 2) is also controlled by sub-sequence 2.
The step sequencer's parameters are distributed as follows:
- 16 endless knobs that set the modulation level for each step.
- The [Frequency] knob allows you to control the rate (speed) of the sequencer.
- [Trig], [Accent] and [Slide] switches for connecting these musical effects to each
steps.
[Play / Stop] switch to activate or stop the sequencer run.
-
[Seq1 / Seq2 / Seq 3] switches activate or deactivate the corresponding sub-
-
sequence.
- [Edit > Seq1, Seq2, Seq3 > Pattern] switch selects which sub-sequence can be
controlled by the [Sequencer] section. When [Pattern] is selected, this button
activates pattern selection mode.
ARTURIA – ORIGIN – USER'S MANUAL
Set the volume of the second layer
38