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AJA Ki Pro Ultra Installation And Operation Manual

File based recorder/player
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Ki Pro Ultra
File Based Recorder/Player
Installation and Operation Guide
Version 3.3r1
Published January 27, 2020

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Summary of Contents for AJA Ki Pro Ultra

  • Page 1 Ki Pro Ultra File Based Recorder/Player Installation and Operation Guide Version 3.3r1 Published January 27, 2020...

  • Page 2: Notices

    AJA® and Because it matters.® are registered trademarks of AJA Video Systems, Inc. for use with most AJA products. AJA™ is a trademark of AJA Video Systems, Inc. for use with recorder, router, software and camera products. Because it matters.™ is a trademark of AJA Video Systems, Inc.

  • Page 3: Table Of Contents

    Copyright ..........2 Contacting AJA Support ........2 Chapter 1 –...
  • Page 4 Ki Pro Ultra SFP Modules ........74...

  • Page 5: Chapter 1 - Introduction

    Pak Media, offering the lowest cost per GB available today. With its extensive analog and digital connectivity, virtually any video and audio source can feed into Ki Pro Ultra, which allows you to record in the format you want to edit and deliver.

  • Page 6: Ki Protect

    Ki Protect Ki Pro Ultra includes Ki Protect, a feature that helps to ensure data integrity if a media drive is accidentally removed or loses power during recording. The Ki Protect feature automatically pre-allocates recording space on the media drive for video, audio and timecode when the record button is pressed.

  • Page 7: Media Formatting Requirements

    Mac OS computer natively (using the associated media reader) and PCs using 3rd-party software that can read HFS+ formatted drives (MediaFour’s MacDrive for example). Ki Pro Ultra can also store files on media using the ExFAT file system, for native PC operation. Ki Pro Ultra Options...

  • Page 8: Kpu-Shelf

    KPU-Shelf Ki Pro Ultra can be mounted side by side using the optional KPU-Shelf for rackmount applications. Using the four channel HD recording capability and front panel quad display, two rack mounted Ki Pro Ultra units can record and monitor eight HD signals in only two rack units of space.

  • Page 9: Workflow

    NOTE: Blank format/frame rate combinations are not currently supported. NOTE: 4K, UltraHD, and SD video encoding using Avid DNxHD is not currently supported. Workflow Figure 1. Ki Pro Ultra Workflow—Ingest, Edit, Monitor, and Master Ki Pro Ultra File Based Recorder/Player v3.3r1 www.aja.com...

  • Page 10: In This Manual

    Chapter 1 is the introduction you’re reading, provides an overview of hardware and software features and options. Chapter 2 gets you started with Ki Pro Ultra, introducing the front panel controls and rear connector features. Chapter 3 gives detailed installation information.

  • Page 11: Chapter 2 - Ki Pro Ultra At A Glance

    Caution! The AJA Ki Pro Ultra contains a lithium battery soldered in place permanently (it is not user replaceable). If you ever dispose of the Ki Pro Ultra, ensure you follow local regulations for safe disposal. The lithium battery shall not be exposed to excessive heat, such as sunlight or fire.
  • Page 12 The display button can be used to hide the Config or Status overlay if it is active. User Control Knob The User Control Knob on the right side of the Ki Pro Ultra front panel is used to scroll through and select menu items. After scrolling to, and high-lighting a menu item of interest, push the knob to select.
  • Page 13 A second push of STOP completely stops the playback and directs Ki Pro Ultra’s outputs into an “E to E” mode (the currently selected inputs bypass to the outputs). To determine at a glance if the STOP button is in a “pause”...

  • Page 14: Rear Panel Connectors

    The functions of Ki Pro Ultra’s inputs and outputs depend on the operational mode. Ki Pro Ultra’s active input (the one to be recorded) is selected by front panel or web browser control. Ki Pro Ultra’s outputs are active all the time.

  • Page 15: Connections

    HD/3G-SDI video and embedded 24-bit digital audio. NOTE: Which audio channels are embedded to the SDI Outputs is determined by the audio embedding settings being used for the Ki Pro Ultra audio input, or the audio channels of the clip being played back.
  • Page 16 Ethernet An RJ-45 connector provides a 10/100/1000 Ethernet port for connecting Ki Pro Ultra directly to a computer or Ethernet hub or switch for connecting to a LAN. Ki Pro Ultra is compatible with CAT-5 straight-through or cross-over Ethernet cables, automatically detecting which is used. Once connected and properly configured, Ki Pro Ultra can then be controlled by a web browser on the LAN.

  • Page 17: Power Connector

    Storage Ki Pro Ultra Plus can record to Pak Media, a form of removable SSD media. The media is formatted either as HFS+ (native to the Mac OS file system,) or ExFAT (suitable for PCs.

  • Page 18: Using Ki Pro Ultra Media With Final Cut Pro And Premier Pro

    NAME parameter is the name of the media that will appear when the media is mounted. Once the media is mounted, each clip recorded by Ki Pro Ultra will be a file on its file system, which (depending on the file type) can be opened directly in non- linear editors such as Final Cut Pro, Adobe Premiere Pro, etc.
  • Page 19 CLCP track if present and insert/embed closed captioning data on the SDI 1 output (BNC or Fiber) VANC. When in EtoE or record mode, the Ki Pro Ultra Status display indicates when closed captioning data is present on the input signal. In playback mode, the Status display indicates if CC data is being inserted.

  • Page 20: Chapter 3 - Ki Pro Ultra Installation

    • Handle Installation Kit • Feet for Desktop Installation Please save all packaging for shipping the Ki Pro Ultra should you need to do so. Figure 4. Ki Pro Ultra Shipping Box Contents Desktop Use Install the Ki Pro Ultra feet (included) when using it on a desktop or flat surface.

  • Page 21: Applying Power

    To begin using Ki Pro Ultra, plug the 4-pin XLR on the supplied AC adapter into the XLR power socket on the back of Ki Pro Ultra. Then plug the AC adapter line cord into 110 VAC or 230 VAC (the supply is auto sensing).

  • Page 22: Remote Network Control

    Ki Pro Ultra is a low-wattage device so many batteries can power Ki Pro Ultra for several hours at a time. In the event of sudden power loss, recordings that are in progress will not be written properly to the media. There is a “Low Battery” warning prompt and you should stop recording before battery failure.

  • Page 23: Network Connections

    IP address. As long as your network has a DHCP server (usually part of your router), you need to do nothing other than plug the Ki Pro Ultra into the net. If you need to manually select DHCP, use the User Control Knob to navigate to the parameter 50.1 IP Config, press the knob to activate the menu list, scroll to DHCP...

  • Page 24: Networking Ki Pro Ultra Using A Static Ip Address

    NOTE: If Ki Pro Ultra fails to find a DHCP server via its network connection, it will fall back to using the factory default static IP of 192.168.0.2—or whatever IP address you’ve previously defined. AJA recommends you define a Static IP address with parameter 50.2 so you’ll be prepared in the event your DHCP server fails.

  • Page 25: Networking Ki Pro Ultra Using The Factory Default Ip

    Networking Ki Pro Ultra Using the Factory Default IP If you don’t want to use DHCP to network Ki Pro Ultra and also don’t want to set your own static IP address, you can simply use a Default setting to use a factory setting of 10.65.74.65.
  • Page 26 You must remove any connected fiber or coaxial cables from the SFP modules before you remove the modules from the Ki Pro Ultra. Pull down the SFP lever to free the module before you withdraw the module from the cage.

  • Page 27: Chapter 4 - Front Panel Operation

    Chapter 4 – Front Panel Operation Overview There are two ways to control Ki Pro Ultra—from the front panel or remotely from a web browser connected via the Ethernet RJ-45 connector. This chapter discusses controlling Ki Pro Ultra from its front panel. See "Chapter 5 Browser...

  • Page 28: Overlay Display Content

    Display Mode Operations In Status, Config, and Media modes, you use the User Control Knob to scroll through menu items (rotating) and make selections (pressing the knob). Figure 9. Ki Pro Ultra User Control Knob User Control Knob...
  • Page 29 (yellow outline indicates the field is active). When entering a menu, the system remembers and returns to the last selected parameter. The following figure shows the displays for the Config and Media menus. Ki Pro Ultra File Based Recorder/Player v3.3r1 www.aja.com...

  • Page 30: Transport Mode (Default)

    Transport mode is the default mode for Ki Pro Ultra operation. Transport functions are always functional except during some basic configuration operations as noted below. When you power up Ki Pro Ultra, the first level overlay display will provide information for any clip that previously was recorded and it can be played.

  • Page 31: Recording A Clip

    Recording a Clip There is more than one way to record a clip since you can control Ki Pro Ultra in various ways. Here is an example of just how simple a recording can be: 1.

  • Page 32: Playing Back A Clip

    Recording Notes Ki Pro Ultra alerts you when the media is nearly full with a “Media Low” prompt at 15% of the remaining capacity. At 10% of the total capacity of the media, the “Media Full” prompt will appear. Any recordings that have been started will stop once 10% is reached and no further recordings can be performed using this media until it is formatted again or a MEDIA>Delete Clips>DELETE ALL has...

  • Page 33: Deleting Clips

    Knob to confirm deletion. Pressing any other button, will abort the deletion. NOTE: When deleting large clips, Ki Pro Ultra will display a progress status window on the front panel and the WEB UI. Large clips can take up to 30 seconds to delete.  To remove all clips on a drive, it is faster to format the drive.
  • Page 34 May appear if a format or frame rate that is not supported is supplied to the Ki Pro Ultra or a link of a multi-link signal (dual link or quad link) is missing; no recordings will be produced if this alarm appears.

  • Page 35: Media Menus

    Apple computer under Mac OSX, then remove and re-insert the media into your Ki Pro Ultra. If the media does not read properly, you will need to format it. Additionally, this alarm will lead to the “Please Reboot”...
  • Page 36 24-bit 48kHz audio, if audio is included. Files copied to Ki Pro Ultra that do not meet these criteria may not appear in the web UI or front panel UI when you review clips.
  • Page 37 The clip naming convention is the same as Rollover record (appending +n to the file name). During playback, Ki Pro Ultra will play the clips as if they are one continuous recording. When these clips are imported into a NLE, they can be seamlessly combined into a single clip without audio or video drop out.
  • Page 38 All/Playlist—Plays the current clip and then continues playing Playlist the next clip on the Ki Pro Ultra media or the playlist. Note that with this setting, Ki Pro Ultra will play all clips back regardless of format or framerate—but you may notice the video monitor reset for format/framerate changes.
  • Page 39 Press Control Knob and CONFIRM ACTION to Delete all clips on the storage device Ki Pro Ultra media can be used to hold data other than QuickTime recordings. If other files are saved to the PAK media, they should be placed outside of the “AJA”...
  • Page 40 TK value (which can be manually overridden via parameter 17.8 Take). Ki Pro Ultra offers these parameter choices for easy identification of the QuickTime files, so that the names can logically match the shooting script, and are acceptable when imported into various non-linear editors such as Final Cut Pro 7’s Browser window, Final Cut Pro X’s Events, Avid Media Composer’s Bins, etc.
  • Page 41 Reel Name, Clip Name, Clip Number, Clip Append, Alpha Append, and Take settings. • If the number is at “999”, Ki Pro Ultra will record a clip with take 999, but then cannot auto advance so the second attempt to record will generate a “Name In Use”...

  • Page 42: Custom Clip Naming

    Custom Clip Naming Users can elect to give their clips names other than the standard criteria provided by AJA. IMPORTANT: Certain characters may not be allowed or supported if entered for a clip name. Examples include: punctuation marks (other than internal spaces or periods), special characters (like @), and non-ASCII UTF-8 characters are rejected outright.

  • Page 43: Config Menus

    Writes any captioning data that arrives during the recording into a QuickTime track (CLCP). On playback, Ki Pro Ultra will process the QuickTime container file, process the CLCP track if present and insert/embed closed captioning data on the main SDI outputs (BNC or Fiber) VANC. No user configuration is required for caption playback.

  • Page 44: Config Menu Parameters

    Note that the 4K Crop to UltraHD selection and the 4K /UltraHD to 2K/1080 selections have no impact if 2K or 1080 video is input. By default, the Ki Pro Ultra will output 2K on the SDI monitor and HDMI monitor outputs if the incoming signal is 4K (4096x2160) or 2K (2048x1080) and no “In Convert”...
  • Page 45 NOTE: SDI 1 RGB and SDI 1 YCbCr high frame rates (in excess of 29.97fps) are supported by 3G-SDI. Be sure to connect the AJA Ki Pro Ultra to a 3G-SDI capable device in these cases. If a 3G-SDI capable device is not available, RGB and high frame rate YCbCr may be output via SDI 1 and SDI 2 as “dual link”...
  • Page 46 • 8-bit RGB – Configures the HDMI output for 8-bit RGB • 4K 4:2:0 (High FR) NOTE: Typically, you will want to simply leave the selection configured for Auto so that the negotiation between the devices is handled automatically. Ki Pro Ultra File Based Recorder/Player v3.3r1 www.aja.com...
  • Page 47 HDR and WCG are display oriented features, dependent on the capabilities of the device presenting the video material. When HDR Mode is On, the selected HDR metadata is added to the Ki Pro Ultra's ProRes recordings, overwriting any HDR metadata that may already be present on the incoming signal.
  • Page 48 NOTE: Choosing the correct video input is a key component of successfully using the AJA Ki Pro Ultra. Be sure to determine the correct signal type being provided by your camera or video source before configuring the 2.1 Video Input selection; if an incorrect selection is made, unexpected or undesirable recordings may result.
  • Page 49 8- or 16-channel audio may be the appropriate choice in such situations. NOTE: Not all devices support 8- or 16-channel audio, and Ki Pro Ultra does not provide a mixdown to 2-channel audio option. Be sure to match the number of audio channels to the capabilities of the downstream devices.
  • Page 50 8 channels of input to the upper 8 channels (9-16) of your SDI destination. For Ki Pro Ultra encoding, you cannot route the upper 8 channels (9-16) to your encoded clip unless 16 Channel audio is selected in 2.3 Audio Channels.
  • Page 51 9.0 Interval Record The Ki Pro Ultra can be used to create timelapse recordings via the 9.0 Interval Record, 9.1 Interval Frames and 9.2 Interval Time selections. OFF (default) Normal recordings are produced.
  • Page 52 Ki Pro Ultra. NOTE: While the Ki Pro Ultra may be configured for a YCbCr or RGB signal generator, the output is ultimately determined by the selection made in the 1.6 SDI Out menu parameter.
  • Page 53 1080p 60 41.2 Video SG This parameter determines the video signal output from Ki Pro Ultra’s internal test signal generator. This parameter is used with parameter 41.1 to determine the type of video test signal output by Ki Pro Ultra.
  • Page 54 NOTE: With parameters 50.1, 50.2 and 50.3, there is no timeout when editing—changes made while in these menus will be saved and activated when the menu is exited. 50.2 IP Address This parameter determines the static IP address used by Ki Pro Ultra for TCP/IP networking. variable Using the User Control Knob, enter an IP address compatible with your LAN (if you have one).
  • Page 55 NOTE: Without a properly configured default gateway (whether you have a router/ gateway or not), Ki Pro Ultra will be unable to see other Ki Pros on the network, although you may still be able to control the Ki Pro Ultra via a web browser. Also, without a proper gateway defined, the discovery feature “Available Ki Pros—Click...
  • Page 56 50.6 MAC Address This parameter is an read-only field showing the MAC address of the Ki Pro Ultra’s Ethernet adapter. Information only display Selecting this parameter allows you to view Ki Pro Ultra’s Ethernet MAC address. The MAC address is a unique value associated with the internal Ethernet network adapter.
  • Page 57 RIO DE JANEIRO BEIRUT HONG KONG 55.71 Daylight Savings This parameter manually sets the internal Ki Pro Ultra clock for either Daylight Savings or Standard Time. The options are: • Daylight Savings ON • Daylight Savings OFF 70. 1 0 Screen Saver Timeout This parameter sets the number of minutes before Screen Saver dims the Ki Pro Ultra LCD display.

  • Page 58: Signal Routing Examples

    SDI 1-4 YCbCr so that the incoming signal is passed back out of the Ki Pro Ultra as quad link SDI with YCbCr values. The Video Input is set to SDI 1-4 YCbCr and the encoding is set to Apple ProRes 422 HQ. In this particular example.
  • Page 59 Video Input SDI 1 YCbCr No In Convert has been selected so the signal that is recorded on the Ki Pro Ultra media is the same as what is output by the camera. An Out Convert selection has also not been made because the parameter does not allow conversion if the incoming video signal is 1080;...

  • Page 60: Chapter 5 - Browser Remote Control

    To control Ki Pro Ultra remotely, connect a computer to the Ki Pro Ultra’s LAN connector, an RJ-45 socket, via a CAT5 Ethernet cable. To access Ki Pro Ultra, enter its URL in the web browser. The URL will be the IP address defined in Ki Pro Ultra’s Network parameter menus (Note that Config menu parameters 50.1 through 50.4 must all be configured correctly to access...
  • Page 61 Ki Pro Ultra on your network). If Ki Pro Ultra is using DHCP (the default), the IP address can be found by going to parameter 50.2 and reading it there. When Ki Pro Ultra is shipped from the AJA factory, it defaults to DHCP operation. The DHCP selection is most useful in studio settings where the camera or cameras may be connected to an existing IT infrastructure.
  • Page 62 NOTE: If you change the Static IP address of the Ki Pro Ultra camera, you may need to power cycle the Ki Pro Ultra so that the host computer correctly identifies the new IP address. Figure 19. Static IP Address Configuration All Ki Pro Ultra web screens have certain areas in common.
  • Page 63 If you are unsure about the operation of a menu parameter, hovering your mouse over the parameter name will bring up a tooltip for that parameter.  Additionally, a pulldown menu above the emulation of the Ki Pro Ultra user interface area allows you to turn on tooltips for the buttons in this area. ...

  • Page 64: Operations Unique To The Web Ui

    Clicking on the blue arrow icon on the top right of the screen opens and closes a Transport pane. A graphical representation of the Ki Pro Ultra front panel is shown, with operational transport buttons. Simply click on a button to rewind, play, fast forward, stop, or a loaded clip, or record a new clip.
  • Page 65 Ki Pro Ultra. To play back the clip, simply open the Transport page of the web UI and begin playback with the Play button. Or you can use the “mini- player”...

  • Page 66: Gang Recording

    Gang Recording At-a-glance you can see all of the Ki Pro Ultra systems that are present on the same local LAN in the Connection section of the web UI. Their system names are shown in the Network panel on the right side of the screen.
  • Page 67 Ki Pro Ultra units have IP addresses configured under a common network and subnet mask and are connected via their LAN connections to an Ethernet switch or hub to a host computer. AJA recommends that all Ki Pro Ultra units in a gang use the same firmware version.

  • Page 68: Data Transfer Via Lan

    To add a Ki Pro Ultra to a gang, simply select the check box for the unit in the Gang column. As a shortcut, if all available Ki Pro Ultra units are desired for a gang, select the All item below Gang. If you want to clear units from a gang, deselect them or use the Clear option.
  • Page 69 Figure 25. Toggle to Data-LAN Media Transfer Mode Appropriately encoded files may be uploaded to the Ki Pro Ultra or downloaded from the Ki Pro Ultra. Figure 26. Data LAN Screen During an upload, useful information about the upload is given: the name of the file being uploaded, the size of the file being uploaded, a progress bar and a Cancel button.

  • Page 70: Presets

    Ki Pro Ultra. Files copied to Ki Pro Ultra that do not meet these criteria may not appear in the web UI or front panel UI when you review clips.

  • Page 71: Updating Firmware

    IP Address, are not affected. Updating Firmware The Update Firmware screen allows you to update your Ki Pro Ultra to later versions of software as they are issued by AJA and posted on the website. When software updates are released, they often contain new features, improvements, and bulletins that may be very useful.
  • Page 72 In some cases, these files may “decompress” automatically, such as when using Safari and Mac OS X. The firmware image that you’ll install on Ki Pro Ultra is a file with a name like Ki ProUltra_1.0.0.153.bin or similar.

  • Page 73: Chapter 6 - Ki Pro Ultra Accessories

    Chapter 6 – Ki Pro Ultra Accessories Overview Ki Pro Ultra’s design allows a variety of accessories to be used with the device. AJA provides some of these accessories as optional items that may be purchased separately. The Ki Pro Ultra’s handle and desktop feet are included with the unit and, if wanted, are easily installed.

  • Page 74: Ki Pro Ultra Shelf

    6. Snap the Caps over the Clamps and tear away the Spacer from the Shield. Ki Pro Ultra Shelf AJA offers this rackmount shelf accepting two Ki Pro Ultra units in a 2RU footprint. Figure 31. Ki Pro Ultra in Rackmount Shelf Ki Pro Ultra SFP Modules https://www.aja.com/software/configurator...

  • Page 75: Appendix A - Specifications

    • AVID DNX MXF or .MOV • AVID DNxHR MXF only Removable Storage • 2x slots, AJA SSD media Pak 256, Pak 512, Pak 1000, Pak 2000 Video Input Digital • 4x 3G-SDI, SMPTE-292/296/424, 10-bit (12-bit input supported) • 4x Fiber LC*, 3G-SDI, SMPTE-297, 10-bit •...
  • Page 76 • Stereo unbalanced headphone jack (1x 3.5mm jack) with volume control • 8-Channel, 24-bit D/A analog audio, 48 kHz sample rate (1x DB-25 TASCAM pinout) • 2-Channel unbalanced 2 x RCA connectors Ki Pro Ultra File Based Recorder/Player v3.3r1 www.aja.com...
  • Page 77 • 8.64" x 9.34" x 3.31" (219.46 x 237.24 x 84.08 mm) Weight • 5.6 lbs (2.6 kg) Power • Dual, redundant, 5.4A max, 35W-60W typical-65W Max • 100-240 VAC 50/60 Hz (adapter) • 12-18Vdc 4-pin XLR (chassis) Ki Pro Ultra File Based Recorder/Player v3.3r1 www.aja.com...
  • Page 78 • Safe Storage Temperature (Power OFF): -40 to 60 C (-40 to 140 F) • Operating Relative Humidity: 10-90% noncondensing • Operating Altitude: <3,000 meters (<10,000 feet) Dimensions Dimensions in millimeters 219.41 8.76 51.40 23.06 Ki Pro Ultra Front 219.41 84.13 Ki Pro Ultra Rear Ki Pro Ultra File Based Recorder/Player v3.3r1 www.aja.com...
  • Page 79 163.67 80.64 37.17 11.64 253.80 237.30 222.83 Top View 25.98 12.90 15.10 17.46 32.54 46.15 173.25 Ki Pro Ultra File Based Recorder/Player v3.3r1 www.aja.com...
  • Page 80 192.50 164.70 54.70 26.90 54.85 203.35 Bottom View 19.05 Handle 84.13 73.42 45.52 44.74 35.98 30.28 10.53 7.14 Right View   Ki Pro Ultra File Based Recorder/Player v3.3r1 www.aja.com...

  • Page 81: Appendix B - Safety And Compliance

    AUSTRIA, BELGIUM, BULGARIA, CYPRUS, CZECH REPUBLIC, DENMARK, ESTONIA, FINLAND, FRANCE, GERMANY, GREECE, HUNGARY, IRELAND, ITALY, LATVIA, LITHUANIA, LUXEMBOURG, MALTA, NETHERLANDS, POLAND, PORTUGAL, ROMANIA, SLOVAKIA, SLOVENIA, SPAIN, SWEDEN, UNITED KINGDOM, ICELAND, LICHTENSTEIN, NORWAY, SWITZERLAND Ki Pro Ultra File Based Recorder/Player v3.3r1 www.aja.com...
  • Page 82 For more information about where you can drop off your waste for recycling, please contact your local authority, or where you purchased your product. Ki Pro Ultra File Based Recorder/Player v3.3r1 www.aja.com...
  • Page 83 This product meets the requirements of implementation rules for compulsory certification (REF NO. CNCA-C08-01:2014) under certificate number 2016010805842057. Translated Warning and Caution Messages The following caution statements, warning conventions, and warning messages apply to this product and manual. Ki Pro Ultra File Based Recorder/Player v3.3r1 www.aja.com...
  • Page 84 (incluindo amplificadores) que produzam calor. Avviso! Non installare vicino a fonti di calore come termosifoni, diffusori di aria calda, stufe o altri apparecchi (amplificatori compresi) che emettono calore Ki Pro Ultra File Based Recorder/Player v3.3r1 www.aja.com...
  • Page 85 Advertência! Não abra o chassi. Não há internamente nenhuma peça que permita manutenção pelo usuário. Abrir o chassi anula a garantia, a menos que a abertura seja realizada por uma central de serviços da AJA ou por um local autorizado. Avvertenza! Non aprire lo chassis. All’interno non ci sono parti riparabili dall’utente.
  • Page 86 è stato rovesciato del liquido è stato rovesciato o qualche oggetto è caduto nel dispositivo, il dispositivo è stato esposto a pioggia o umidità, non funziona correttamente o è caduto Ki Pro Ultra File Based Recorder/Player v3.3r1 www.aja.com...
  • Page 87 Aviso! Dado que a ficha principal é utilizada como a desconexão para o dispositivo, esta deve manter-se prontamente acessível e funcional. Avviso! Poiché il cavo di alimentazione viene usato come dispositivo di sconnessione, deve rimane prontamente accessibile e operabile. Ki Pro Ultra File Based Recorder/Player v3.3r1 www.aja.com...
  • Page 88 (elle ne peut être changée par l’utilisateur). Si jamais vous souhaitez vous débarrasser du Ki Pro Ultra, veillez à le faire en toute sécurité et dans le respect de la réglementation locale. La batterie au lithium ne doit pas être exposée à...
  • Page 89 C-13 con corrente e tensione nominali di almeno 10 A a 250 V e certificato per il Paese in cui sarà usato. Aviso! O Ki Pro Ultra não tem partes de manutenção pelo utilizador. Para retirar a energia da unidade, retire o conector de energia XLR de 4 pinos, para assegurar a desconexão.

  • Page 90: Warranty And Liability Information

    If the Customer brings a valid claim under this limited warranty for a hardware product or storage module (hereafter, a “product”) during the applicable warranty period, AJA Video will, at its sole option and as the Customer’s sole remedy for breach of the above warranty, provide one of the following remedies: •...
  • Page 91 This limited warranty gives you specific legal rights and you may have other rights that vary from jurisdiction to jurisdiction, some of which are noted above. Ki Pro Ultra File Based Recorder/Player v3.3r1 www.aja.com...

  • Page 92: Index

    Head Phone Volume Knob 13 Using Web Browser 64 Constant Bit-Rate Encoding 8 High Dynamic Range 47 Playlist 38 Create Clip Playlist 64 Playlist of Clips 64 Cue Clip 65 Play Media 38 Ki Pro Ultra File Based Recorder/Player v3.3r1 www.aja.com...
  • Page 93 Square Division 46, 48 Static Gateway 55 Status Button 12 Status Menu 33 STOP Button 13 Storage 17 Store Preset 57 Subnet Mask 54 Super Out 48 SW Version 57 System Name 55 Ki Pro Ultra File Based Recorder/Player v3.3r1 www.aja.com...

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