Korg Krome Parameter Manual page 18

Program mode
information, please see "Number of Voices" on page 13.
Detune. (00...99, Absolute)
This Absolute parameter sets the amount of detuning
between the Unison voices. If Unison is not On, this
parameter has no effect. For more information, please see
"Detune" on page 13.
Thickness. (Off/01...09, Absolute)
This Absolute parameter sets the pattern of detuning
between the Unison voices. If Unison is not On, or if Detune
is set to 0, this parameter has no effect. For more
information, please see "Thickness" on page 13.
Tone Adjust Parameters
Macro parameters
The following three parameters affect both Oscillator 1 and
Oscillator 2.
Note: In the list below, at the right of each parameter, the
value range and edit type are shown in parentheses.
Pitch Stretch. (–12...+12, Relative)
This special control increases the Oscillator Tune parameter
while lowering the Transpose parameter. The result is that
the pitch stays the same, but the mapping of the samples to
the keys changes. You can use this to create interesting shifts
in timbre.
Hold. (Off/On, Absolute)
This lets you turn Hold on and off. For more information,
please see "Hold" on page 14.
Reverse. (PROG/Off/On, Absolute)
This turns Reverse on/off for multisamples that allow the
reverse setting for both oscillators. PROG restores the
Program's original settings. Reverse plays the waveform
from end to start; the effect is only noticeable with unlooped
samples.
Per-Oscillator parameters
These parameters affect each Oscillator separately. In the
list, the parameters for Oscillator 1 appear first, with each
name prefaced by OSC1; the parameters for Oscillator 2
appear next, prefaced by OSC2.
Unless otherwise specified, all of the Per‐Oscillator
parameters are Absolute.
Note: In the list below, the items in parentheses are (value,
edit type) respectively.
Tune. (–1200...+1200, Relative)
This Relative parameter adds to or subtracts from the
Oscillator's Tune setting, as described under "Tune" on
page 17.
Transpose. (–60...+60, Relative)
This Relative parameter adds to or subtracts from the
Oscillator's Transpose setting, as described under
"Transpose" on page 17.
Note: as with Transpose, below, this is a simple addition or
subtraction, as opposed to the more complex "scaling"
function.
MS/DKit Select. (PROG/0...540, Absolute)
In Single or Double Programs, this lets you select a new
Multisample for the Oscillator. In Drum Programs, it lets
you select a different Drum Kit.
In general, it's best to use this in conjunction with the MS
Type and MS/DKit Bank parameters, as described below.
PROG restores the Program's original Multisamples (or the
Drum Kit, for a Drum Program), including all velocity
ranges and Reverse and Start Offset settings.
You can also limit the range of the control by using the Min
# and Max # parameters, described below.
10
For Single and Double Programs:
MS/DKit Select overrides all of the Multisample Velocity
zones, so that the newly selected Multisample plays over the
entire velocity range.
By default, you can select from the same Bank as the original
Program's MS1.
You can use the MS/DKit Bank parameter, described below,
to change these defaults as desired.
For Multisamples only:
You can use the Tone Adjust Reverseand Start Offset
parameters to modify the newly selected Multisample. By
default, the Reverse is set to Off, and its Start Offset is set to
0.
For Drum Programs:
By default, you can select from the same Bank as the original
Program's Drum kit. You can use the MS Bank parameter,
described below, to select a different Bank.
MS Bank. (Mono, Stereo..., Meta)
This Meta‐parameter modifies the MS/Dkit Select
parameter, so that you can select Multisamples from any
Bank you like.
MS/DKit Min #. (0...540, Meta)
This Meta‐parameter sets a minimum value for the MS/Dkit
Select parameter. You can use this in conjunction with the
MS/DKit Max # parameter, below, so that front panel value
dial selects only from a small set of choices. This is
particularly convenient with the internal, in which similar
Multisamples are grouped together. For instance, this makes
it easy to select between a group of bells, or a set of electric
basses.
MS/DKit Max #. (0...540, Meta)
This Meta‐parameter sets a maximum value for the MS/
Dkit Select parameter. Please see MS/DKit Min #, above,
for more information.
Start Offset. (0ff, 1th...8th, Absolute)
This allows you to change the Start Offset of the
Multisample specified by the MS Select parameter. It
applies only when:
The Program is a Single or Double (not a Drum Kit)
For more information, please see "Offset (Start Offset)" on
page 18.
Drive. (0...99, Absolute)
This controls the Oscillator's Drive parameter, as described
under "Drive" on page 35.
Low Boost. (0...99, Absolute)
This controls the Oscillator's Low Boost parameter, as
described under "Low Boost" on page 35.
Pitch Slope. (–1.0...2.0, Absolute)
This controls the Oscillator's Pitch Slope parameter, as
described under "Pitch Slope" on page 20.
LFO 1 Waveform. (Triangle...Rad6, Absolute)
This selects the waveform for the Oscillator's LFO 1, as
described under "Waveform" on page 42.
LFO 2 Waveform. (Triangle...Rnd6, Absolute)
This selects the waveform for the Oscillator's LFO 2, as
described under "Waveform" on page 42.
Amp LFO 1 Intensity. (–99...+99, Absolute)
This controls the depth and direction of Amp modulation
from LFO1, as described under "Intensity (LFO1)" on
page 38.
Amp LFO 2 Intensity. (–99...+99, Absolute)
This controls the depth and direction of Amp modulation
from LFO2, as described under "Intensity (LFO1)" on
page 38.
Filter LFO 1 Intensity to A. (–99...+99, Absolute)
This controls the depth and direction of Filter A cutoff