Track Settings (2) - Korg iS35 User Manual

Interactive music workstation
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Reference • Arrangement Play mode
Page 4: Track settings (2)
Programming the damper pedal and the parameters
for the keyboard area (octave, wrap around) for each
track of the arrangement. The parameters may differ
according to the selected track (keyboard or accompa-
niment track).
Track
Damper
Track
Wrap-around
Track status
Track
[DRUM, PERC, BASS, ACC1...ACC3, UP1, LOW/UP2]
For information about selecting tracks, see "Page 1:
Performance monitor".
Program
[A11...U88, Dr11...Dr44]
[Parameter memorised in the Arrangement. The pro-
grams of the keyboard tracks (Upper 1, Upper 2,
Lower) are also memorised in the Keyboard Set]
For information about selecting programs, see "Page 1:
Performance monitor".
Damper
[DIS, ENA]
[Parameter memorised in the Arrangement and Key-
board Set]
68
Program
Program
This enables or disables the damper effect on the key-
board tracks. This parameter will only appear if track
UP1 or LOW/UP2 is selected.
ENA
Enabled.
DIS
Disabled.
Track status
[OFF, INT, EXT, BOTH]
[Parameter memorised in the Arrangement]
This determines whether the track should be played
by the internal tone generator and/or an external
instrument connected via MIDI. It will only appear if
you select one of the DRUM, PERC, BASS, or ACC1–
ACC3 tracks.
OFF
The track will not play.
INT
Normal setting. The track will only
play the internal tone generator, and
will not transmit data to the MIDI
OUT connector.
EXT
The track will not be played by the
internal tone generator, but will
transmit data to external devices
through the MIDI OUT connector.
BOTH
The track will be played by the inter-
nal tone generator, and transmit data
to the MIDI OUT connector.
Wrap (wrap-around point)
[ORG, 1...12]
[Parameter memorised in the Arrangement]
The wrap-around point is the highest register limit for
the backing track. The accompaniment patterns will be
transposed according to the detected chord. If the
chord is too high, the backing track might play in a
register that is too high, and therefore unnatural. If,
however, it reaches the wrap-around point, it will
automatically be transposed an octave lower. This
parameter will only appear when you select the BASS
or ACC1–3 tracks.
The wrap-around point can be set for each track in
semitone steps up to a maximum of 12 semitones, rel-
ative to the chord keynote. This value will be the inter-
val between the key specified by the Chord Variation
and the wrap-around point. It would be better not to
program all the tracks at the same wrap-around point,
to avoid them all jumping by an octave the same time.
In order to find the best wrap around point for the

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