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M
TEMPO/VALUE buttons and DIAL
These buttons modify the tempo or the parameter
value selected in the display. The "tempo" or
"value" operating mode is shown on the display by
the TEMPO and VALUE indicators.
When pressed at the same time, these buttons recall
the recorded value or the "standard" value con-
tained in the ROM.
N
EXIT/NO button
This button is used to go back to Page 1 of the cur-
rent operative mode and to return to the higher level
from the subpages (pages in which the indication of
previous or next page is not shown next to the
number page).
The second function (NO) is to be used to give a neg-
ative reply to questions that may appear in the dis-
play.
Arrangement Play, Backing Sequence and Song Play
modes: takes you back to Page 1 of the mode.
Page 1 of the Arrangement Play mode-accompani-
ment being played: calls up the settings of the real-
time tracks saved in the Arrangement.
Song Play mode: takes you back to the previous
page after pressing a VOLUME/PROGRAM button
to choose a track.
Song Play-JukeBox mode: makes you exit from the
JukeBox mode.
Song Edit mode: calls up page 2 of the mode.
Disk/Global mode subpages: takes you back to the
top page.
O
ENTER/YES button
By pressing this button you can give a positive reply
to questions that may appear in the display and to
start some operations in the Disk/Global mode
(Load, Save, Format, MIDI Setup...).
Song Play mode: by pressing this button when the
cursor is on the name of a song, the song will be
inserted in the JukeBox list and the JukeBox mode
activated.
P
KEYBOARD MODE section
These buttons can be used to select the set-up of the
tracks on the keyboard (Upper 1, Upper 2, and
Lower) in the Arrangement Play and Backing
Sequence modes. They also affect the external MIDI
device used to control the iS35 over the Global chan-
nel.
M.DRUM button
A different percussion sound is assigned to each
note of the keyboard.
SPLIT button
The right hand (Upper 1 and Upper 2) and the left
hand (Lower) play different sounds and are sepa-
rated by the split point. The Upper 2 and Lower
Getting Started • Front and Rear Panels
tracks are alternative, one excludes the other on the
keyboard.
FULL UPPER button
One or two tracks (Upper 1 and/or Upper 2) play on
the entire keyboard.
Q
KEYBOARD ASSIGN section
These buttons select the realtime tracks (Upper 1,
Upper 2, Lower) in the Arrangement Play and Back-
ing Sequence modes. The Upper 2 and Lower are
alternative, one excludes the other on the keyboard.
R
CHORD SCANNING section
Arrangement Play and Backing Sequence modes:
select the chord recognition area for the automatic
accompaniment. To activate the FULL mode it is nec-
essary to light the LED of both the LOWER and
UPPER buttons.
LOWER button
Chords will be detected in the Lower range (below
the split point). The chord recognition mode is
defined by the "ChordRecog (Chord recognition
mode)" parameter of the Disk/Global mode (see
page 162).
UPPER button
Chords will be detected in the Upper range (above
and including the split point). The recognition mode
is automatically set at Fingered 2 (see page 162).
FULL (LOWER + UPPER) buttons
Chords will be detected in the entire range. The rec-
ognition mode is automatically set at Fingered 2 (see
page 162).
OFF (LEDs off)
Chords are not detected. If the LED's are off, when
pressing START/STOP to start the accompaniment,
you can only listen to the Drum and Perc tracks. The
other accompaniment tracks do not play.
S
ENSEMBLE button
Arrangement Play and Backing Sequence modes: the
Ensemble harmonizes the right handed melody with
the left handed chords. In order to operate, Chord
Scanning must be LOWER. It does not operate if a
MIDI Setup of "Accordion" type is selected.
T
SUSTAIN button
Arrangement Play, Backing Sequence, Program,
Song Play modes: increases the length of the notes
(by extending the program sustain).
U
VOCAL/GUITAR section
The VOCAL/GUITAR section applies effects to the
signal of a microphone, a guitar or a "line" source
(mono) coming to the INPUT-IN connector. The sig-
nal is then mixed with the sound of the internal
sound generation and sent to the OUTPUT outlets.
Moreover, in the Vocal mode it harmonises the voice
with the notes received over the dedicated recogni-
tion area. The area can be different from the chord
17
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