Chorus Parameters - Roland VC-2 Owner's Manual

Roland vc-2 vocal designer: owners manual
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Effects List

Chorus Parameters

The functions of Chorus parameters are explained.
Chorus Type
01: Chorus 1
This conventional chorus effect adds spaciousness and depth
to the sound. Slow modulation frequency with less depth.
02:Chorus 2
This conventional chorus effect adds spaciousness and depth
to the sound. Rapid modulation frequency with less depth.
03: Chorus 3
This conventional chorus effect adds spaciousness and depth
to the sound. Slow modulation frequency with more depth.
04: Chorus 4
This conventional chorus effect adds spaciousness and depth
to the sound. Rapid modulation frequency with more depth.
05: Feedback Chorus
This chorus offers a flanger-like effect, creating a soft sound.
06: Flanger
This effect sounds somewhat like a jet airplane taking off and
landing.
07: Short Delay
This is a delay with a short delay time.
08: Fbk Short Delay
This is a short delay with many repeats.
88
Chorus Parameters
Parameter
Value
Pre Low Freq
500–15000 Hz,
THRU
Pre Hi Freq
THRU, 50–800
Hz
Pre Dly Time
0–50.0 ms
Co LPF Freq
500–15000 Hz,
THRU
Co HPF Freq
THRU, 50–800
Hz
Rate
0.05–10.0 Hz,
note
Depth
0–127
Feedback
-98– +98 %
Cho/Flg Sw
CHORUS,
FLANGER
Description
Frequency of the low range (TH-
RU: no filter is used)
Frequency of the high range (TH-
RU: no filter is used)
Adjusts the delay time from the
direct sound until the chorus
sound is heard.
Adjusts the cutoff frequency of
the low pass filter. (THRU: no fil-
ter is used)
The effect will be applied to the
frequency range below the cutoff
frequency.
Adjusts the cutoff frequency of
the high pass filter. (THRU: no
filter is used)
The effect will be applied to the
frequency range above the cutoff
frequency.
Sets the cycle for the chorus or
flanger sound undulations.
Adjusts the depth of modulation
for the chorus or flanger.
Adjusts the proportion of the ef-
fect sound that is fed back into
the effect. Negative (-) settings
will invert the phase.
Selects either chorus or flanger.

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