Cascade Setups - Lexicon 300L - REV Owner's Manual

Digital effects/larc interface
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300L Owner's Manual
Setup Balances

Cascade Setups

Analog or
Digital
L
Input
Input
Level
Balance
R
3-8
Most Dual Mono setups have the MA: BAL and MB: BAL set to Left-CHannel and
Right CHannel respectively.
configuration. If you elect to work in a Mixed format, all Dual Mono setups will
require individual adjustment of ABAL and BBAL to 50%. This ensures that both
left and right sources will be mixed to mono before being passed to each DSP
engine. When working in a Fixed format (with only analog or digital Dual Mono
inputs), each machine has its own level control. The output of each level
adjustment is split to each source balance control.
Most Dual Mono Setup Presets default to MA: BAL panned to LEFT ONLY, and
MB: BAL panned to RIGHT ONLY. (Level and Balance controls are located on
Page Two of the Setup mode.)
*Working in a fixed dual mono mode, if you had, for example, a piano in the left
input and a voice in the right input and both Balances were set to 50%, a summed
input with equal amounts of piano and voice would be passed to each DSP
engine.
A dry signal is picked off before the signal passes into each Split DSP Effect. The
mono wet output of each DSP effect sums with the dry signal and is proportion-
ally mixed under the MIX controls: AMIX and BMIX. The third Setup page
contains AMIX and BMIX. Continuing with the above example, if both AMIX and
BMIX were set to 0%WET, you could use AIN and BIN as level controls, mixing
two independent signals to mono as part of an analog or digital process.
Cascade Setups are another type of "Split" configuration. They are numbered
126-150 in Setup mode. While in Setup mode, you can use the PREset slider
to locate the Cascade Setups. Pressing ENTER will load two split type
programs: one in Machine A, the other in Machine B.
Dry
Patch Points
EFFECT
EDIT A
Patch Points
Dry
This assumes a fixed format type of audio
Feedback
A
EFFECT
Mix
EDIT B
Feedback
Lexicon
L
Out
B
Overall
Mix
Mix
R
Out

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