Lexicon 300L - REV Owner's Manual page 130

B12P7 ENV:PHAZER This program makes use of a patch between the envelope detector in the
meters and the flange glide delay. As signal becomes stronger, the glide delay drops in the time
domain, eventually crossing the 5.2ms base delays. As audio signal strength lessens, the glide
returns to its preset value of 10ms. Very good on vocals. To make this effect work properly, be sure
to drive the 300 to within 12dB of full scale (dBfs).
B12P8 LFO:FAZEDLYS Faze Dlys makes use of the LFO patched to the Flange Glide Delay(FDL).
The base delays are set in different time domains: one side at 1.9ms with a feedforward gain; the
other at 5.6 with a negative feed gain. As the Glide passes over each base delay, the phase of each
gain is changed. In between, the output is a mixture of each. A great effect on a ripping guitar solo.
B12P9 LFO:PAN&FAZE This cool wavy preset should be run pre-fader with the Setup LFO at about
.20Hz. With a mono or stereo signal attached to both inputs, the acoustic effect is a slow rotation in
phase. Clean compressed guitars are the best here.
B12P0 SKY DELAYS A bit of giding delay combined with all sets of delays. Delays 1 and 2 are set
short with feedback and "tuned" diffusion gains. Delays 3 and 4 are also set short and crossfeed into
2 and 1, respectively. There is a small amount of post delay (LDLY and RDLY), and these two post
echoes are patched to the SoftSlider. Use the SoftSlider to adjust the post delays to match the tempo.
By itself, *Sky Delays is sort of a chorused cluster echo. Very similar to a bright resonant small room.
Beautiful effect on stacked vocals.
B13P1 CHAMBER A great general purpose reverb tail. Size is set to 28.1M (the largest value is
64M), so the density is rather tight. As you adjust Size, Rt will also change. If you want to unlink this
natural phoenomena, set LINK to unlink (on Page Two).
B13P2 KEY CHAMBER A nice "bloomy" sounding reverb. Diffusion is set midway, so there is some
good articulation at the begining of the reverb envelope. Use this on most keyboards, but those with
a strong point may require a bit more Diffusion.
B13P3 DRUM CHAMBER Good starting point for acoustic drums. This preset is slightly larger than
the standard chamber, but has less Diffusion. Rt is set to 1.0 second at mid frequencies. No
SoftSlider patches.
B13P4 GUITAR ROOM This is a big, wide-sounding room for your guitars. For heavy rock stuff, you
might consider panning "in" the returns, although in this Setup the Room output is in Mono.. The room
is a little bottom heavy for additional warmth. Could also work well on vocals.
B13P5 BIG & SHORT This reverb effect is short, almost gated. Big room size set to 54.6M, and Rt
set to 0.9 seconds. This preset really opens up a sparse track.
B13P6 "L" CHAMBER "L" Chamber mimics the shape of a chamber shaped like that letter. A little
bigger than the "U" chamber. Reverb time is patched to the SoftSlider.
B13P7 "U" CHAMBER This preset is shaped liked an upside down "U" with the speaker on top of
the wall and a microphone on either side of the wall. The SoftSlider controls the Mid Rt.
B13P8 BASEMENT TIght and short. Size is 15.8 meters, and the tonality is fairly resonant sounding.
Almost trashy-sounding (low diffusion), and will certainly get so if the Rt is made longer. Explosive
on snare drums.
B13P9 JOE'S B&G Live performances in Joe's 14.6M Bar. Advance the SoftSlider and the room size
grows into a Bar and Grill.
B13P0 JOE'S GARAGE Two bays, no waiting. Small and bright. Great for Mono ADR work.
The Presets
Bank 13
Split Rev 1
5-27