Lexicon 300L - REV Owner's Manual page 119

300L Owner's Manual
5-16
P119 DM:UP&DOWN
MA:B15P9 HALFSTEPSUP
Left to Machine A and right to Machine B. Diabolical and horrifying sounding. The SoftSlider controls
the Delay Out parameters in each machine Program.
MA: B15P9 HALFSTEPSUP
Just what you think... With the SoftSlider patched to the Delay
MB: B15P0 HALFSTEPSDN(down)
Ditto... With the SoftSlider patched to the Delay
P120 DM:MYGUITAR
MA:B15P2 GUIT SHIFT
Great stuff for either a mono or stereo guitar. Machine B should get a very strong, if not a total, pre-
fade signal.
MA: B15P2 GUITAR SHIFT
This preset offers a strong amount of detune shift, along with a small amount of recirculating delay.
Actually, the glide pitch parameter (GLD) is patched to the LFO running in the Setup. The LFO causes
the GLD to glide between -14c and -+7 cents. If you turn off the LFO on Setup page 4 then return
to program edit and move the GLD parameter to -21c, the preset becomes raunchy sounding on
"beefy" guitars.
MB: B12P6 ENV:PEAK
This preset is similar to an OverTheTop type of effect, except the flange delay is patched to the meter
balistics. Depending on the dynamics of your guitar playing, you may wish to adjust the scaling
parameter which is found on Page 6; Midi Mod patch #1.
P121 DM:ENVSPOOGE
MA:B12P6 ENV:PEAK
This preset uses two effects which have meter ballistics patched to the flange glide delays, with a
twist: the Machine A Mod Edit patch gets its modulation information from the R-meter; the Machine
B flange glide Mod patch is specified to modulate from the ballistics of the L-meter. One input
modulates the other.
MA: B12P6 ENV:PEAK
This preset is similar to an OverTheTop type effect except the flange delay is patched to meter
ballistics. Some modification of the scaling parameter on the MIDI / Mod Page 6, patch #1 may be
nessessary to suit the right Meter ballistics.
MB: B12P7 ENV:PHAZER
This preset makes use of a patch between the L-Meter and the flange glide delay. As signal becomes
stronger, the glide delay drops in the time domain, eventually crossing the 5.2ms base delays. As
audio signal strength lessens, the glide returns to its preset value of 10ms. Very good on vocals. To
make this effect work properly, be sure to drive the 300 to within 12dB of full scale (dBfs). Remember,
in this setup the effects are reversed from the meter ballistics which drive them.
P122 DM:FLNG&DLYS
MA:B12P5 NEGATIVE FLANG
This is a true Dual Mono Setup. The Setup LFO is driven by the Left Meter ballistics with a triangle
waveform. It drives the flange glide delay (FDLY) in Machine A. The SoftSlider controls the Left and
Right Post Delays in Machine B.
MA: B12P5 NEGATIVEFLNG
This is a really stiff flange which goes almost 20ms deep. Flange gain is set extremely negative, so
the sound is tunnel-like. The speed of the Setup LFO determines the speed of the flange.
MB: B11P4 SPACE EKOZ
This preset incorporates a bit of multi-diffused long delays along with some small delay offsets
between the post delay outputs. To strenghthen the space, increase Feedbacks 3 and 4 on page 4.
P123 DM: DLY DAZE
SoftSlider DELAY
MB:B15P0 HALFSTEPSDN
SoftSlider INPUT PAN
MB:B12P6 ENV:PEAK
SoftSlider INPUT PAN
MB:B12P7 ENV:PHAZER
SoftSlider DELAY MACH B
MB:B11P4 SPACE EKOZ
SoftSlider DELAY
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