Lexicon 300L - REV Owner's Manual page 131

300L Owner's Manual
Bank 14
Split Rev 2
Bank 15
Mono Shift
5-28
B14P1 BIG HALL Big and open sounding. The 44ms of Predelay helps to separate the stage from
the seating area. Real good sounding on ballad vocals.
B14P2 GREAT ROOM The SoftSlider advances the Predelay and spreads to open the room up
almost to hall proportions. Bass multiply is set to 2.0X to round out the bottom end.
B14P3 GREAT HALL The largest room size yet at 64 meters. Similar to Great Room, with Spread
and Predelay patched to the SoftSlider, with the addition of reverb time also patched. Dig Deep!!
B14P4 BIG BRICKS Real "ratchety" sounding effect. Powerful for non-linear applications. The
SoftSlider controls the diffusion characteristics.
B14P5 DRUM ROOMS Deep and narrow in shape. The SoftSlider makes the room "shallower" and
gated-sounding as you reduce its value.
B14P6 DELAY ROOM This preset offers a nice room reference. The SoftSlider is patched to
Predelay. Use this to make a bounce off the back wall effect without changing the Reverb Time.
B14P7 RECITAL HALL This medium large (44.5M) space opens sound sources beautifully. Made
for string pads and voice. No SoftSlider patches
B14P8 BIGBATHROOM Bright and clean. Generic WC. Great for solo stuff, or for adding liveness
to a track. SoftSlider draws out the Reverb Time.
B14P9 PLATE Very bright, very diffuse with an preset reverb time or 1.47 secs.
B14P0 SIZZLE CITY Small and long type Plate. Very metallic reverb effect. Great for cheap cymbals.
B15P1 SHIFT IT! Baseline mono shift program with no pitch shift. Go to the glide parameter (GLD)
in Program Edit mode to adjust the amount of mono pitch shifting you want.
B15P2 GUITAR SHIFT A medium amount of micropitch shift(-14c), along with a small amount of
recirculating predelay. Actually, the glide pitch parameter (GLD) is patched to the LFO running in the
Setup. The LFO causes the GLD to glide between -14c and -+7 cents. If you turn off the LFO on Setup
page 4 then return to program edit and move the GLD parameter to -21c, the preset becomes
raunchy sounding on "beefy" guitars.
B15P3 UP SHIFT A sweet sounding microshift up +7cents. There is a slight "chorus edge" due to
a modest amount feedback around a 0ms delay line.
B15P4 DOWN SHIFT This program relies on the left meter to drive the fine pitch downward.
B15P5 EKO SHIFT The L-Meter is negatively patched to the feedback (FBK) parameter so that,
when signal is present, delay feedback is reduced; when the signal disappears, feedback is
increased. This is a very interesting effect when the echo fits the beat of the music. Use the DLY
parameter to match the tempo.
B15P6 VOCAL SHIFT A short delay line recirculating around a maximum -21 cent pitch shifter.
However the amount of pitch shifting will vary with the input level, going more negative in pitch as
the level increases.
B15P7 SKY DOWN This program tunnels downward due to the liberal amount of delay feedback.
If the effect is too heavy, lower the feedback.
B15P8 ECHO DOWN 14 cents down with a 272ms recirculating delay line. This program works great
either before or after a Reverb preset (in a Cascade Setup).
B15P9 HALFSTEPSUP Just what you think... With the SoftSlider patched to the Delay
B15P0 HALFSTEPSDN (down) Ditto... With the SoftSlider patched to the Delay
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