Roland Fantom XR Owner's Manual page 208

Effects List
52: 3D DELAY
This applies a 3D effect to the delay sound. The delay sound will be
positioned 90 degrees left and 90 degrees right.
fig.MFX-52
L
3D Delay L
3D Delay C
Feedback
3D Delay R
R
Parameter Value
Delay Left 0–2600 ms, note
Delay Right
Delay Center
Center -98– +98 %
Feedback #
HF Damp 200–8000 Hz, BYPASS
Left Level 0–127
Right Level
Center Level
Output Mode SPEAKER, PHONES
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–D0:100W
Level 0–127
53: TIME CTRL DELAY
A stereo delay in which the delay time can be varied smoothly.
fig.MFX-53
L in
Time Ctrl Delay
Feedback
Feedback
Time Ctrl Delay
R in
Parameter Value
Delay Time # 0–1300 ms, note
Acceleration 0–15
Feedback # -98– +98 %
HF Damp 200–8000 Hz,
BYPASS
Low Gain -15– +15 dB
High Gain -15– +15 dB
208
2-Band
L out
EQ
Level
2-Band
R out
EQ
Description
Adjusts the delay time from the
direct sound until the delay
sound is heard.
Adjusts the proportion of the
delay sound that is fed back into
the effect. Negative (-) settings
will invert the phase.
Adjusts the frequency above
which sound fed back to the ef-
fect will be cut. If you do not
want to cut the high frequencies,
set this parameter to BYPASS.
Output level of the delay sound
Adjusts the method that will be
used to hear the sound that is out-
put to the OUTPUT jacks. The op-
timal 3D effect will be achieved if
you select SPEAKER when using
speakers, or PHONES when us-
ing headphones.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the effect sound (W)
Output Level
2-Band EQ L out
Pan L
Pan R
2-Band EQ R out
Description
Adjusts the time until the delay is
heard.
Adjusts the time over which the Delay
Time changes from the current setting
to a specified new setting.
The rate of change for the Delay Time
directly affects the rate of pitch change.
Adjusts the amount of the delay
that's fed back into the effect. Neg-
ative (-) settings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is fil-
tered out. If you do not want to fil-
ter out any high frequencies, set
this parameter to BYPASS.
Gain of the low frequency range
Gain of the high frequency range
Parameter Value
Balance # D100:0W–D0:100W
Level 0–127
54: LONG T CTL DELAY
(LONG TIME CONTROL DELAY)
A delay in which the delay time can be varied smoothly, and
allowing an extended delay to be produced.
fig.MFX-54
L in
Time Control Delay
Feedback
R in
Parameter Value
Delay Time # 0–2600 ms,
note
Acceleration 0–15
Feedback # -98– +98 %
HF Damp 200–8000 Hz,
BYPASS
Pan # L64–63R
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–
D0:100W
Level 0–127
55: TAPE ECHO
A virtual tape echo that produces a realistic tape delay sound. This
simulates the tape echo section of a Roland RE-201 Space Echo.
fig.MFX-55
L in
Direct Level
Tape Echo
R in
Direct Level
Parameter Value
Mode S, M, L, S+M,
S+L, M+L,
S+M+L
Repeat Rate # 0–127
Intensity # 0–127
Bass -15– +15 dB
Treble -15– +15 dB
Head S Pan L64–63R
Head M Pan
Head L Pan
Tape Distortion 0–5
Description
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
2-Band
L out
EQ
Balance D
Balance W
Balance W
2-Band
R out
EQ
Balance D
Description
Adjusts the time until the delay is heard.
Adjusts the time over which the Delay
Time changes from the current setting to a
specified new setting.
The rate of change for the Delay Time
directly affects the rate of pitch change.
Adjusts the amount of the delay that's fed
back into the effect. Negative (-) settings in-
vert the phase.
Adjusts the frequency above which sound
fed back to the effect is filtered out. If you
do not want to filter out any high frequen-
cies, set this parameter to BYPASS.
Stereo location of the delay
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct sound
(D) and the delay sound (W)
Output level
L out
Echo Level
Echo Level
R out
Description
Combination of playback heads to use
Select from three different heads with
different delay times.
S: short, M: middle, L: long
Tape speed
Increasing this value will shorten the
spacing of the delayed sounds.
Amount of delay repeats
Boost/cut for the lower range of the echo sound
Boost/cut for the upper range of the echo sound
Independent panning for the short, middle,
and long playback heads
Amount of tape-dependent distortion to be
added
This simulates the slight tonal changes
that can be detected by signal-analysis
equipment. Increasing this value will in-
crease the distortion.