Roland Fantom XR Owner's Manual

Roland Fantom XR Owner's Manual

128-voice synthesizer/sampler module
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Owner's Manual
Thank you, and congratulations on your choice of the Roland Fantom-XR.
201b
Before using this unit, carefully read the sections entitled: "IMPORTANT SAFETY
INSTRUCTIONS" (p. 2), "USING THE UNIT SAFELY" (p. 3–4), and "IMPORTANT NOTES"
(p. 4–5). These sections provide important information concerning the proper operation
of the unit. Additionally, in order to feel assured that you have gained a good grasp of
every feature provided by your new unit, Owner's manual should be read in its entirety.
The manual should be saved and kept on hand as a convenient reference.

Listening to the Demo Songs

fig.03-001
1.
While holding down [SHIFT], press [MENU].
The Demo Menu screen will appear.
2.
Turn the VALUE dial or press [INC][DEC] to select the demo song.
If you select "ALL", the songs will playback successively, beginning from the first.
3.
Press [ENTER] to start the demo play.
Playback will stop automatically when the song ends.
During playback, you can press [EXIT] to return to the Demo Menu screen.
4.
Press [EXIT] to return to the previous screen.
202
Copyright © 2004 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the
written permission of ROLAND CORPORATION.
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Summary of Contents for Roland Fantom XR

  • Page 1: Listening To The Demo Songs

    Owner’s Manual Thank you, and congratulations on your choice of the Roland Fantom-XR. 201b Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3–4), and “IMPORTANT NOTES” (p. 4–5). These sections provide important information concerning the proper operation of the unit.
  • Page 2: Important Safety Instructions

    WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. The lightning flash with arrowhead symbol, within an CAUTION equilateral triangle, is intended to alert the user to the RISK OF ELECTRIC SHOCK presence of uninsulated “dangerous voltage”...
  • Page 3 ......................• Protect the unit from strong impact. (Do not drop it!) • When using the unit with a rack recommended by Roland, the rack must be carefully placed so it is level and sure to remain ......................stable. If not using a rack, you still need to make sure that any location you choose for placing the unit provides a level surface •...
  • Page 4 022a • Always turn the unit off and unplug the power cord before • Try to prevent cords and cables from becoming entangled. Also, attempting installation of the circuit board (SRX series; p. 166, p. all cords and cables should be placed so they are out of the reach 168, DIMM;...
  • Page 5 Otherwise, you will need to use equiv- alent packaging materials. • Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions.
  • Page 6: Table Of Contents

    Contents Main Features..................13 Panel Descriptions................14 Front Panel..............................14 Rear Panel ..............................15 Getting Ready..................16 Connecting an Amp and Speaker System..................... 16 Turning On the Power ..........................17 Adjusting the Display Contrast (LCD Contrast).................. 18 Turning Off the Power..........................19 Reset to Default Factory Settings (Factory Reset) ................19 Quick Start ........
  • Page 7 Contents Advanced Use ......31 Overview of the Fantom-XR ..............32 Patch mode and Performance mode...................... 32 How the Fantom-XR Is Organized ......................32 Classification of Fantom-XR Sound Types ................32 About Simultaneous Polyphony....................34 About Memory............................34 Temporary Memory........................35 Rewritable Memory ........................
  • Page 8 Contents Creating a Rhythm Set .................71 How to Make Rhythm Set Settings ......................71 Rhythm Edit Menu screen structure ..................71 How to Make Rhythm Set Settings..................... 71 Selecting the Wave/Key to edit ....................72 Cautions When Selecting a Waveform ..................72 Functions of Rhythm Set Parameters ....................
  • Page 9 Contents Playing Arpeggios ................97 About Arpeggio ............................97 Playing Arpeggios ............................ 97 Turning Arpeggio On and Off ....................97 Holding an Arpeggio........................97 Arpeggio Settings ............................. 98 Selecting Styles for Arpeggio Performances (Arpeggio Style) ..........98 Determining the Tempo for Arpeggio Performances.............. 98 Changing the Accent Strength (Accent Rate)................
  • Page 10 Contents Sampling....................115 Switching external input on/off......................115 Making Input Source Settings (MIX IN) ..................... 115 Input Effect settings (Input Effect)....................... 116 Switching input effects on/off ....................116 Editing the Input Effect settings ....................116 Output settings for the External Input (Mix In Output)..............117 Sampling Procedure..........................
  • Page 11 Contents Connecting to Your Computer via USB (USB Mode).......148 About USB Functions..........................148 Switching the Storage Mode and the MIDI Mode................148 Transferring Files to or from Your Computer (Storage Mode) ............149 Connections..........................149 Specify the Connection-Destination Area ................149 Cautions Regarding Folders and Files ..................
  • Page 12 Contents Ajouter de la mémoire ................172 Précautions à prendre lors de l’ajout de mémoire................172 Installation du module de mémoire ....................172 Retrait du module de mémoire ....................173 Vérifier que la mémoire est installée correctement ................173 Using a Memory Card .................174 Before Using the Memory Card ......................
  • Page 13: Main Features

    Main Features Cutting-edge sound engine that A full complement of interfaces unifies audio and MIDI USB connector for connection to your computer USB-MIDI support allows data to be exchanged with your computer, The Fantom-XR inherits the same sound engine that was acclaimed and also makes it easy to connect with PC tools.
  • Page 14: Panel Descriptions

    Panel Descriptions Front Panel fig.01-001 F G H PHONES Jack ] (CURSOR) button This is the jack for connecting headphones (sold separately). -> (p. 16) Moves the cursor location up/down/left/right. [LIST] button OUTPUT knob To view a list of sounds or samples, hold down [SHIFT] and press this button.
  • Page 15: Rear Panel

    Panel Descriptions [DEC], [INC] [MODE] This is used to modify values. If you keep on holding down one Switches between Patch mode and Performance mode. button while pressing the other, the value change accelerates. [GROUP] Switches the patch group or other group. To switch the group, hold down this button and turn the VALUE dial, or use [INC][DEC].
  • Page 16: Getting Ready

    Getting Ready Connecting an Amp and Speaker System Since the Fantom-XR contains no amplifier or speakers, you’ll need to connect it to audio equipment such as a keyboard amplifier, monitor speaker system or home stereo, or use headphones to hear its sound. To prevent malfunction and/ Before hooking anything up, make sure that the power on all of your gear is turned or damage to speakers or other...
  • Page 17: Turning On The Power

    Getting Ready Turning On the Power Once the connections have been completed (previous page), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices. Before turning on the Fantom’s power, consider these two questions: •...
  • Page 18: Adjusting The Display Contrast (Lcd Contrast)

    Getting Ready Adjusting the Display Contrast (LCD Contrast) The characters in the display may be difficult to view immediately after turning on the Fantom- XR’s power or after extended use. Your viewing angle or the current lighting conditions can also affect the appearance of the display. In such situations, adjust the display contrast as follows.
  • Page 19: Turning Off The Power

    Getting Ready Turning Off the Power Before you turn off the power, consider these two questions: • Have the volume controls for the Fantom-XR and all connected audio devices been If you need to turn off the turned to their lowest settings? power completely, first turn •...
  • Page 20 Getting Ready...
  • Page 21: Quick Start

    Quick Start...
  • Page 22: Listening To The Demo Songs

    If you press [EXIT] during playback, you will return to the Demo Menu screen. Demo Song Title Composer Copyright When you perform demo Holla If Ya Hear Me Scott Tibbs © 2004 Roland Corporation playback, any patch or The Escape David Ahlund © 2004 Roland Corporation performance you may have Moon Cluster Tatsuya Nishiwaki ©...
  • Page 23: Playing Sounds

    Playing Sounds The Fantom-XR comes with a rich palette of onboard sounds, called “Patches.” Let’s listen to some Patches in Patch mode. Playing Patches (Phrase Preview) Even when there’s no MIDI keyboard or sequencer connected, the Fantom-XR allows you to audition sounds using a number of prepared phrases that are perfectly matched to each Patch (category).
  • Page 24: Choosing A Patch

    Playing Sounds Choosing a Patch Basic Procedure for Choosing a Patch fig.03-006 Press [MODE] so the button lights in red. You will enter Patch mode, and the Patch Play screen will appear. Press to move the cursor to the patch number. fig.03-006a.e The value will change more rapidly if you turn the dial...
  • Page 25: Choosing A Patch By Category

    Playing Sounds Choosing a Patch by Category The patches of the Fantom-XR are organized by category. Searching for a patch by category is a quick way to find the patch you’re looking for. fig.03-008 3, 5 2, 4 Press [MODE] so the button lights in red. You will enter Patch mode, and the Patch Play screen will appear.
  • Page 26 Playing Sounds Press [CURSOR] to move the cursor to the Lock icon. fig.05-003.e Lock icon: unlocked Turn the VALUE dial or use [INC] to lock the category. You can lock the category so that only the patches within that category will appear when To unlock the category, turn selecting a patch.
  • Page 27: Choosing A Rhythm Set

    Playing Sounds Choosing a Rhythm Set Basic Procedure for Choosing a Rhythm Set Press [MODE] so the button lights in red. You will enter Patch mode, and the Patch Play screen will appear. Press [CURSOR] to move the cursor to the patch type. fig.03-009.e Patch type Turn the VALUE dial or use [INC][DEC] to set the patch type to “Rhythm.”...
  • Page 28: Various Connection Examples

    Various connection examples Connection example 1: Using the Fantom-XR as a sound module for live performance Here’s an example of using the Fantom-XR in your live performance setup. Use the MIDI connectors to connect the Fantom-XR to your keyboard and your other sound modules, and use the USB connector for connections to the Fantom-X Editor or librarian.
  • Page 29: Connection Example 2: A Compact Production Setup

    Various connection examples Connection example 2: A compact production setup Here’s an example of using the Fantom-XR in a high-quality music production setup that doesn’t occupy much space. With the Fantom-XR functioning as a sound module and sampler, and your computer functioning as a hard disk recorder, you have a very compact setup that covers all the bases.
  • Page 30: Connection Example 3: Music Production Using More Than One Fantom-Xr

    Various connection examples Connection example 3: Music production using more than one Fantom-XR By using three Fantom-XR units as shown in the diagram below, you can assemble a powerful 384-voice music production environment in just three rack spaces. Connect the first Fantom-XR via USB. This Fantom-XR will function as a MIDI interface, providing MIDI data to the second and third Fantom-XR.
  • Page 31: Advanced Use

    Advanced Use...
  • Page 32: Overview Of The Fantom-Xr

    Overview of the Fantom-XR Patch mode and How the Fantom-XR Is Organized Performance mode Classification of Fantom-XR Sound The Fantom-XR has two modes; Patch mode and Performance mode. Types Use the mode that’s most appropriate for the way you’re playing. When using the Fantom-XR, you will notice that a variety of Patch mode—playing or creating different categories come into play when working with sounds.
  • Page 33 Overview of the Fantom-XR LFO (Low Frequency Oscillator) WG (Wave Generator) Use the LFO to create cyclic changes (modulation) in a sound. The TVF (Time Variant Filter) Fantom-XR has two LFOs. Either one or both can be applied to effect TVA (Time Variant Amplifier) the WG (pitch), TVF (filter) and/or TVA (volume).
  • Page 34: About Simultaneous Polyphony

    Overview of the Fantom-XR About Memory About Simultaneous Polyphony The Fantom-XR can play a maximum of 128 sounds simultaneously. Patch and performance settings are stored in what is referred to as The following paragraphs discuss what this means, and what will memory.
  • Page 35: Temporary Memory

    Overview of the Fantom-XR About the Onboard Effects Temporary Memory Temporary Area Effect Types This is the area that holds the data for the patch or performance that The Fantom-XR has built-in effect units, and you can independently you’ve selected using the panel buttons. edit each unit’s settings.
  • Page 36: How Effects Units Work In Different Modes

    Overview of the Fantom-XR About the Sampling Section How Effects Units Work in Different Modes The Sampling section samples (records) external sounds from an audio device or mic as digital data. Sampled sounds can be played as In Patch Mode a patch or rhythm set.
  • Page 37: Where Samples Are Stored

    Overview of the Fantom-XR Basic Operation of the Fantom-XR Where Samples are Stored Samples that you record or import are stored in sample memory. Switching the Sound Generator Mode This sample memory is temporary, and its data will be lost when you turn off the power.
  • Page 38: Moving The Cursor

    Overview of the Fantom-XR Moving the Cursor Modifying a Value A single screen displays multiple parameters or items for selection. To modify the value, use the VALUE dial or the [INC][DEC] buttons. To edit the setting of a parameter, move the cursor to the value of fig.04-021 that parameter.
  • Page 39: Assigning A Name

    Overview of the Fantom-XR Assigning a Name On the Fantom-XR, you can assign names to each patch, rhythm set, performance, and Sample. The procedure is the same for any type of data. Press to move the cursor to the location where you wish to input a character.
  • Page 40: Playing In Patch Mode

    Playing in Patch Mode Patch mode is used to play a single sound (patch/rhythm set). Selecting a Patch About the Patch Play Screen The Fantom-XR has eight patch groups, including the User group and Preset groups A–H and GM, with each group storing 128 patches (256 in GM, USER).
  • Page 41: Selecting Patches By Category

    Playing in Patch Mode * Make sure that the Patch Type is set to “Patch.” If this is set to Selecting Patches by Category “Rhythm,” use [CURSOR] to move the cursor to “Rhythm,” and turn the VALUE dial or press [DEC] to select “Patch.” The Fantom-XR provides a “Patch Search function”...
  • Page 42: Selecting Patches From The List

    Playing in Patch Mode In the Patch Play screen, press [CURSOR] to move the Selecting Patches from the List cursor to the patch category. fig.05-002.e You can display a list of patches and select a patch from that list. You can use any of the following methods to select a patch.
  • Page 43: Selecting Patches/Rhythm Sets By Group

    Playing in Patch Mode Selecting Patches/Rhythm sets by Selecting Favorite Patches Group You can bring together your favorite and most frequently used patches in one place by registering them in the Favorite Patch. By In the Patch Play screen, press [SHIFT] so it lights, and then using this function, you can rapidly select favorite patches from press internal memory or a Wave Expansion Board.
  • Page 44: Selecting Patches By Keywords (Keyword Search)

    Playing in Patch Mode Registering a Favorite Patch/ Selecting Patches by Keywords Rhythm Sets (Keyword Search) You can register a total of 64 sounds (8 sounds x 8 banks) as favorite The Fantom-XR lets you search for patches by keywords within the patches.
  • Page 45: Playing Percussion Instruments

    Playing in Patch Mode * Make sure that the Patch Type is set to “Rhythm.” If this is set to Playing Percussion Instruments “Patch,” use [CURSOR] to move the cursor to “Patch,” and turn the VALUE dial or press [INC] to select “Rhythm.” In Patch mode, you can play percussion instruments.
  • Page 46: Creating A Patch

    Creating a Patch With the Fantom-XR, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. This chapter explains the procedures used in creating patches, and the functions of the patch parameters. The included Fantom-X editor lets you edit the Fantom-XR’s settings from your computer in a convenient graphical environment (p.
  • Page 47: How To Make Patch Settings

    Creating a Patch Save the changes you’ve made (p. 69). How to Make Patch Settings If you do not wish to save changes, press [EXIT] to return to the Patch Play screen. Select the patch in the Patch Play screen (p. 40). If you return to the Patch Play screen without saving, the indication “E”...
  • Page 48: Cautions When Selecting A Waveform

    Creating a Patch Cautions When Using a Loop Waveform If you don’t need a tone, save the patch with that tone switched off. This will conserve polyphony. With many acoustic instruments such as piano and sax, extreme timbral changes occur during the first few moments of each note. Cautions When Selecting a Waveform This initial attack is what defines much of the instrument’s character.
  • Page 49: Functions Of Patch Parameters

    Creating a Patch Patch Coarse Tune ★ Functions of Patch Parameters Adjusts the pitch of the patch’s sound up or down in semitone steps (+/-4 octaves). This section explains the functions the different patch parameters Value: -48– +48 have, as well as the composition of these parameters. Patch Fine Tune Adjusts the pitch of the patch’s sound up or down in 1-cent steps (+/ Parameters marked with a “★”...
  • Page 50: Velocity Sens Offset

    Creating a Patch Resonance Offset Mono/Poly Resonance Offset alters the resonance of the overall patch, while Specifies whether the patch will play polyphonically (POLY) or preserving the relative differences between the resonance values set monophonically (MONO). The “MONO” setting is effective when for each tone in the Resonance parameter (p.
  • Page 51: Changing How A Tone Is Sounded (Tmt)

    Creating a Patch Portamento Mode Changing How a Tone Is Sounded Specifies the performance conditions for which portamento will be (TMT) applied. Value You can use the force with which keys are played, or MIDI messages NORMAL: Portamento will always be applied. to control the way each Tone is played.
  • Page 52 Creating a Patch fig.06-017 fig.06-022 TYPE 4 TYPE 9 TONE 1 (3) TONE 1 (3) TONE 2 (4) TONE 2 (4) This type applies a booster to distort the waveform, and then This type passes the filtered sound of each tone through a ring combines the two filters.
  • Page 53: Ring Modulator

    Creating a Patch Key Fade Lower (Keyboard Fade Width Lower) Booster This determines what will happen to the tone’s level when a note The Booster is used to distort the incoming signal. that’s lower than the tone’s specified keyboard range is played. fig.06-024.e Higher settings produce a more gradual change in volume.
  • Page 54: Modifying Waveforms (Wg)

    Creating a Patch Velo Fade Lower (Velocity Fade Width Lower) Modifying Waveforms (WG) This determines what will happen to the tone’s level when the tone is played at a velocity lower than its specified velocity range. Higher settings produce a more gradual change in volume. If you want For details on these settings, refer to “How to Make Patch notes played outside the specified key velocity range to not be Settings”...
  • Page 55 Creating a Patch FXM Depth ★ Wave Tempo Sync When you wish to synchronize a Phrase Loop to the clock (tempo), Specifies the depth of the modulation produced by FXM. set this to “ON.” This is valid only when a separately sold wave Value: 0–16 expansion board is installed, and a waveform that indicates a tempo...
  • Page 56: Random Pitch Depth

    Creating a Patch Tone Coarse Tune ★ Rather than being played while the key is pressed, the OFF-D: tone begins to play once the period of time specified in Adjusts the pitch of the tone’s sound up or down in semitone steps the Delay Time parameter has elapsed after release of (+/-4 octaves).
  • Page 57: P-Env Time Kf

    Creating a Patch Bend Range Down (Pitch Bend Range Down) P-Env Time KF (Pitch Envelope Time Keyfollow) Specifies the degree of pitch change in semitones when the Pitch Bend lever is all the way left. For example if this is set to “-48” and Use this setting if you want the pitch envelope times (Time 2–Time you move the pitch bend lever all the way to the left, the pitch will 4) to be affected by the keyboard location.
  • Page 58: Modifying The Brightness Of A Sound With A Filter (Tvf/Tvf Env)

    Creating a Patch Cutoff Frequency ★ Modifying the Brightness of a Selects the frequency at which the filter begins to have an effect on Sound with a Filter (TVF/TVF Env) the waveform’s frequency components. 0–127 Value: With “LPF/LPF2/LPF3” selected for the Filter Type parameter, For details on these settings, refer to “How to Make Patch lower cutoff frequency settings reduce a tone’s upper harmonics for Settings”...
  • Page 59 Creating a Patch Cutoff Keyfollow Resonance V-Sens (Resonance Velocity Sensitivity) Use this parameter if you want the cutoff frequency to change according to the key that is pressed. Relative to the cutoff frequency This allows keyboard velocity to modify the amount of Resonance. If at the C4 key (center C), positive (+) settings will cause the cutoff you want strongly played notes to have a greater Resonance effect, frequency to rise for notes higher than C4, and negative (-) settings...
  • Page 60: Adjusting The Volume (Tva/Tva Env)

    Creating a Patch F-Env Time KF (TVF Envelope Time Keyfollow) Adjusting the Volume (TVA/TVA Env) Use this setting if you want the TVA envelope times (Time 2–Time 4) to be affected by the keyboard location. Based on the TVF envelope times for the C4 key (center C), positive (+) settings will cause notes For details on these settings, refer to “How to Make Patch higher than C4 to have increasingly shorter times, and negative (-)
  • Page 61: Pan Keyfollow

    Creating a Patch Pan Keyfollow Use this parameter if you want key position to affect panning. Bias Positive (+) settings will cause notes higher than C4 key (center C) to Bias causes the volume to be affected by the keyboard position. be panned increasingly further toward the right, and negative (-) settings will cause notes higher than C4 key (center C) to be panned This is useful for changing volume through keyboard position...
  • Page 62: Output Settings

    Creating a Patch A-Env T4 V-Sens (TVA Envelope Time 4 Output Settings Velocity Sensitivity) The parameter to use when you want key release speed to control the Time 4 value of the TVA envelope. If you want Time 4 to be For details on these settings, refer to “How to Make Patch speeded up for quickly released notes, set this parameter to a Settings”...
  • Page 63: Modulating Sounds (Lfo1/2/Step Lfo)

    Creating a Patch * If you’ve made settings so that sounds are separately routed to the Modulating Sounds INDIVIDUAL 1 jack and INDIVIDUAL 2 jack, but no plug is (LFO1/2/Step LFO) actually inserted in the INDIVIDUAL 2 jack, the sounds routed to INDIVIDUAL 1 and INDIVIDUAL 2 will be mixed and output from the INDIVIDUAL 1 jack.
  • Page 64 Creating a Patch LFO Rate (LFO1/LFO2 Rate) ★ Delay Time KF (LFO1/LFO2 Delay Time Keyfollow) Adjusts the modulation rate, or speed, of the LFO. Value: 0–127, Note Adjusts the value for the Delay Time parameter depending on the LFO Rate sets the beat length for the synchronized tempo is key position, relative to the C4 key (center C).
  • Page 65: Patch Step Lfo

    Creating a Patch TVF Depth (LFO1/LFO2 TVF Depth) ★ How to Apply the LFO Specifies how deeply the LFO will affect the cutoff frequency. ● Apply the LFO gradually after the key is Value: -63– +63 pressed fig.06-043.e TVA Depth (LFO1/LFO2 TVA Depth) ★ Delay high (more) Time...
  • Page 66: Controller-Related Settings (Ctrl)

    Creating a Patch Tone Redamper Sw (Tone Redamper Switch) Controller-related settings (CTRL) You can specify, on an individual tone basis, whether or not the sound will be held when a Hold 1 message is received after a key is released, but before the sound has decayed to silence. If you want to For details on these settings, refer to “How to Make Patch sustain the sound, set this “ON.”...
  • Page 67: Control 1–4 Source

    Creating a Patch Patch Mtrx Control 1–4 Source • There are parameters that let you specify whether specific MIDI messages will be received for each channel in a performance (p. (Patch Matrix Control 1–4) 92). When a patch with Matrix Control settings is assigned to a part, confirm that any MIDI messages used for the Matrix Control 1–4 Source Control will be received.
  • Page 68 Creating a Patch Changing the Pitch Envelope Controlling the amount of realtime stretch/ ● ● shrink PIT ENV A-TIME: Changes the Env Time 1 parameter of the pitch envelope. TIME PIT ENV D-TIME: Changes the Env Time 2 and Env Time 3 parameters of the pitch envelope.
  • Page 69: Initializing Patch Settings (Init)

    Creating a Patch Press [CURSOR] to move the cursor, select the “Source Initializing Patch Settings (copy-source)” group and number, and patch tone. fig.06-062 (Init) “Initialize” means to return the settings of the currently selected sound to a standard set of values. The Initialize operation will affect only the currently selected At this time you can press the OUTPUT knob to audition the sound;...
  • Page 70 Creating a Patch When you have finished inputting the name, press [ENTER]. A screen will appear, allowing you to select the write- destination patch. fig.06-064 Press to select the write destination. The write destination can be either the Fantom-XR’s internal user area (User), or a memory card (Card).
  • Page 71: Creating A Rhythm Set

    Creating a Rhythm Set With the Fantom-XR, you have total control over a wide variety of Press the VALUE dial or [ENTER]. settings. Each item that can be set is known as a parameter. This The screen that you see will depend on the edit group of the chapter explains the procedures used in creating rhythm sets, and selected parameter.
  • Page 72: Selecting The Wave/Key To Edit

    Creating a Rhythm Set Selecting the Wave/Key to edit Cautions When Selecting a Waveform When editing parameters that apply to a specific wave, here’s how to The sounds of the Fantom-XR are based on complex PCM specify the wave or key you want to edit. waveforms, and if you attempt to make settings that are contrary to the type of the original waveform, the results will not be as you In the Rhythm Edit Menu screen, press [ENTER].
  • Page 73: Functions Of Rhythm Set Parameters

    Creating a Rhythm Set Cautions When Using a Loop Functions of Rhythm Set Waveform Parameters With many acoustic instruments such as piano and sax, extreme timbral changes occur during the first few moments of each note. This section explains the functions the different rhythm set This initial attack is what defines much of the instrument’s character.
  • Page 74: Modifying Waveforms (Wg)

    Creating a Rhythm Set Mute Group Tone Receive Pan Mode (Rhythm Tone Receive Pan Mode) On an actual acoustic drum set, an open hi-hat and a closed hi-hat sound can never occur simultaneously. To reproduce the reality of For each rhythm tone, specify how pan messages will be received. this situation, you can set up a Mute Group.
  • Page 75 Creating a Rhythm Set Rhythm Wave • If a sample is selected for a tone, you must first set the BPM (tempo) parameter of the sample. Wave Group • If a sample is selected for a tone, Wave Tempo Sync will require twice the normal number of voices.
  • Page 76: Changing How A Rhythm Tone Is Sounded (Wmt)

    Creating a Rhythm Set Wave Fine Tune Changing How a Rhythm Tone is Adjusts the pitch of the waveform’s sound up or down in 1-cent Sounded (WMT) steps (+/-50 cents). Value: -50– +50 The WMT (Wave Mix Table) uses key velocity to control the four waveforms assigned to the rhythm tone.
  • Page 77: Modifying Pitch (Pch/Pch Env)

    Creating a Rhythm Set Rhythm Pitch Env Velo Fade Upper (Velocity Fade Width Upper) This determines what will happen to the tone’s level when the tone P-Env Depth (Envelope Depth) is played at a velocity greater than its specified velocity range. Higher settings produce a more gradual change in volume.
  • Page 78: Modifying The Brightness Of A Sound With A Filter (Tvf/Tvf Env)

    Creating a Rhythm Set P-Env Level 0–4 (Pitch Envelope Level 0–4) Low Pass Filter 3. Although frequency components LPF3: above the Cutoff frequency (Cutoff Frequency) are cut, Specify the pitch envelope levels (Level 0–Level 4). It determines the sensitivity of this filter changes according to the how much the pitch changes from the reference pitch (the value set Cutoff frequency.
  • Page 79: Cutoff V-Curve

    Creating a Rhythm Set Cutoff V-Curve F-Env T1 V-Sens (Cutoff Frequency Velocity Curve) (TVF Envelope Time 1 Velocity Sensitivity) Selects one of the following seven curves that determine how This allows keyboard dynamics to affect the Time 1 of the TVF keyboard playing dynamics (velocity) influence the cutoff frequency.
  • Page 80: Adjusting The Volume (Tva/Tva Env)

    Creating a Rhythm Set Alternate Pan Depth Adjusting the Volume (TVA/TVA Env) This setting causes panning to be alternated between left and right each time a key is pressed. Higher settings will produce a greater amount of change. “L” or “R” settings will reverse the order in For details on these settings, refer to “How to Make Rhythm which the pan will alternate between left and right.
  • Page 81: Output Settings

    Creating a Rhythm Set * The output destination of the signal after passing through the chorus Output Settings is set with the Chorus Output Select (p. 136) and the Chorus Output Assign (p. 142). * The output destination of the signal after passing through the reverb is For details on these settings, refer to “How to Make Rhythm set with the Reverb Output Assign (p.
  • Page 82: Initializing Rhythm Set Settings (Init)

    Creating a Rhythm Set Initializing Rhythm Set Copying Rhythm Tone Settings Settings (Init) (Copy) “Initialize” means to return the settings of the currently selected This operation copies the settings of any desired rhythm set to the sound to a standard set of values or to the factory settings. currently selected rhythm set.
  • Page 83: Saving Rhythm Sets You've Created (Write)

    Creating a Rhythm Set If you want to change the write destination, turn the VALUE Saving Rhythm Sets You’ve dial or use [INC][DEC] to re-specify the write-destination rhythm set. Created (Write) Press [ENTER]. Changes you make to sound settings are temporary, and will be lost A message will ask you for confirmation.
  • Page 84: Playing In Performance Mode

    Playing in Performance Mode Performance mode is ideal when you want to use the external MIDI Selecting a Performance sequencer to create a song, or when you want to play song data. When creating songs or playing song data, a different MIDI channel The Fantom-XR has three performance groups, including the User is assigned for each patch or rhythm set used in a part.
  • Page 85: Selecting Favorite Performances (Favorite Performance)

    Playing in Performance Mode Selecting Performances from the List Registering a Favorite Performance You can display a list of performances and select a performance from You can register a total of 64 Performances (8 sounds x 8 banks) as that list. Favorite Performance.
  • Page 86: Selecting A Part

    Playing in Performance Mode Selecting from a list display Selecting a Part Select the part whose sound you want to switch. The currently selected part is called the “current part.” Press [SHIFT] so it lights, and then press In the Performance Play screen, use to select The Patch List screen will appear.
  • Page 87: Editing The Part Settings

    Playing in Performance Mode Viewing MIDI Messages for Editing the Part Settings Each Part (Part Information) The following Part parameters can be edited from the Performance Mixer screen: In Performance mode, the reception status of MIDI messages that • Level (p. 88) control various things can be viewed for each part.
  • Page 88: Creating A Performance

    Creating a Performance With the Fantom-XR, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. This When the cursor is at a patch group or patch number, you can chapter explains the procedures used in creating Performances, and press [SHIFT] so it lights, and then press to open the Patch...
  • Page 89: Output Assign

    Creating a Performance Solo Switch Output Assign Select one part whose sound you want to play. Turn it “SOLO” to Specifies for each part how the direct sound will be output. the part that you want to solo. Parts other than the part you select Value here will not sound.
  • Page 90: Cutoff Offset

    Creating a Performance Cutoff Offset Decay Time Offset Adjusts the cutoff frequency for the patch or rhythm set assigned to Adjusts the TVA/TVF Envelope Decay Time for the patch or rhythm a part. set assigned to a part. Value: -64– +63 Value: -64–...
  • Page 91: Key Range Lower

    Creating a Performance Vibrato Rate Key Range Lower (Part Keyboard Range Lower) For each part, adjust the vibrato speed (the rate at which the pitch is modulated). The pitch will be modulated more rapidly for higher Specifies the lowest note that the tone will sound for each part. settings, and more slowly with lower settings.
  • Page 92: Scale Tune Settings

    Creating a Performance Voice Reserve Scale Tune settings This setting specifies the number of voices that will be reserved for each part when more than 128 voices are played simultaneously. The Fantom-XR allows you to use temperaments other than equal Value: 0–63, FUL temperament.
  • Page 93: Parameter List

    Creating a Performance MIDI-related settings Parameter List Part Scale Tune C–B In the Performance Play screen, make sure that the cursor is located at the performance group or performance Make scale tune settings for each part. number. Value: -64– +63 Press [SHIFT] so it lights, and then press The Performance Mixer screen will appear.
  • Page 94: Other Settings (General)

    Creating a Performance Rx Channel Pressure Other settings (General) (Receive Channel Pressure Switch) For each MIDI channel, specify whether MIDI Channel Pressure In the Performance Play screen, make sure that the cursor messages will be received (ON), or not (OFF). is located at the performance group or performance number.
  • Page 95: Changing The Settings Of The Patch Assigned To A Part

    Creating a Performance Changing the Settings of the Initializing Performance Patch Assigned to a Part Settings (Init) When using patches in Performance mode, some settings such as “Initialize” means to return the settings of the currently selected effects settings will be affected by Performance settings. If you wish sound to a standard set of values.
  • Page 96: Saving A Performance You've Created (Write)

    Creating a Performance When Changing the Settings for the Saving a Performance Patch or Rhythm Set Assigned to a You’ve Created (Write) Part in a Performance Changes you make to sound settings are temporary, and will be lost If you’ve edited a patch or rhythm set assigned to a part in a if you turn off the power or select another sound.
  • Page 97: Playing Arpeggios

    Playing Arpeggios About Arpeggio Using in Combination with the Chord Memory Function The Fantom-XR contains an arpeggio function that automatically generates arpeggios. By using the arpeggio, you can produce an When performing with the Arpeggio, you can also use it along arpeggio simply by holding down one or more keys.
  • Page 98: Arpeggio Settings

    Playing Arpeggios Arpeggio Settings Selecting Styles for Arpeggio Performances (Arpeggio Style) In the Arpeggio/Chord Switch screen (in Performance This selects the arpeggio’s basic performance Style. The arpeggio mode, the Arp/Chd/Rhy Switch screen), use styles are kept in preset memory and user memory. select “Arp.”...
  • Page 99: Changing The Accent Strength (Accent Rate)

    Playing Arpeggios Changing the Accent Strength Applying Staccato and Tenuto (Accent Rate) (Duration) When you play arpeggios, the velocity of each arpeggiated note is This setting (duration) determines whether the sounds are played determined by the velocity of the notes programmed within the staccato (short and clipped), or tenuto (fully drawn out).
  • Page 100: Adjusting The Velocity Of The Arpeggio (Velocity)

    Playing Arpeggios Notes will be sounded randomly for the keys RANDOM (L): Creating Your Own Styles you press, with only the lowest key sounded each time. Not only can you use the prepared internal Arpeggio Styles that RANDOM (_): Only the lowest of the keys pressed is sounded determine how arpeggios are played, but you can also create them as each time, the notes you press will be sounded well.
  • Page 101 Playing Arpeggios 2. Changing the Length of an Deleting all data at the cursor Arpeggio Style location step (Clear Step) If you input unwanted data by mistake, here’s how to delete all data Move the cursor to the End Step (length of the arpeggio at that step.
  • Page 102: Editing An Arpeggio Style You Created (Arpeggio Style Edit)

    Playing Arpeggios Editing the note velocity Editing an Arpeggio Style you created (Arpeggio Style Edit) Use [CURSOR] to move the cursor to the grid where you wish to edit data. You can edit the built-in styles or styles you created by step- fig.11-010a recording.
  • Page 103: Saving The Styles You Have Created (Write)

    Playing Arpeggios Saving the Styles You Have Recording arpeggios on Created (Write) your external sequencer The Styles you create are temporary; they are deleted as soon as you An arpeggiated phrase generated by the Fantom-XR can be recorded turn off the power or select some other Style. You can store 128 on an external sequencer.
  • Page 104: Using The Chord Memory Function (Chord Memory)

    Using the Chord Memory Function (CHORD MEMORY) Press the VALUE dial or use [INC][DEC] to turn chord About the Chord Memory memory function on/off. fig.12-003 Function Chord Memory is a function that allows you to play chords based on pre- programmed Chord Forms, just by pressing a single key on the keyboard.
  • Page 105: Sounding A Chord In The Order Of Its Notes (Rolled Chord)

    Using the Chord Memory Function (CHORD MEMORY) When you have made the setting, press [EXIT]. Creating Your Own Chord Forms For more on the Chord Forms pre-programmed at the factory, refer to “Chord Form List” (p. 239). Not only can you use the prepared internal Chord Forms, which determine the constituent notes of chords played using the Chord Sounding a chord in the order of Memory function, but you can also freely create and rewrite them as...
  • Page 106: Saving The Chord Forms You Have Created (Write)

    Using the Chord Memory Function (CHORD MEMORY) Saving the Chord Forms You Recording chords on your Have Created (Write) external sequencer The Chord Form you create are temporary; they are deleted as soon Chords generated by the Fantom-XR can be recorded on an external as you turn off the power or select some other Style.
  • Page 107: Playing Rhythms

    Playing Rhythms About Rhythm Patterns Playing Rhythm This function lets you produce a variety of rhythm patterns simply by pressing a single key. You can use the built-in rhythm patterns Turning Rhythm On and Off and also create your own. When the Fantom-XR is shipped from the factory, it contains 256 “preset”...
  • Page 108: Select The Rhythm Group

    Playing Rhythms If an external MIDI keyboard is connected, you can play Select the Rhythm Group your keyboard to audition the rhythm pattern assigned to each note. fig.13-007.e Access the Rhythm Switch screen. * In Performance mode, access the Arp/Chd/Rhy Switch screen and use to select “Rhythm.”...
  • Page 109: Creating Your Own Styles (Rhythm Group Edit)

    Playing Rhythms Creating Your Own Styles Saving the Rhythm Group (Rhythm Group Edit) You Have Created (Write) Not only can you use the prepared internal Rhythm Groups that The Rhythm Group you create are temporary; they are deleted as determine how rhythm are played, but you can also create them as soon as you turn off the power or select some other Style.
  • Page 110: Rhythm Pattern Settings

    Playing Rhythms Rhythm Pattern Settings Selecting Rhythm Patterns Select the basic playing style of the rhythm. Press [ARP]. Value: P001–256 (Preset), U001–256 (User) If you’re in Patch mode * In Patch mode, select a patch before you proceed. You can press [GROUP] to switch between User and Preset The Arpeggio/Chord Switch screen will appear.
  • Page 111: Applying Staccato And Tenuity (Duration)

    Playing Rhythms Creating Your Own Styles Applying Staccato and Tenuity (Duration) (Rhythm Pattern Edit) This setting (duration) determines whether the sounds are played Not only can you use the prepared internal Rhythm Pattern that staccato (short and clipped), or tenuity (fully drawn out). determine how rhythm patterns are played, but you can also create * Grid settings are shared with the arpeggio.
  • Page 112: Rhythm Pattern

    Playing Rhythms 1. Initialize the rhythm pattern Play your external MIDI keyboard. A note will be input at the specified step, and the Fantom-XR In the Rhythm Step Rec screen, press [MENU]. will wait for you to input the next step. The Rhythm Pattern Utility screen will appear.
  • Page 113: Editing A Rhythm Pattern (Rhythm Pattern Edit)

    Playing Rhythms Editing the velocity of a note Editing a Rhythm Pattern (Rhythm Pattern Edit) Use [CURSOR] to move the cursor to the grid where you wish to edit data. You can edit the built-in rhythm patterns or rhythm patterns that fig.13-023 you created using step recording.
  • Page 114: Saving The Patterns You Have Created (Write)

    Playing Rhythms Saving the Patterns You Recording rhythm pattern Have Created (Write) playback on your external sequencer The rhythm patterns you create are temporary; they are deleted as soon as you turn off the power or select some other rhythm patterns. Rhythm patterns generated by the Fantom-XR can be recorded on an You can store 256 rhythm patterns in the User memory.
  • Page 115: Sampling

    Sampling The Fantom-XR lets you sample audio sources, such as an audio Select MIX IN (Mix In). fig.14-002 device, mic, or CD. This section explains the sampling procedure and what the parameters do. Switching external input Press [ENTER]. on/off The Mix In screen will appear. Press INPUT knob.
  • Page 116: Input Effect Settings (Input Effect)

    Sampling Turn the VALUE dial, or press [INC] /[DEC] to select the Input Effect settings input effect type. (Input Effect) • Type (Input Effect Type) Selects the input effect type. You can apply a dedicated effect (Input Effect) to the external audio Parameter Explanation input.
  • Page 117: Output Settings For The External Input (Mix In Output)

    Sampling Output settings for the Sampling Procedure External Input (Mix In Output) Press [SAMPLING] to access the Sampling Menu screen. fig.14-004 In the MixIn/InputFX Switch screen, press [MENU]. The Input Setting Menu screen will appear. to select Mix In Output. fig.14-012 The lower part of the screen will show the amount of free memory.
  • Page 118 Sampling to select parameters that specify the input • Auto Trigger Sw (Auto Trigger Switch) source or triggering method for the sound you intend to If this is “ON,” sampling will begin automatically when the sample, and turn the VALUE dial or use [INC][DEC] to set input sound is detected.
  • Page 119: Dividing A Sample During Sampling

    Sampling If Stop Trigger is set to MANUAL, press [SAMPLING] to stop sampling. The Sample Edit (p. 122) screen will appear. * If you want to edit the sample, refer to p. 120. fig.14-007 When you finish sampling, the sample will automatically be added to the sample list.
  • Page 120: Editing A Sample

    Editing a Sample This section explains how you can edit a sample that you sampled/ The sample list shows the current state of imported the samples. Editing is performed in sample memory—a memory area dedicated fig.15-004 to samples (p. 37). Selecting a Sample (Sample List) Monaural channel...
  • Page 121: Loading All Samples

    Editing a Sample Loading all Samples Deleting a Sample Here’s all samples in the user memory and memory card can be Here’s how to completely delete a sample file. loaded. * You cannot delete the preset samples. In the Sample List screen, select the sample you wish to When you execute Load All Samples, all unsaved samples will delete.
  • Page 122: Displaying Sample Edit Screen

    Editing a Sample Press , then select the file that you want to Setting the Start/End Points import. If you want to select two or more files, select the file and press of the Sample [INC]. A check mark (✔) will be added to the selected file. To remove the check mark, press [DEC].
  • Page 123: Making Settings For Sample (Sample Parameters)

    Editing a Sample REV (Reverse) Making Settings for Sample When the sample has been played back from the End point to (Sample Parameters) the Start point, it will be repeatedly played back in the reverse direction, from the Loop Start point to the Start point. fig.15-007 Here you can make various settings for the sample.
  • Page 124: Creating A Patch From A Sample (Create Patch)

    Editing a Sample • Loop Start Fine If you’re starting from Fine adjustment of the Loop Start point. Performance mode Value: 0–255 • Loop End Fine In the Sample List screen, select the sample from which Fine adjustment of the End point. you want to create a patch.
  • Page 125: Creating A Rhythm Set From Samples (Create Rhythm Set)

    Editing a Sample Creating a Rhythm Set from If you’re starting from Performance mode samples (Create Rhythm Set) In the Sample List screen, select the sample(s) from which Here’s how you can use the sample(s) to create a rhythm set. This you want to create a rhythm set.
  • Page 126: Creating A Patch From Multiple Samples (Create Multisample)

    Editing a Sample In the Sample List screen, select the sample(s) that you Creating a Patch from want to include in your new multisample. If you want to select two or more samples, select the sample and Multiple Samples press [INC]. A check mark (✔) will be added to the selected (Create Multisample) sample.
  • Page 127: Removing Unwanted Portions Of A Sample (Truncate)

    Editing a Sample If you are sure you want to write the multisample, press Removing Unwanted [ENTER]. If you decide to cancel, press [EXIT]. Portions of a Sample Never switch off the Fantom-XR while data is being saved. (Truncate) 10. When the data has been written, the Create Patch screen will appear.
  • Page 128: Boosting Or Limiting The High-Frequency Range Of The Sample (Emphasis)

    Editing a Sample Boosting or Limiting the Maximizing the Volume of a High-frequency Range of Sample (Normalize) the Sample (Emphasis) This operation raises the level of the entire sample as much as possible without exceeding the maximum level. In some cases, the In some cases, the audio quality will be improved if you boost the volume of a phrase you resampled (p.
  • Page 129: Amp

    Editing a Sample Press to select how the sample will be handled. • Add as a new sample The currently selected sample will be created as a new sample. This operation applies an envelope (time-variant change) to the • Replace an existing sample volume of the sample.You can also adjust the volume of the entire The currently selected sample will be replaced by the edited sample.
  • Page 130: Dividing A Sample Into Notes (Chop)

    Editing a Sample Press [ENTER]. Press [ENTER]. A message will ask you for confirmation. The sample will be automatically divided according to your settings, and the points will be specified. A maximum of 15 Press [ENTER] to execute the operation. division points will be set (16 regions).
  • Page 131: Saving A Sample

    Editing a Sample Moving a Dividing Point Press to select the write destination. The write destination can be either the Fantom-XR’s internal After you’ve specified the dividing points for the sample, you can user area (User), or a memory card (Card). move them as follows.
  • Page 132: Adding Effects

    Adding Effects This section explains the procedures and settings for applying effects in each mode. For details of the Fantom-XR’s onboard effects, refer to “About the Onboard Effects” (p. 35). The included Fantom-X editor lets you edit the Fantom-XR’s settings from your computer in a convenient graphical environment (p.
  • Page 133: Applying Effects In Patch Mode

    Adding Effects Applying Effects in Patch Mode In Patch mode you can use multi effects (MFX), chorus, and reverb. In the “Signal Flow Diagram (Routing)” below, numbers 1–17 correspond to the Fantom-XR’s Effect Edit Menu screens (p. 134). For details on parameters 1–17, refer to “Functions of Effect Parameters” (p. 134). For the editing procedure, refer to “Making Effect Settings” (p.
  • Page 134: Effect Edit Menu Screen Structure

    Adding Effects Effect Edit Menu screen structure Functions of Effect Parameters Effect editing is done in the Effect Edit Menu screen. Patch Output (Patch/Rhythm Output) fig.22-005 Here you can make output settings for the Patch and Rhythm Set. These parameters are the same as the corresponding Patch settings. For details, refer to p.
  • Page 135: Mfx Output Level

    Adding Effects Tone Output Assign Specifies how the direct sound of each tone will be output. fig.22-021 Value: MFX: Output in stereo through multi-effects. You can also apply chorus or reverb to the sound that passes through multi-effects. A, B: Output to the OUTPUT A (MIX) jack or OUTPUT B MFX Type (Multi-Effects Type) jack in stereo without passing through multi-effects.
  • Page 136: Chorus Type

    Adding Effects Chorus Chorus Output Assign Selects the pair of OUTPUT jacks to which the chorus sound is fig.22-022 routed when Chorus Output Select ( ) is set to “MAIN” or “M+R.” Value A: Output to the OUTPUT A (MIX) jacks in stereo. B: Output to the OUTPUT B jacks in stereo.
  • Page 137 Adding Effects Reverb Output Mastering Effect fig.22-023a fig.22-030 Reverb Output Level Adjusts the volume of the sound that has passed through reverb. Value: 0–127 Reverb Output Assign Specifies how the sound routed through reverb will be output. Value A: Output to the OUTPUT A (MIX) jacks in stereo. B: Output to the OUTPUT B jacks in stereo.
  • Page 138 Adding Effects If you want to use common controllers for the entire Fantom- Multi-Effects Control XR, select “SYS CTRL 1”–”SYS CTRL 4.” MIDI messages used If you wanted to change the volume of multi-effects sounds, the as System Control 1–4 are set with the Sys Ctrl 1–4 Source delay time of Delay, and the like, using an external MIDI device, parameters (p.
  • Page 139: Applying Effects In Performance Mode

    Adding Effects Applying Effects in Performance Mode In Performance mode you can use three multi-effects (MFX1, MFX2, MFX3), one chorus, and one reverb. For each of the three multi-effects, the chorus, and the reverb, you can specify whether it will operate according to the effect settings of the performance, or according to the effect settings of the patch or rhythm set assigned to the part you specify.
  • Page 140: Effect Edit Menu Screen Structure

    Adding Effects Effect Edit Menu screen structure Functions of Effect Parameters Effect editing is done in the Effect Edit Menu screen. Part Output fig.22-008 fig.22-025 Here you can make output settings for the Performance. * These parameters are the same as the corresponding Performance settings.
  • Page 141: Mfx Output Level

    Adding Effects MFX1–3 Output (Multi-Effects 1–3 Output) If the Mix/Parallel parameter is set to “MIX,” all sounds are output from the OUTPUT A (MIX) jacks in stereo (p. 158). fig.22-026a If you’ve set Tone Out Assign to “MFX,” set the MFX Output Assign parameter ( ) to specify the output destination of the sound that has passed through the multi-effects.
  • Page 142 Adding Effects Chorus Chorus Output Assign Selects the pair of OUTPUT jacks to which the chorus sound is fig.22-027 routed when Chorus Output Select ( ) is set to “MAIN” or “M+R.” Value A: Output to the OUTPUT A (MIX) jacks in stereo. B: Output to the OUTPUT B jacks in stereo.
  • Page 143: Control 1–4 Src

    Adding Effects Reverb Output Mastering Effect Mastering effect settings apply to the entire Fantom-XR. These fig.22-028a settings are not for individual patches or performances. For details on the Mastering Effect, refer to “Mastering Effects” (p. 146). fig.22-029 Reverb Output Level Adjusts the volume of the sound that has passed through reverb.
  • Page 144 Adding Effects If you want to use common controllers for the entire Fantom- Multi-Effects Control XR, select “SYS CTRL 1”–”SYS CTRL 4.” MIDI messages used If you wanted to change the volume of multi-effects sounds, the as System Control 1–4 are set with the Sys Ctrl 1–4 Source delay time of Delay, and the like, using an external MIDI device, parameters (p.
  • Page 145: Specifying The Effect Source

    Adding Effects Chorus Source Specifying the Effect Source Selects the chorus parameter settings that will be used by the performance. If you wish to use the performance settings, select For each of the three multi-effects, the chorus, and the reverb, you “PRF.”...
  • Page 146: Specifying The Multi-Effect Structure (Mfx Structure)

    Adding Effects Mastering Effects Specifying the multi-effect structure (MFX Structure) This is a stereo compressor (limiter) that is applied to the final Here’s how to specify how MFX 1–3 will be connected. output of the Fantom-XR. It has independent high, mid, and low ranges.
  • Page 147: Low/Mid/High Attack

    Adding Effects Low/Mid/High Attack Saving the Mastering settings Time from when the volume goes up the threshold level until the Save the current settings as user settings. Only one set of user compressor effect applies settings can be saved. Value: 0–100 ms In the Mastering screen, press [SHIFT] so it lights, and then Low/Mid/High Release press...
  • Page 148: Connecting To Your Computer Via Usb (Usb Mode)

    Connecting to Your Computer via USB (USB Mode) Press [ENTER] to execute. About USB Functions USB Storage mode will be selected. fig.23-001.j The Fantom-XR has two modes of USB functionality: storage mode for transferring files, and MIDI mode for sending and receiving MIDI messages.
  • Page 149: Transferring Files To Or From Your Computer (Storage Mode)

    Connecting to Your Computer via USB (USB Mode) Press [ENTER] to execute. Transferring Files to or from MIDI mode will be selected. fig.23-002j Your Computer (Storage Mode) By connecting the Fantom-XR with your computer via a USB cable, you can transfer files from internal memory or a memory card to and from the hard disk or other media of your computer, in order to back up your data.
  • Page 150: Cautions Regarding Folders And Files

    A drive named “Removable disk” will be displayed within My Computer. Canceling USB Communication Below that drive there will be folders named “ROLAND” and “TMP.” • Windows XP users If you want to power off the Fantom-XR when it is connected to your computer in Storage mode, you must first cancel USB A drive named “FANX USER”...
  • Page 151: Exchanging Midi Messages With Your Computer (Midi Mode)

    Connecting to Your Computer via USB (USB Mode) to select “Import Audio.” Exchanging MIDI Messages fig.23-005 with Your Computer (MIDI Mode) Driver Installation and Settings Press [ENTER]. The Import Audio screen will appear. In order to use the Fantom-XR as a USB MIDI device from your computer, you must first install the USB MIDI driver.
  • Page 152 Connecting to Your Computer via USB (USB Mode) What is the USB MIDI Driver? The USB MIDI Driver is a software which passes data between the Fantom-XR and the application (sequencer software, etc.) that is running on the USB-connected computer. The USB MIDI Driver sends data from the application to the Fantom-XR, and passes data from the Fantom-XR to the application.
  • Page 153: File-Related Functions (File Utility)

    • The Fantom-XR can only handle filenames consisting of single-byte alphanumeric characters. • Don’t use your computer to delete or overwrite the files located in the ROLAND/SND folder. Selecting multiple files When copying files from your computer into the Fantom-XR’s user area or memory card, place them in the following folders.
  • Page 154: Copying A File (File Copy)

    File-Related Functions (File Utility) Copying a File (File Copy) Initializing a Memory Card (Card Format) Here’s how you can copy a file or files with check marks to a different folder. Here’s how to initialize a memory card. When you execute the Format operation, the contents of the memory card will be In the File Utility screen, select the file that you want to completely erased.
  • Page 155: Settings Common To All Modes (System Function)

    Settings Common to All Modes (System Function) Settings that affect the entire operating environment of the Fantom- Saving the System Settings XR, such as tuning and MIDI message reception, are referred to as system functions. This section explains how to make settings for (Write) the System functions and describes the functions of the different System parameters.
  • Page 156: Functions Of System Parameters

    Settings Common to All Modes (System Function) Functions of System Parameters This section explains what the different System parameters do, and also how these parameters are organized. For details on these settings, refer to “How to Make System Function Settings” (p. 155). System Startup Parameter Value...
  • Page 157: System Usb

    Settings Common to All Modes (System Function) System MIDI Parameter Value Description Tx Edit Data OFF, ON Specify whether changes you make in the settings of a patch, performance (Transmit Edit Data Switch) will be transmitted as system exclusive messages (ON), or will not be transmitted (OFF).
  • Page 158: System Sound

    Settings Common to All Modes (System Function) System Sound Parameter Value Description Master Tune 415.3–466.2 Hz Adjusts the overall tuning of the Fantom-XR. The display shows the frequency of the A4 note (center A). Master Level 0–127 Adjusts the volume of the entire Fantom-XR. The screen for adjusting the Master Level can also be accessed directly from the Top Menu screen.
  • Page 159: System Control

    Settings Common to All Modes (System Function) How do I Adjust the Volume? Adjusting the Master Level In the Patch Play screen (p. 40) or the Performance Play Master Level adjusts the volume of both the OUTPUT A jacks and screen (p.
  • Page 160: System Preview

    Settings Common to All Modes (System Function) System Preview Parameter Value Description Preview Mode SINGLE, CHORD, SINGLE: The notes specified by Note Number 1–4 parameter will PHRASE sound successively one by one. CHORD: The notes specified by Note Number 1–4 parameter will sound simultaneously.
  • Page 161: System Sampling

    Settings Common to All Modes (System Function) System Sampling Parameter Value Description Default File Type WAV, AIFF Specifies the file format used when saving a sample. Pre Sample Time 0–1000 ms The length of sound preceding the moment at which sampling was manually or automatically initiated that will be captured in the sample.
  • Page 162: Data Management Functions Reset To Default Factory Settings (Factory Reset)

    Data Management Functions Reset to Default Factory Settings (Factory Reset) Basic Procedure Restoring User Data that You Backed Up (User Restore) In the Patch Play screen (p. 40) or the Performance Play screen (p. 84), press [MENU]. Here’s how user data saved on a memory card by the User Backup The Top Menu screen will appear.
  • Page 163: Using Fantom-X Editor

    Using Fantom-X Editor To help you take even greater advantage of its functionality, the Using Fantom-X Librarian Fantom-XR comes with Fantom-X Editor software. Fantom-X Editor assigns parameters to sliders and knobs in the computer screen, Fantom-X Librarian is software that lets you manage libraries of allowing you to work efficiently in a graphical editing environment.
  • Page 164: Fantom-X Editor System Requirements

    Using Fantom-X Editor Fantom-X Editor System Requirements System Requirements (Windows) • Operating System: Microsoft® Windows® XP Microsoft® Windows® Me Microsoft® Windows® 2000 Professional Microsoft® Windows® 98/98SE • CPU/Clock: Pentium®/Celeron™ processor 400 MHz or higher Pentium® III 500 MHz or higher (recommended) •...
  • Page 165: Playing Smf Data (Song Play)

    Playing SMF data (Song Play) The Fantom-XR can consecutively play back Standard MIDI File (SMF) data (filename extension .MID) stored in user memory or a memory card. When you play back a standard MIDI file, we recommend that you use the sound generator in Performance mode. In Performance mode, up to sixteen different sounds can be played separately by the sixteen parts, making this mode ideal for playing songs that are multi-instrument ensembles of...
  • Page 166: Installing The Wave Expansion Board

    Installing the Wave Expansion Board Up to six optional Wave Expansion Boards (SRX series) can be How to Install a Wave installed in the Fantom-XR. Expansion Board Wave Expansion Boards store Wave data, patches, and rhythm sets, and by equipping the Fantom-XR with these boards, you can greatly expand your sound palette.
  • Page 167: Checking The Installed Wave Expansion Boards

    Installing the Wave Expansion Board Use the Installation Tool supplied with the Wave Expansion Checking the Installed Wave Board to turn the holders in the LOCK direction, so the board will be fastened in place. Expansion Boards fig.30-006.e After installation of the Wave Expansion Boards has been LOCK completed, check to confirm that the installed boards are being Installation tool...
  • Page 168: Installation De La Carte D'expansion Wave

    Installation de la carte d’expansion Wave (French Language for Canadian Safety Standard) Installation d’une carte Un maximum de trois cartes d’expansion Wave (six cartes SRX) d’expansion Wave peuvent être installées dans le Fantom-XR. Les cartes d’expansion Wave emmagasinent des données Wave, Pour installer une carte d’expansion Wave, il faut retirer le couvercle correctifs et rythmes, et en ajoutant ces cartes au Fantom-XR, il est supérieur.
  • Page 169: Vérification Des Cartes D'extension Audio Aprés Installation

    Installation de la carte d’expansion Wave Utilisez l’outil d’installation fourni avec la carte Vérification des cartes d’expansion Wave pour tourner les supports en position LOCK (verrouillé) afin de retenir la carte en place. d’extension audio aprés fig.30-006.f installation LOCK Lorsque l’installation des cartes d’extension audio est terminée, Outil d’installation procéder à...
  • Page 170: Expanding The Memory

    Before expanding the memory, consult with your retailer, the nearest Before expanding the memory, turn off the power of the Roland Service Center, or an authorized Roland distributor. Fantom-XR and all connected devices, and disconnect all cables, including the Power cable, from the Fantom-XR.
  • Page 171: Removing The Memory

    Expanding the Memory Checking that memory is Removing the Memory installed correctly To remove the memory module, reverse the installation procedure. Simultaneously press outward the white clips located at Turn on the power, as described in “Turning On the Power” either end of the socket.
  • Page 172: Ajouter De La Mémoire

    Avant d’installer la mémoire additionnelle, mettez hors Avant d’ajouter de la mémoire, consulter le détaillant, le centre de tension le Fantom-XR et tous les périphériques connectés service Roland le plus proche ou un distributeur autorisé Roland. et débranchez tous les câbles, y compris le câble fig.French-CSA d’alimentation du Fantom-XR.
  • Page 173: Retrait Du Module De Mémoire

    Ajouter de la mémoire Vérifier que la mémoire est Retrait du module de mémoire installée correctement Pour retirer le module de mémoire, procédez à l’inverse de la procédure d’installation. Mettre sous tension de la façon décrite sous “Turning On the Power” (p. 17). Appuyez simultanément, vers l’extérieur, sur les clips blancs situés aux extrémités de la prise.
  • Page 174: Using A Memory Card

    Using a Memory Card The Fantom-XR features a PC card slot, allowing you to use not only Installing the PC Card Protector PC card type memory cards, but also other types of media, such as CompactFlash and SmartMedia, via the appropriate PC card The Fantom-XR provides a PC card protector to prevent theft of the adaptor.
  • Page 175: Appendix

    Appendix...
  • Page 176: Troubleshooting

    If this does not resolve the problem, consult messages or expression messages) received from an external your dealer or a nearby Roland Service Station. MIDI device? * If any sort of message is being displayed on the screen during an operation, refer to Error Messages (p.
  • Page 177 Troubleshooting The sound is interrupted. Even when I set the Pan for a Patch completely to one side, sound still comes from the other channel... Sounds will be interrupted if more than 128 voices are used The Fantom-XR’s internal effects are in stereo, so if you have simultaneously.
  • Page 178: Issues Related To Effects

    Troubleshooting Using the Matrix Control or other such means to control the LFO results in noise when the Pan is changed suddenly. Issues Related to Effects Lower the change in speed (LFO Rate). Effects not applied. Due to the specialized processing used for the Pan, which alters the volume level in each of the left and right sides, sudden Pan Check the following points.
  • Page 179 Troubleshooting • Is there an Aftertouch or other such large Control Change at the point where the song performance is sluggish? Issues Related to MIDI and Move the location of the data. If the data is no longer needed, External Devices delete the data.
  • Page 180 Use a connection cable that does not contain a resistor (e.g., Even if the level of each individual sample is appropriate, Roland PCS series). simultaneously playing multiple samples may cause the overall level to be excessively high, causing distortion. Lower the level External input sound is not stereo/is not monaural of each sample so that the sound is not distorted.
  • Page 181: Parameter List

    Parameter List Patch Parameters Patch General (p. 49) Parameter Value Patch Name * Specify when writing space, A–Z, a–z, 0–9, ! ” # $ % & ’ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } Patch Category Patch Level...
  • Page 182 Parameter List Patch WG (p. 54) Parameter Value Wave Group INT, EXP, SAMP, MSAM Wave Bank When the wave group is INT: A or B, When the wave group is EXP: A–F, When the wave group is SAMP: PRST, USER, CARD, When the wave group is MSAM: USER, CARD Wave No.L (Mono) Wave Number L (Mono)
  • Page 183 Parameter List Patch TVF Env (p. 59) Parameter Value F-Env Depth TVF Envelope Depth -63– +63 F-Env V-Curve TVF Envelope Velocity Curve -63– +63 F-Env V-Sens TVF Envelope Velocity Sensitivity -63– +63 F-Env T1 V-Sens TVF Envelope Time 1 Velocity Sensitivity -63–...
  • Page 184 Parameter List Parameter Value Delay Time KF LFO1/LFO2 Delay Time Keyfollow -100, -90, -80, -70, -60, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +60, +70, +80, +90, +100 Fade Mode LFO1/LFO2 Fade Mode ON <, ON >, OFF <, OFF > Fade Time LFO1/LFO2 Fade Time 0–127...
  • Page 185: Rhythm Set Parameters

    Parameter List Parameter Value Control 1–4 Sens Multi-Effects Control Sens 1–4 -63– +63 Chorus Type 0 (Off), 1 (Chorus), 2 (Delay), 3 (GM2 Chorus) Chorus Output Output Level 0–127 Output Assign A, B Output Select MAIN, REV, M+R Reverb Type 0 (Off), 1 (Reverb), 2 (SRV Room), 3 (SRV Hall), 4 (SRV Plate), 5 (GM2 Reverb) Reverb Output...
  • Page 186 Parameter List Rhythm WMT (p. 76) Parameter Value WMT Velocity Control Velocity Control Switch OFF, ON, RANDOM Velo Fade Lower Velocity Fade Width Lower 0–127 Velo Range Lower Velocity Range Lower 1–UPPER Velo Range Upper Velocity Range Upper LOWER–127 Velo Fade Upper Velocity Fade Width Upper 0–127 Rhythm Pitch (p.
  • Page 187 Parameter List Rhythm TVA (p. 80) Parameter Value Tone Level Rhythm Tone level 0–127 Level V-Curve Level Velocity Curve FIXED, 1–7 Level V-Sens Level Velocity Sensitivity -63– +63 Tone Pan Rhythm Tone Pan L64–0–63R Random Pan Depth 0–63 Alternate Pan Depth L63–0–63R Rhythm TVA Env (p.
  • Page 188: Performance Parameters

    Parameter List Performance Parameters General (p. 94) Parameter Value Performance Name * Specify when writing. space, A–Z, a–z, 0–9, ! ” # $ % & ’ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } Recommended Tempo 20-250...
  • Page 189 Parameter List MIDI (p. 93) Parameter Value Rx Program Change OFF, ON Rx Bank Select OFF, ON Rx Pitch Bend OFF, ON Rx Poly Key Pressure OFF, ON Rx Channel Pressure OFF, ON Rx Modulation OFF, ON Rx Volume OFF, ON Rx Pan OFF, ON Rx Expression...
  • Page 190: Sample Parameters

    Parameter List Effect (p. 140) Parameter Value Effect Source MFX1 Source Multi-Effects 1 Source PERFORM, PART1–P16 MFX2 Source Multi-Effects 2 Source PERFORM, PART1–P16 MFX3 Source Multi-Effects 3 Source PERFORM, PART1–P16 Chorus Source PERFORM, PART1–P16 Reverb Source PERFORM, PART1–P16 MFX Structure MFX Structure Multi-Effects Structure TYPE01-16...
  • Page 191: System Parameters

    Parameter List System Parameters System Startup (p. 156) Parameter Value LCD Contrast 1-20 Startup w/Preset Samp Load Preset Samples at Startup OFF, ON Startup w/User Samp Load User Samples at Startup OFF, ON Power Up Mode PATCH, PERFORM System Sync/Tempo (p. 156) Parameter Value Sync Mode...
  • Page 192 Parameter List System Preview (p. 160) Parameter Value Preview Mode SINGLE, CHORD, PHRASE Preview 1 - 4 Note C- –G9 Preview 1 - 4 Velo OFF, 1–127 System Scale Tune (p. 160) Parameter Value Scale Tune Switch OFF, ON Patch Scale Tune C - B -64–...
  • Page 193: Effects List

    Effects List LO-FI (5 types) Multi-Effects Parameter LOFI NOISE P.209 LOFI COMPRESS P.209 LOFI RADIO P.209 The multi-effects feature 78 different kinds of effects. Some of the TELEPHONE P.210 effects consist of two or more different effects connected in series. PHONOGRAPH P.210 Parameters marked with a sharp “#”...
  • Page 194 Effects List 01: EQUALIZER 03: ISOLATOR This is a four-band stereo equalizer (low, mid x 2, high). This is an equalizer which cuts the volume greatly, allowing you to fig.MFX-01 add a special effect to the sound by cutting the volume in varying ranges.
  • Page 195 Effects List 05: SUPER FILTER Parameter Value Description Filter Slope -12, -24, -36 dB Amount of attenuation per octave This is a filter with an extremely sharp slope. The cutoff frequency -12 dB: gentle -24 dB: steep can be varied cyclically. -36 dB: extremely steep fig.MFX-05 Filter...
  • Page 196 Effects List Specifications of each Speaker Type Parameter Value Description Low Gain -15– +15 dB Gain of the low range The speaker column indicates the diameter of each speaker unit (in High Gain -15– +15 dB Gain of the high range inches) and the number of units.
  • Page 197: Multi Stage Phaser

    Effects List 12: STEP PHASER 14: INFINITE PHASER The phaser effect will be varied gradually. A phaser that continues raising/lowering the frequency at which the fig.MFX-12 sound is modulated. fig.MFX-14 2-Band L in L out Step Phaser L in L out Pan L Infinite Phaser 2-Band EQ...
  • Page 198: Step Ring Modulator

    Effects List 16: STEP RING MOD 18: AUTO PAN (STEP RING MODULATOR) Cyclically modulates the stereo location of the sound. fig.MFX-18a This is a ring modulator that uses a 16-step sequence to vary the L in L out Auto Pan 2-Band EQ frequency at which modulation is applied.
  • Page 199 Effects List 20: SLICER Parameter Value Description Wf Fast Speed 0.05–10.00 Hz Fast speed (FAST) of the low fre- By applying successive cuts to the sound, this effect turns a quency rotor Wf Acceleration 0–15 Adjusts the time it takes the low conventional sound into a sound that appears to be played as a frequency rotor to reach the newly backing phrase.
  • Page 200 Effects List 23: CHORUS 25: STEP FLANGER This is a stereo chorus. A filter is provided so that you can adjust the This is a flanger in which the flanger pitch changes in steps. The timbre of the chorus sound. speed at which the pitch changes can also be specified in terms of a fig.MFX-23 note-value of a specified tempo.
  • Page 201 Effects List 29: 3D CHORUS Parameter Value Description Pan Deviation 0–20 Adjusts the difference in stereo lo- This applies a 3D effect to the chorus sound. The chorus sound will cation between each chorus sound. 0: All chorus sounds will be in be positioned 90 degrees left and 90 degrees right.
  • Page 202 Effects List 32: 2BAND CHORUS Parameter Value Description Output Mode SPEAKER, PHONES Adjusts the method that will be A chorus effect that lets you apply an effect independently to the used to hear the sound that is low-frequency and high-frequency ranges. output to the OUTPUT jacks.
  • Page 203: Band Step Flanger

    Effects List Parameter Range Explanation Parameter Range Explanation Low Depth 0–127 Modulation depth for the low- High Depth 0–127 Modulation depth for the high- range flanger sound range flanger sound Low Phase 0–180 deg Spaciousness of the low-range High Phase 0–180 deg Spaciousness of the high-range flanger sound...
  • Page 204 Effects List Specifications for each Speaker Type Parameter Value Description Amp Type SMALL, BUILT-IN, 2- Type of guitar amp The speaker column indicates the diameter of each speaker unit (in STACK, 3-STACK SMALL: small amp BUILT-IN: single-unit type amp inches) and the number of units. 2-STACK: large double stack Type Cabinet...
  • Page 205 Effects List 42: GATE Parameter Value Description HF Damp 200–8000 Hz, Adjusts the frequency above which sound Cuts the reverb’s delay according to the volume of the sound sent BYPASS fed back to the effect is filtered out. If you into the effect.
  • Page 206 Effects List 47: 3TAP PAN DELAY Parameter Range Explanation Delay2 -98– +98% Proportion of the delay sound Produces three delay sounds; center, left and right. Feedback # that is to be returned to the in- put of delay 2 (negative values fig.MFX-47 invert the phase) Balance D...
  • Page 207 Effects List 49: MULTI TAP DELAY Parameter Range Explanation Delay 3 Feed- -98– +98% Proportion of the delay sound This effect provides four delays. Each of the Delay Time parameters back # that is to be returned to the in- put of the tap delay (negative can be set to a note length based on the selected tempo.
  • Page 208 53: TIME CTRL DELAY A virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo section of a Roland RE-201 Space Echo. A stereo delay in which the delay time can be varied smoothly. fig.MFX-55 fig.MFX-53...
  • Page 209 Effects List 57: LOFI COMPRESS Parameter Value Description Wow/Flutter 0–127 Speed of wow/flutter (complex variation This is an effect that intentionally degrades the sound quality for Rate in pitch caused by tape wear and rotational creative purposes. irregularity) Wow/Flutter 0–127 Depth of wow/flutter fig.MFX-57 Depth...
  • Page 210: Voice Pitch Shifter

    Effects List 59: TELEPHONE Parameter Value Description fig.MFX-59 Coarse #1 -24– +12 semi Adjusts the pitch of the pitch L in L out Telephone shifted sound in semitone steps. Fine #1 -100– +100 cent Adjusts the pitch of the pitch shifted sound in 2-cent steps.
  • Page 211: Step Pitch Shifter

    Effects List 63: STEP PCH SHIFTER Parameter Value Description HF Damp 200–8000 Hz, Adjusts the frequency above which (STEP PITCH SHIFTER) BYPASS the reverberant sound will be cut. As the frequency is set lower, A pitch shifter in which the amount of pitch shift is varied by a 16- more of the high frequencies step sequence.
  • Page 212 Effects List Parameter Value Description Parameter Value Description Cho Balance # D100:0W–D0:100W Adjusts the volume balance be- Delay Balance # D100:0W–D0:100W Adjusts the volume balance be- tween the sound that is sent tween the sound that is sent through the chorus (W) and the through the delay (W) and the sound that is not sent through the sound that is not sent through...
  • Page 213 Effects List 72: ENH → CHORUS 74: ENH → DELAY (ENHANCER → CHORUS) (ENHANCER → DELAY) fig.MFX-72 fig.MFX-74 L in L out Enhancer L in L out Enhancer Balance D Balance D Balance W Balance W Chorus Delay Balance W Balance W Feedback R in...
  • Page 214: Sympathetic Resonance

    Effects List 76: FLANGER → DELAY 78: SYMPATHETIC RESO (SYMPATHETIC RESONANCE) fig.MFX-76 Balance D On an acoustic piano, holding down the damper pedal allows other L in L out strings to resonate in sympathy with the notes you play, creating Balance D Feedback Balance W...
  • Page 215 Effects List When Using 3D Effects About the STEP RESET function The following 3D effects utilize RSS (Roland Sound Space) 06: STEP FILTER technology to create a spaciousness that cannot be produced by 16: STEP RING MOD delay, reverb, chorus, etc.
  • Page 216: Chorus Parameters

    Effects List note: Chorus Parameters fig.MFX-note2.e (Sixty-fourth-note triplet), (Sixty-fourth note), (Thirty-second-note triplet), The Fantom-XR’s Chorus effect unit can also be used as a stereo (Thirty-second note), (Sixteenth-note triplet), (Dotted thirty-second note), delay unit. (Sixteenth note), (Eighth-note triplet), (Dotted sixteenth note), These settings allow you to select chorus or delay, and the (Eighth note), (Quarter-note triplet),...
  • Page 217: Reverb Parameters

    Effects List Reverb Parameters Input Effect Parameters These settings allow you to select the desired type of reverb, and its Selects the type of effect that will be applied to the external input characteristics. source. Parameter Value Description 01: EQUALIZER Reverb 0 (OFF), Type of reverb...
  • Page 218: Error Messages

    The contents of memory may have been damaged. Please perform the Factory Reset operation. Memory Damaged! If this does not resolve the problem, please contact your dealer or the nearest Roland Service Center. Memory Full! Saving is not possible because there is insufficient space Delete unneeded data.
  • Page 219: Performance List

    Performance List USER Group PRESET Group Name Name Name Name Seq:Template GM2 Template Seq:Template Seq:Perc Phr Seq:Pop 1 Piano+Str X Seq:Pop 1 Piano+Str X Seq:Pop 2 Arctic Zone Seq:Pop 2 Arctic Zone Seq:Pop 3 Frozen EP Seq:Pop 3 Frozen EP Seq:Pop 4 Strings Orch Seq:Pop 4...
  • Page 220: Patch List

    Patch List USER (User Group) No. Name Voice Category No. Name Voice Category No. Name Voice Category No. Name Voice Category 001 UltimatGrand AC.PIANO 071 So true... AC.PIANO 141 Ooh La La BRIGHT PAD 211 Reso SynBass SYNTH BASS 002 Strobot PULSATING 072 Are U ready? PULSATING...
  • Page 221 Patch List PR-A (Preset A Group) PR-B (Preset B Group) No. Name Voices Category No. Name Voices Category No. Name Voices Category No. Name Voices Category 001 So true... AC.PIANO 071 Synergy MLT MALLET 001 GK Dubguitar EL.GUITAR 071 FS Unison Bs SYNTH BASS 002 ConcertPiano AC.PIANO...
  • Page 222 Patch List PR-C (Preset C Group) PR-D (Preset D Group) No. Name Voices Category No. Name Voices Category No. Name Voices Category No. Name Voices Category 001 FS Flute FLUTE 071 Mod Lead SOFT LEAD 001 HPF Sweep TECHNO SYNTH 071 TB Booster OTHER SYNTH 002 Atk Flute...
  • Page 223 Patch List PR-E (Preset E Group) PR-F (Preset F Group) No. Name Voices Category No. Name Voices Category No. Name Voices Category No. Name Voices Category 001 Digital Aahs SOFT PAD 071 FS Sitar 2 PLUCKED 001 ConcertGrand AC.PIANO 071 NylonGt /HO AC.GUITAR 002 FreezinNight SOFT PAD...
  • Page 224 Patch List PR-G (Preset G Group) PR-H (Preset H Group) No. Name Voices Category No. Name Voices Category No. Name Voices Category No. Name Voices Category 001 Da Chronic SYNTH BASS 071 Classic Lead HARD LEAD 001 Minor Thirds PULSATING 071 Side Band X BRIGHT PAD 002 Virtual RnBs...
  • Page 225 Patch List GM (GM2 Group) No. Name Voice No. Name Voice No. Name Voice No. Name Voice 001 Piano 1 065 Chorus Gt. 129 French Horns 193 Sitar 002 Piano 1w 066 Mid Tone GTR 130 Fr.Horn 2 194 Sitar 2 003 European Pf 067 Muted Gt.
  • Page 226: Rhythm Set List

    Rhythm Set List USER (User Group) PRSET (Preset Group) GM2 (GM2 Group) Name Name Name StudioX Kit1 StandardKit1 GM2 STANDARD StudioX Kit2 StandardKit2 GM2 ROOM X Euro Kit StandardKit3 GM2 POWER X Hybrid Kit Rock Kit 1 GM2 ELECTRIC Neo-Wrld Kit Rock Kit 2 GM2 ANALOG PassionDrums...
  • Page 227: Rhythm Set List

    Rhythm Set List Prst: User: Note No. StandardKit1 StandardKit2 StandardKit3 Rock Kit 1 Rock Kit 2 Brush Jz Kit Orch Kit MaxLow Kick3 Dance Kick HipHop Kick2 R&B Kick MaxLow Kick2 TR909 Kick 1 Timpani Roll Rk CmpKick Dry Kick 1 Frenzy Kick Rk CmpKick MaxLow Kick1...
  • Page 228 Rhythm Set List Prst: User: Note No. 909 808 Kit Limiter Kit HipHop Kit 1 HipHop Kit 2 HipHop&Latin Machine&Hip R&B Kit TR909 Kick 2 Skool Kick PlasticKick2 HipHop Kick1 Syn Low Atk1 TR909 Kick 2 70’s Kick TR909 Kick 4 HipHop Kick1 Low Kick 2 HipHop Kick2...
  • Page 229 Rhythm Set List Prst: User: HiFi R&B Kit Machine Kit1 4 Kit MIX Kit-Euro:POP House Kit Nu Technica Machine Kit2 Note No. MaxLow Kick2 TR909 Kick 2 FB Kick TR707 Kick TR909 Kick 3 SH32 Kick AnalogKick 5 FB Kick TR909 Kick 4 Pick Kick AnalogKick 1...
  • Page 230 Rhythm Set List Prst: User: ArtificalKit Noise Kit Kick Menu Snare Menu 1 Snare Menu 2 HiHat Menu Rim&Tom Menu Note No. TR909 Kick 2 TR909 Kick 2 ----- Reg.Snr1 p ----- ----- ----- AnalogKick 2 TR909 Kick 4 ----- Reg.Snr1 mf ----- -----...
  • Page 231 Rhythm Set List Prst: User: Note No. Clp&Cym&Hit FX/SFX Menu Percussion Scrh&Voi&Wld StudioX Kit1 StudioX Kit2 X Euro Kit ----- ----- ----- ----- Dry Kick 3 Dry Kick 3 TR909 Kick 1 TR909 Kick ----- ----- ----- ----- Hush Kick2 Hush Kick2 ----- -----...
  • Page 232 Rhythm Set List Prst: User: Note No. X Hybrid Kit Neo-Wrld Kit PassionDrums Organic Kit Arpeggiate! *Eurodance *Smpl Trig Dist Kick Dist Kick SH32 Kick MaxLow Kick3 MaxLow Kick3 ----- ----- R&B Kick R&B Kick JD EML 5th Rk CmpKick Rk CmpKick ----- -----...
  • Page 233 Rhythm Set List GM (GM2 Group) 001 (PC: 1) 002 (PC: 9) 003 (PC: 17) 004 (PC: 25) 005 (PC: 26) 006 (PC: 33) GM2 STANDARD GM2 ROOM GM2 POWER GM2 ELECTRIC GM2 ANALOG GM2 JAZZ Note No. High-Q High-Q High-Q High-Q High-Q...
  • Page 234 Rhythm Set List GM (GM2 Group) 007 (PC: 41) 008 (PC: 49) 009 (PC: 57) GM2 BRUSH GM2 ORCHSTRA GM2 SFX Note No. High-Q Close HiHat2 ----- Slap Pedal HiHat2 ----- ScratchPush Open HiHat2 ----- Ride Cymbal ----- ScratchPull Sticks Sticks ----- SquareClick...
  • Page 235: Waveform List

    Waveform List 1. Wave Bank A Wave Name Wave Name Wave Name Wave Name Wave Name 0001 Ac.Pno p A L 0091 3rd Perc Org 0181 Clean TC C 0271 MG Bass 1 B 0361 Wide Tp C 0002 Ac.Pno p A R 0092 Lo-Fi Organ 0182...
  • Page 236 Waveform List Wave Name Wave Name Wave Name Wave Name Wave Name 0451 Vcs Pizz C 0541 JD Spark Vox 0631 JD Tuba Slap 0721 MG Zap 8 0811 TR909 Kick 6 0452 VcsPizzRev A 0542 JD Cutters 0632 JD Plink 0722 MG Zap 9 0812...
  • Page 237 Waveform List Wave Name Wave Name Wave Name Wave Name 0901 BmbCmp Snr 0991 Reg.H.Tom f 1081 Rock Crash 2 1171 Guiro 1 0902 MrchCmp Snr 0992 Reg.L.TomFlm 1082 Splash Cym 1172 Guiro 2 0903 Frenzy Snr 1 0993 Reg.M.TomFlm 1083 Jazz Crash 1173...
  • Page 238 Waveform List 2. Wave Bank B In waveform numbers 0001-0040, note numbers 91-108 are set to Damper Free in order to accurately reproduce the characteristics of an acoustic piano. Wave Name Wave Name Wave Name 0001 JzPno* p A L 0091 NylonGtr mfA 0181...
  • Page 239: Arpeggio Style List

    Arpeggio Style List/Chord Form List Arpeggio Style List Chord Form List USER (User Group) USER (User Group) PRST (Preset Group) PRST (Preset Group) Chord Name Constituent Notes of Chord Forms Arpeggio Name Arpeggio Name (when C4 is pressed) Basic 1 Bassline 4 C4, E4, G4 Basic 2...
  • Page 240: Rhythm Pattern List

    Rhythm Pattern List PRST (Preset Group) Recommended Recommended Recommended Recommended Pattern Name Rhythm Set Tempo (BPM) Pattern Name Rhythm Set Tempo (BPM) Rock 2-1 Pop 1-1 Rock 2-2 Pop 1-2 Rock 2-3 Pop 1-3 Rock 2-4 PRST:004 Rock Kit 1 BPM100 Pop 1-4 PRST:033 StudioX Kit1...
  • Page 241 Rhythm Pattern List Recommended Recommended Recommended Recommended Pattern Name Rhythm Set Tempo (BPM) Pattern Name Rhythm Set Tempo (BPM) BreakBeats 1 House 1 BreakBeats 2 House 2 BreakBeats 3 House 3 BreakBeats 4 PRST:011 Hip Hop Kit2 BPM155 House 4 PRST:019 House Kit BPM125 BreakBeats 5...
  • Page 242 Rhythm Pattern List USER (User Group) Rhythm Pattern No.001-240 are common to Preset Group and UserGroup. Rhythm Pattern No.241-256 differ on Preset Group and User Group. Recommended Recommended Pattern Name Rhythm Set Tempo (BPM) *Eurodance 1 *Eurodance 2 *Eurodance 3 *Eurodance 4 USER:031 *Eurodance BPM132...
  • Page 243: Rhythm Group List

    Rhythm Group List USER (User Group) PRST (Preset Group) Recommended Recommended Recommended Recommended Pattern Name Rhythm Set Tempo (BPM) Pattern Name Rhythm Set Tempo (BPM) Pop 1 PRST:033 StudioX Kit1 BPM112 Pop 1 PRST:033 StudioX Kit1 BPM112 Pop 2 PRST:034 StudioX Kit2 BPM120 Pop 2 PRST:034 StudioX Kit2...
  • Page 244: About Midi

    About MIDI MIDI (Musical Instruments Digital Interface) is a standard Example: specification that allows musical data to be exchanged between Set the Fantom-XR to send Channel 1 and Channel 2, then set sound electronic musical instruments and computers. MIDI With a MIDI module A to receive only Channel 1 and sound module B only cable connecting MIDI devices that are equipped with MIDI Channel 2.
  • Page 245: Midi Implementation

    MIDI Implementation ❍Modulation (Controller number 1) 1. Receive Data Status 2nd byte 3rd byte ■Channel Voice Messages n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Modulation depth: 00H - 7FH (0 - 127) * Not received in Performance mode when the Receive Switch parameter (PERFORM/ PART) is OFF.
  • Page 246 MIDI Implementation ❍Hold 1 (Controller number 64) ❍Cutoff (Controller number 74) Status 2nd byte 3rd byte Status 2nd byte 3rd byte n = MIDI channel number: 0H - FH (ch.1 - 16) n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) 0-63 = OFF, 64-127 = ON vv = Cutoff value (relative change):...
  • Page 247: Program Change

    MIDI Implementation ❍Portamento control (Controller number 84) 7FH, 7FH ---, --- RPN null RPN and NRPN will be set as “unspecified.” Status 2nd byte 3rd byte Once this setting has been made, subsequent parameter values that were previously set will n = MIDI channel number: 0H - FH (ch.1 - 16) not change.
  • Page 248: System Exclusive Message

    = ID number: An ID number (manufacturer ID) to indicate the manufacturer whose Channel Pressure 0 (off) Exclusive message this is. Roland’s manufacturer ID is 41H. Modulation 0 (off) ID numbers 7EH and 7FH are extensions of the MIDI standard;...
  • Page 249 MIDI Implementation ❍GM2 System On ❍Master Coarse Tuning Status Data byte Status Status Data byte Status 7EH 7FH 09H 03H 7FH, 7FH, 04H, 04H, llH, mmH Byte Explanation Byte Explanation Exclusive status Exclusive status ID number (Universal Non-realtime Message) ID number (universal realtime message) Device ID (Broadcast) Device ID (Broadcast) Sub ID#1 (General MIDI Message)
  • Page 250 Remarks pp=2 Amplitude Control Exclusive status rr = 00H - 7FH 0 - 200% ID number (Roland) pp=3 LFO Pitch Depth device ID (dev: 10H - 1FH, 7FH) rr = 00H - 7FH 0 - 600 [cents] model ID #1 (Fantom-XR)
  • Page 251: System Exclusive Messages

    The following messages are transmitted when using the Arpeggio, the Chord Memory Exclusive status function, or the Rhythm function. ID number (Roland) Device ID (dev: 00H - 1FH, 7FH) * This message is not sent when Tx Note parameter (SYSTEM/MIDI) is OFF.
  • Page 252 41H, dev, 00H, 6BH, 12H, aaH, bbH, ccH, ddH, eeH, ... ffH, sum 1. Fantom-XR (ModelID = 00H 6BH) Byte Explanation Exclusive status +——————————————————————————————————————————————————————————————————————————————+ ID number (Roland) | Start Address | Description Device ID (dev: 00H - 1FH, 7FH) |—————————————+————————————————————————————————————————————————————————————————| Model ID #1 (Fantom-XR) | 01 00 00 00 | Setup |—————————————+————————————————————————————————————————————————————————————————|...
  • Page 253 MIDI Implementation ❍Rhythm Group 00 0D | 0aaa aaaa | Patch Scale Tune for C# (0 - 127) | -64 - +63 +——————————————————————————————————————————————————————————————————————————————+ 00 0E | 0aaa aaaa | Patch Scale Tune for D (0 - 127) | | Offset -64 - +63 Address | Description...
  • Page 254 MIDI Implementation | 0000 dddd | Input Effect Parameter 1 (12768 - 52768) | 00 0F | 0000 000a | (reserve) <*> (1 - 0) | -20000 - +20000 00 0A | 0000 aaaa | |—————————————+———————————+————————————————————————————————————————————————————| | 0000 bbbb | 00 10 | 0aaa aaaa | Voice Reserve 1 (0 - 64) | | 0000 cccc |...
  • Page 255 MIDI Implementation | 0000 cccc | 01 05 | 0000 aaaa | | 0000 dddd | MFX Parameter 2 (12768 - 52768) | | 0000 bbbb | -20000 - +20000 | 0000 cccc | 00 19 | 0000 aaaa | | 0000 dddd | MFX Parameter 30 (12768 - 52768) | | 0000 bbbb |...
  • Page 256 MIDI Implementation ❍Performance Common Reverb OFF, ON |—————————————+———————————+————————————————————————————————————————————————————| +——————————————————————————————————————————————————————————————————————————————+ 00 0A | 0000 000a | Phase Lock (0 - 1) | | Offset OFF, ON Address | Description 00 0B | 0000 0aaa | Velocity Curve Type (0 - 4) | |—————————————+————————————————————————————————————————————————————————————————| OFF, 1 - 4 00 00 | 0000 aaaa | Reverb Type...
  • Page 257 MIDI Implementation 16_, 16L, 16H, 16t 00 0F | 0aaa aaaa | Arp/Ptn Duration (0 - 9) | 00 10 | 0aaa aaaa | (reserve) <*> 30, 40, 50, 60, 70, 80, 90, | 100, 120, FUL 00 11 | 0aaa aaaa | (reserve) <*> 00 10 | 0000 000a | Arpeggio Switch (0 - 1) | OFF, ON...
  • Page 258 MIDI Implementation 00 18 | 0000 000a | Chord Note25 (0 - 1) | 00 5D | 0000 000a | Chord Note94 (0 - 1) | OFF, ON OFF, ON 00 19 | 0000 000a | Chord Note26 (0 - 1) | 00 5E | 0000 000a | Chord Note95 (0 - 1) | OFF, ON...
  • Page 259 MIDI Implementation 00 0D | 0aaa aaaa | (reserve) <*> PTN-START, PTN-STOP 00 68 | 0aaa aaaa | (reserve) <*> 00 0E | 0aaa aaaa | (reserve) <*> 00 69 | 0aaa aaaa | Note 15 Rhythm Pattern Velocity (0 - 127) | REAL, 1 - 127 00 0F | 0aaa aaaa | (reserve) <*>...
  • Page 260 MIDI Implementation 00 2F | 0aaa aaaa | Matrix Control 1 Sens 2 (1 - 127) | TVF-ATK, TVF-DCY, TVF-REL, | -63 - +63 TVA-ATK, TVA-DCY, TVA-REL, | 00 30 | 00aa aaaa | Matrix Control 1 Destination 3 (0 - 34) | TMT, FXM, MFX1, MFX2, MFX3, MFX4, | OFF, PCH, CUT, RES, LEV, PAN, | TIME...
  • Page 261 MIDI Implementation -20000 - +20000 Address | Description 00 29 | 0000 aaaa | |—————————————+————————————————————————————————————————————————————————————————| | 0000 bbbb | 00 00 | 0000 aaaa | Chorus Type (0 - 3) | | 0000 cccc | 00 01 | 0aaa aaaa | Chorus Level (0 - 127) | | 0000 dddd | MFX Parameter 7 (12768 - 52768) |...
  • Page 262 MIDI Implementation 00 0F | 0000 aaaa | 00 18 | 0aaa aaaa | TMT3 Keyboard Range Lower (0 - 127) | | 0000 bbbb | C-1 - UPPER | 0000 cccc | 00 19 | 0aaa aaaa | TMT3 Keyboard Range Upper (0 - 127) | | 0000 dddd | Reverb Parameter 4 (12768 - 52768) |...
  • Page 263 MIDI Implementation 1 - 4 -63 - +63 00 37 | 000a aaaa | Wave FXM Depth (0 - 16) | 01 07 | 0aaa aaaa | LFO2 TVA Depth (1 - 127) | 00 38 | 0000 000a | Wave Tempo Sync (0 - 1) | -63 - +63 OFF, ON...
  • Page 264 MIDI Implementation 00 19 | 0000 aaaa | | 0000 dddd | MFX Parameter 30 (12768 - 52768) | | 0000 bbbb | -20000 - +20000 | 0000 cccc | 01 09 | 0000 aaaa | | 0000 dddd | MFX Parameter 3 (12768 - 52768) | | 0000 bbbb | -20000 - +20000...
  • Page 265 MIDI Implementation 00 01 | 0aaa aaaa | Reverb Level (0 - 127) | |—————————————+———————————+————————————————————————————————————————————————————| 00 02 | 0000 00aa | Reverb Output Assign (0 - 3) | 00 0C | 0000 000a | Assign Type (0 - 1) | A, B, ---, --- MULTI, SINGLE |—————————————+———————————+————————————————————————————————————————————————————|...
  • Page 266 MIDI Implementation INT, SRX, SAMPLE, MULTISAMPLE 01 33 | 0aaa aaaa | TVF Env Level 2 (0 - 127) | 00 5D | 0000 aaaa | 01 34 | 0aaa aaaa | TVF Env Level 3 (0 - 127) | | 0000 bbbb | 01 35 | 0aaa aaaa | TVF Env Level 4 (0 - 127) |...
  • Page 267 MIDI Implementation 40 1x 13 | 0aaa aaaa | Mono / Poly Mode (0 - 1) | 0 - 2400 [cent] MODE, POLY 40 2x 2A | 0aaa aaaa | CAf LFO2 TVA Depth (0 - 127) | 40 1x 14 | 0aaa aaaa | Assign Mode<*> (0 - 2) | 0 - 100.0 [%] SINGLE, LIMITED-MULTI, |...
  • Page 268 MIDI Implementation ■Examples of Actual MIDI Messages 4. Supplementary Material ■Decimal and Hexadecimal Table <Example 1> 92 3E 5F 9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH = 62, and (An “H” is appended to the end of numbers in hexadecimal notation.) 5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note name is D4), In MIDI documentation, data values and addresses/sizes of Exclusive messages, etc.
  • Page 269 The scale Tune feature allows you to finely adjust the individual pitch of the notes from C Roland Exclusive messages (RQ1, DT1) are transmitted with a checksum at the end (before through B. Though the settings are made while working with one octave, the fine F7) to make sure that the message was correctly received.
  • Page 270: Bank Select And Program Change Correspondence Chart

    MIDI Implementation <Bank Select and Program Change Correspondence Chart> Patch Performance Group Number Bank Select Program Group Number Bank Select Program Number Number USER 001–128 1–128 USER 01–64 1–64 129–256 1–128 CARD 01–64 1–64 CARD 001–128 1–128 PRST 01–64 1–64 129–256 1–128 * To switch multitimbres, the external MIDI device’s transmit channel...
  • Page 271: Midi Implementation Chart

    Date : Mar. 3, 2004 MIDI Implementation Chart Model Fantom-XR Version : 1.00 Transmitted Recognized Function... Remarks Basic Default 1–16 Channel Changed 1–16 Default Mode 3 Mode Messages Mode 3, 4 (M = 1) Altered ************** Note 0–127 0–127 Number : 0–127 True Voice **************...
  • Page 272: Specifications

    Specifications Number of Samples Fantom-XR: 128 Voices Synthesizer/Sampling Module User memory: 2,000 (maximum total approximately 16 MB) (Conforms to General MIDI 2 System) Card memory: 7,000 (PC card) Others Sound Generator Section Arpeggio Maximum Polyphony Preset: 128 voices (shared with the sampling section) User: Parts Rhythm Pattern...
  • Page 273 Specifications Weight 3.75 kg / 8 lbs 5 oz Accessories Owner’s Manual Sample Data (Audio) CD CD-ROM (Editor, USB MIDI driver) PC Card Protector (and 2 screws) Power Cord Options Wave Expansion Board: SRX Series 962a * In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
  • Page 274: Index

    Index Symbols .WAV ............. 121, 150, 153 Card File ................153 Format ..............154 Accent Rate ..............99 Patch ................40 A-Env Level 1–3 Performance .............. 84 Patch ................62 Sample ..............120 Rhythm Set ............... 80 Storage ..............149 A-Env T1 V-Sens USER ................
  • Page 275 Index F-Env Time 1–4 Patch ................60 DEC ................. 38 Rhythm Set ............... 79 Decay Time Offset ............90 F-Env Time KF ............... 60 Default File Type ............161 F-Env V-Curve Delay Time ..............64 Patch ................59 Delay Time KF ............... 64 Rhythm Set ...............
  • Page 276 Index Input Effect ............. 35, 116 Input Select ........... 115, 118, 161 Master Key Shift ............158 Input Source ..............115 Master Level ..............158 Master Tune ..............158 Mastering ............137, 143, 146 Just Temperament ............93 Mastering Effect ........35, 137, 143, 146 System Function ............
  • Page 277 Index Output Assign Patch TVF ............... 58 Mix In ..............117 Patch TVF Env ............... 59 Performance ............. 89 Patch Type ..............88 Output Gain ..............158 Patch WG ................ 54 Output Level Patches ................33 Mix In ..............117 PC Card Protector ............
  • Page 278 Index Preset ................45 Rhythm Pattern ............107 Patch ................40 Rhythm Pattern Edit ........... 111, 113 Performance ............. 84 Rhythm Pitch ..............77 Preset Memory ............... 35 Rhythm Pitch Env ............77 Preview ..............40, 160 Rhythm Set Preview 1–4 Note Number ........160 GM ................
  • Page 279 Index Selecting Tone Chorus Send Patch ..............40–43 Patch ................63 Performance ............. 84 Rhythm Set ............... 81 Rhythm Group ............108 Tone Chorus Send Level ..........134 Rhythm Pattern ............110 Tone Coarse Tune Rhythm Set ............... 45 Patch ................56 Sample ..............
  • Page 280 Index TVF Depth ..............65 Wave Expansion Board ..........166 TVF Env Patch ................40 Patch ................59 Rhythm Set ............... 45 Rhythm Set ............... 79 Wave Fine Tune ............. 76 Tx Edit Data ..............157 Wave Gain Tx Note ................. 157 Patch ................
  • Page 281 MEMO...
  • Page 282 List of newly added patches Patches added by the FANTOM-XR Sample Tools Expansion PR-I (Preset I Group) No. Name Voices Category No. Name Voices Category 001 Grand X AC.PIANO 071 LivinginSine SOFT LEAD 002 Punch Piano AC.PIANO 072 SoloSaber SOFT LEAD 003 AbandonedPno AC.PIANO 073 Lethargy...
  • Page 283 Compliance Information Statement Model Name : Fantom-XR Type of Equipment : Synthesizer/Sampler Module Responsible Party : Roland Corporation U.S. Address : 5100 S. Eastern Avenue, Los Angeles, CA 90040-2938 (323) 890-3700 Telephone : For EU Countries This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.
  • Page 284 Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. AFRICA PHILIPPINES CURACAO URUGUAY NORWAY JORDAN G.A. Yupangco & Co. Inc. Zeelandia Music Center Inc. Todo Musica S.A.

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