Step Pitch Shifter - Roland Fantom XR Owner's Manual

63: STEP PCH SHIFTER

(STEP PITCH SHIFTER)

A pitch shifter in which the amount of pitch shift is varied by a 16-
step sequence.
fig.MFX-63
L in
Step Pitch Shifter
Step Pitch Shifter
R in
Parameter Range
Step 01–16 -24–+12 semi
Rate # 0.05–10.00 Hz, note
Attack # 0–127
Gate Time # 0–127
Fine -100– +100 cent
Delay Time 0–1300 ms, note
Feedback # -98– +98%
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–D0:100W
Level 0–127
You can use multi-effect control to make the step sequence play
again from the beginning (p. 215).
64: REVERB
Adds reverberation to the sound, simulating an acoustic space.
fig.MFX-64
L in
Balance D
Reverb
R in
Balance D
Parameter Value
Type ROOM1, ROOM2,
STAGE1, STAGE2,
HALL1, HALL2
Pre Delay 0.0–100.0 ms
Time # 0–127
2-Band
L out
EQ
2-Band
R out
EQ
Explanation
Amount of pitch shift at each
step (semitone units)
Rate at which the 16-step se-
quence will cycle
Speed at which the amount of
pitch shift changes between steps
Duration of the pitch shifted
sound at each step
Pitch shift adjustment for all
steps (2-cent units)
Delay time from the original
sound until the pitch-shifted
sound is heard
Proportion of the pitch-shifted
sound that is to be returned to
the input (negative values in-
vert the phase)
Amount of boost/cut for the
low-frequency range
Amount of boost/cut for the
high-frequency range
Volume balance of the original
sound (D) and pitch-shifted
sound (W)
Output volume
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Description
Type of reverb
ROOM1: dense reverb with
short decay
ROOM2: sparse reverb with
short decay
STAGE1: reverb with greater
late reverberation
STAGE2: reverb with strong
early reflections
HALL1: reverb with clear re-
verberance
HALL2: reverb with rich re-
verberance
Adjusts the delay time from the
direct sound until the reverb
sound is heard.
Time length of reverberation
Parameter Value
HF Damp 200–8000 Hz,
BYPASS
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–D0:100W
Level 0–127
65: GATED REVERB
This is a special type of reverb in which the reverberant sound is cut
off before its natural length.
fig.MFX-65
L in
Balance D
Gated Reverb
R in
Balance D
Parameter Value
Type NORMAL, REVERSE,
SWEEP1, SWEEP2
Pre Delay 0.0–100.0 ms
Gate Time 5–500 ms
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–D0:100W
Level # 0–127
66: OD → CHORUS
(OVERDRIVE → CHORUS)
fig.MFX-66
L in
Overdrive
R in
Parameter Value
Od Drive # 0–127
Od Pan # L64–63R
Cho Pre Delay 0.0–100.0 ms
Cho Rate # 0.05–10.00 Hz, note
Cho Depth 0–127
Effects List
Description
Adjusts the frequency above which
the reverberant sound will be cut.
As the frequency is set lower,
more of the high frequencies
will be cut, resulting in a softer
and more muted reverber-
ance. If you do not want to cut
the high frequencies, set this
parameter to BYPASS.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the reverb sound (W)
Output Level
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Description
Type of reverb
NORMAL: conventional
gated reverb
REVERSE: backwards re-
verb
SWEEP1: the reverberant
sound moves from right to
left
SWEEP2: the reverberant
sound moves from left to
right
Adjusts the delay time from the
direct sound until the reverb
sound is heard.
Adjusts the time from when the
reverb is heard until it disappears.
Gain of the low range
Gain of the high range
Volume balance between the
direct sound (D) and the reverb
sound (W)
Output Level
L out
Balance D
Balance W
Chorus
Balance W
R out
Balance D
Description
Degree of distortion
Also changes the volume.
Stereo location of the overdrive
sound
Adjusts the delay time from the
direct sound until the chorus
sound is heard.
Frequency of modulation
Depth of modulation
211