Roland Fantom XR Owner's Manual page 200

128-voice synthesizer/sampler module
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Effects List
23: CHORUS
This is a stereo chorus. A filter is provided so that you can adjust the
timbre of the chorus sound.
fig.MFX-23
Balance D
L in
Chorus
Chorus
R in
Balance D
Parameter
Value
Filter Type
OFF, LPF, HPF
Cutoff Freq
200–8000 Hz
Pre Delay
0.0–100.0 ms
Rate #
0.05–10.00 Hz, note
Depth
0–127
Phase
0–180 deg
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Balance #
D100:0W–D0:100W
Level
0–127
24: FLANGER
This is a stereo flanger. (The LFO has the same phase for left and
right.) It produces a metallic resonance that rises and falls like a jet
airplane taking off or landing. A filter is provided so that you can
adjust the timbre of the flanged sound.
fig.MFX-24
Balance D
L in
Flanger
Feedback
Feedback
Flanger
R in
Balance D
Parameter
Value
Filter Type
OFF, LPF, HPF
Cutoff Freq
200–8000 Hz
Pre Delay
0.0–100.0 ms
Rate #
0.05–10.00 Hz, note
Depth
0–127
Phase
0–180 deg
Feedback #
-98– +98 %
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Balance #
D100:0W–D0:100W
Level
0–127
200
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Description
Type of filter
OFF: no filter is used
LPF: cuts the frequency range
above the Cutoff Freq
HPF: cuts the frequency range
below the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from the
direct sound until the chorus
sound is heard.
Frequency of modulation
Depth of modulation
Spatial spread of the sound
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the chorus sound (W)
Output Level
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Description
Type of filter
OFF: no filter is used
LPF: cuts the frequency range
above the Cutoff Freq
HPF: cuts the frequency range
below the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from
when the direct sound begins un-
til the flanger sound is heard.
Frequency of modulation
Depth of modulation
Spatial spread of the sound
Adjusts the proportion of the
flanger sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the flanger sound (W)
Output Level
25: STEP FLANGER
This is a flanger in which the flanger pitch changes in steps. The
speed at which the pitch changes can also be specified in terms of a
note-value of a specified tempo.
fig.MFX-25
Balance D
L in
Step Flanger
Feedback
Feedback
Step Flanger
R in
Balance D
Parameter
Value
Filter Type
OFF, LPF, HPF
Cutoff Freq
200–8000 Hz
Pre Delay
0.0–100.0 ms
Rate #
0.05–10.00 Hz, note
Depth
0–127
Phase
0–180 deg
Feedback #
-98– +98 %
Step Rate #
0.10–20.00 Hz, note
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Balance #
D100:0W–D0:100W
Level
0–127
26: HEXA-CHORUS
Uses a six-phase chorus (six layers of chorused sound) to give
richness and spatial spread to the sound.
fig.MFX-26
L in
Balance D
Hexa Chorus
R in
Balance D
Parameter
Value
Pre Delay
0.0–100.0 ms
Rate #
0.05–10.00 Hz, note
Depth
0–127
Pre Delay
0–20
Deviation
Depth
-20– +20
Deviation
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Description
Type of filter
OFF: no filter is used
LPF: cuts the frequency range
above the Cutoff Freq
HPF: cuts the frequency range
below the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from
when the direct sound begins un-
til the flanger sound is heard.
Frequency of modulation
Depth of modulation
Spatial spread of the sound
Adjusts the proportion of the
flanger sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
Rate (period) of pitch change
Gain of the low range
Gain of the high range
Volume balance between the di-
rect sound (D) and the flanger
sound (W)
Output Level
L out
Balance W
Balance W
R out
Description
Adjusts the delay time from the di-
rect sound until the chorus sound
is heard.
Frequency of modulation
Depth of modulation
Adjusts the differences in Pre De-
lay between each chorus sound.
Adjusts the difference in modula-
tion depth between each chorus
sound.

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