Roland Fantom XR Owner's Manual page 207

128-voice synthesizer/sampler module
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49: MULTI TAP DELAY
This effect provides four delays. Each of the Delay Time parameters
can be set to a note length based on the selected tempo. You can also
set the panning and level of each delay sound.
fig.MFX-49
L in
Feed
Delay 1
back
Delay 3
Multi Tap Delay
Delay 4
Delay 2
R in
Parameter
Value
Delay 1–4
0–2600 ms,
Time
note
Delay 1 Feed-
-98– +98 %
back #
HF Damp
200–8000 Hz,
BYPASS
Delay 1–4 Pan
L64–63R
Delay 1–4 Lev-
0–127
el
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Balance #
D100:0W–
D0:100W
Level
0–127
50: REVERSE DELAY
This is a reverse delay that adds a reversed and delayed sound to the
input sound. A tap delay is connected immediately after the reverse
delay.
fig.MFX-50
L in
Feedback
Rev
Rev. Delay
R in
Parameter
Range
Threshold
0–127
Rev Dly Time
0–1300 ms, note
Rev Dly Feed-
-98– +98%
back #
Rev Dly HF
200–8000 Hz,
Damp
BYPASS
Rev Dly Pan
L64–63R
Rev Dly Level
0–127
Delay 1 – 3 Time
0–1300 ms, note
Balance D
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Balance D
Description
Adjusts the time until Delays 1–4 are
heard.
Adjusts the amount of the delay sound
that's fed back into the effect. Negative (-)
settings invert the phase.
Adjusts the frequency above which sound
fed back to the effect is filtered out. If you
don't want to filter out any the high fre-
quencies, set this parameter to BYPASS.
Stereo location of Delays 1–4
Output level of Delays 1–4
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct sound
(D) and the effect sound (W)
Output level
2-Band
EQ
D1
Delay
D2
D3
2-Band
EQ
Explanation
Volume at which the reverse de-
lay will begin to be applied
Delay time from when sound is
input into the reverse delay un-
til the delay sound is heard
Proportion of the delay sound
that is to be returned to the in-
put of the reverse delay (nega-
tive values invert the phase)
Frequency at which the high-
frequency content of the re-
verse-delayed sound will be cut
(BYPASS: no cut)
Panning of the reverse delay
sound
Volume of the reverse delay
sound
Delay time from when sound is
input into the tap delay until the
delay sound is heard
Parameter
Delay 3 Feed-
back #
Delay HF Damp
Delay 1 Pan',
'Delay 2 Pan
Delay 1 Level',
'Delay 2 Level
Low Gain
High Gain
Balance #
Level
51: SHUFFLE DELAY
Adds a shuffle to the delay sound, giving the sound a bouncy delay
effect with a swing feel.
fig.MFX-51
L in
Feedback
Delay
R in
Parameter
Value
Delay Time #
0–2600 ms,
note
Shuffle
0–100 %
Rate #
Acceleration
0–15
L out
Feedback #
-98– +98 %
HF Damp
200–8000 Hz,
BYPASS
R out
Pan A/B
0–127
Level A/B
0–127
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Balance #
D100:0W–
D0:100W
Level
0–127
Range
Explanation
-98– +98%
Proportion of the delay sound
that is to be returned to the in-
put of the tap delay (negative
values invert the phase)
200–8000 Hz, BYPASS
Frequency at which the low-fre-
quency content of the tap delay
sound will be cut (BYPASS: no
cut)
L64–63R
Panning of the tap delay sounds
0–127
Volume of the tap delay sounds
-15– +15 dB
Amount of boost/cut for the
low-frequency range
-15– +15 dB
Amount of boost/cut for the
high-frequency range
D100:0W–D0:100W
Volume balance of the original
sound (D) and delay sound (W)
0–127
Output volume
Delay A
A
B
Delay B
Description
Adjusts the time until the delay sound is
heard.
Adjusts the ratio (as a percentage) of the
time that elapses before Delay B sounds
relative to the time that elapses before the
Delay A sounds.
When set to 100%, the delay times are
the same.
Adjusts the time over which the Delay
Time changes from the current setting to its
specified new setting.
Adjusts the amount of the delay that's fed
back into the effect. Negative (-) settings in-
vert the phase.
Adjusts the frequency above which sound
fed back to the effect is filtered out. If you
don't want to filter out any high frequen-
cies, set this parameter to BYPASS.
Stereo location of Delay A/B
Volume of delay A/B
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct sound
(D) and the effect sound (W)
Output level
Effects List
2-Band
L out
EQ
2-Band
R out
EQ
207

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