Sympathetic Resonance - Roland Fantom XR Owner's Manual

Effects List
76: FLANGER → DELAY
fig.MFX-76
Balance D
L in
Feedback
Balance W
Flanger
Balance W
R in
Balance D
Parameter Value
Fln Pre Delay 0.0–100.0 ms
Fln Rate # 0.05–10.00 Hz, note
Fln Depth 0–127
Fln Feedback # -98– +98 %
Fln Balance # D100:0W–D0:100W
Delay Time 0–2600 ms, note
Delay -98– +98 %
Feedback #
Delay HF Damp 200–8000 Hz,
BYPASS
Delay D100:0W–D0:100W
Balance #
Level 0–127
77: CHORUS → FLANGER
fig.MFX-77
Balance D
L in
Balance W
Chorus
Balance W
R in
Balance D
Parameter Value
Cho Pre Delay 0.0–100.0 ms
Cho Rate # 0.05–10.00 Hz, note
Cho Depth 0–127
Cho Balance # D100:0W–D0:100W
Fln Pre Delay 0.0–100.0 ms
Fln Rate # 0.05–10.00 Hz, note
Fln Depth 0–127
Fln Feedback # -98– +98 %
Fln Balance # D100:0W–D0:100W
Level 0–127
214
L out
Balance D
Balance W
Delay
Balance W
Feedback
R out
Balance D
Description
Adjusts the delay time from
when the direct sound begins un-
til the flanger sound is heard.
Frequency of modulation
Depth of modulation
Adjusts the proportion of the
flanger sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
Volume balance between the di-
rect sound (D) and the flanger
sound (W)
Adjusts the delay time from the
direct sound until the delay
sound is heard.
Adjusts the proportion of the de-
lay sound that is fed back into the
effect. Negative (-) settings will
invert the phase.
Adjusts the frequency above
which sound fed back to the ef-
fect will be cut. If you do not
want to cut the high frequencies,
set this parameter to BYPASS.
Adjusts the volume balance be-
tween the sound that is sent through
the delay (W) and the sound that is
not sent through the delay (D).
Output Level
Balance D
L out
Feedback
Balance W
Flanger
Balance W
R out
Balance D
Description
Adjusts the delay time from the direct
sound until the chorus sound is heard.
Modulation frequency of the cho-
rus effect
Modulation depth of the chorus effect
Volume balance between the direct
sound (D) and the chorus sound (W)
Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard.
Modulation frequency of the
flanger effect
Modulation depth of the flanger effect
Adjusts the proportion of the
flanger sound that is fed back into
the effect. Negative (-) settings will
invert the phase.
Adjusts the volume balance be-
tween the sound that is sent through
the flanger (W) and the sound that is
not sent through the flanger (D).
Output Level
78: SYMPATHETIC RESO

(SYMPATHETIC RESONANCE)

On an acoustic piano, holding down the damper pedal allows other
strings to resonate in sympathy with the notes you play, creating
rich and spacious resonances. This effect simulates these
sympathetic resonances.
fig.MFX-78
L in
Syn. Resonance
R in
Parameter Range
Depth # 0–127
Damper # 0–127
Pre LPF 16–15000 Hz,
BYPASS
Pre HPF BYPASS,
16–15000 Hz
Peaking Freq 200–8000 Hz
Peaking Gain -15– +15 dB
Peaking Q 0.5, 1.0, 2.0, 4.0, 8.0
HF Damp 16–15000 Hz,
BYPASS
LF Damp BYPASS,
16–15000 Hz
Lid 1–6
EQ Low Freq 200, 400 Hz
EQ Low Gain -15– +15 dB
EQ Mid Freq 200–8000 Hz
EQ Mid Gain -15– +15 dB
EQ Mid Q 0.5, 1.0, 2.0, 4.0, 8.0
EQ High Freq 2000, 4000, 8000 Hz
EQ High Gain -15–+15 dB
Level 0–127
3-Band
L out
EQ
3-Band
R out
EQ
Explanation
Depth of the effect
Depth to which the damper pedal
is pressed (controls the resonant
sound)
Frequency of the filter that cuts the
high-frequency content of the in-
put sound (BYPASS: no cut)
Frequency of the filter that cuts the
low-frequency content of the input
sound (BYPASS: no cut)
Frequency of the filter that boosts/
cuts a specific frequency region of
the input sound
Amount of boost/cut produced by
the filter at the specified frequency
region of the input sound
Width of the frequency region
boosted/cut by the 'Peaking Gain'
parameter (larger values make the
region narrower)
Frequency at which the high-fre-
quency content of the resonant
sound will be cut (BYPASS: no cut)
Frequency at which the low-fre-
quency content of the resonant
sound will be cut (BYPASS: no cut)
This simulates the actual changes
in sound that occur when the lid of
a grand piano is set at different
heights.
Frequency of the low-range EQ
Amount of low-range boost/cut
Frequency of the midrange EQ
Amount of midrange boost/cut
Width of midrange (larger values
make the region narrower)
Frequency of the high-range EQ
Amount of high-range boost/cut
Output Level