Roland Fantom XR Owner's Manual page 196

Effects List
Parameter Value
Low Gain -15– +15 dB
High Gain -15– +15 dB
Level 0–127
09: HUMANIZER
Adds a vowel character to the sound, making it similar to a human
voice.
fig.MFX-09
L in
Overdrive
R in
Parameter Value
Drive Sw OFF, ON
Drive # 0–127
Vowel1 a, e, i, o, u
Vowel2 a, e, i, o, u
Rate # 0.05–10.00 Hz,
note
Depth # 0–127
Input Sync OFF, ON
Sw
Input Sync 0–127
Threshold
Manual # 0–100
Low Gain -15– +15 dB
High Gain -15– +15 dB
Pan # L64–63R
Level 0–127
10: SPEAKER SIMULATOR
Simulates the speaker type and mic settings used to record the
speaker sound.
fig.MFX-10
L in
Speaker
R in
Speaker
Parameter Value
Speaker Type (See the table right.)
Mic Setting 1, 2, 3
Mic Level # 0–127
Direct Level # 0–127
Level # 0–127
196
Description
Gain of the low range
Gain of the high range
Output Level
Pan L
2-Band
Formant
EQ
Pan R
Description
Turns Drive on/off.
Degree of distortion
Also changes the volume.
Selects the vowel.
Frequency at which the two vowels
switch
Effect depth
Determines whether the LFO for switch-
ing the vowels is reset by the input signal
(ON) or not (OFF).
Volume level at which reset is applied
Point at which Vowel 1/2 switch
49 or less: Vowel 1 will have a longer
duration.
50: Vowel 1 and 2 will be of equal du-
ration.
51 or more: Vowel 2 will have a longer
duration.
Gain of the low frequency range
Gain of the high frequency range
Stereo location of the output
Output level
L out
R out
Description
Type of speaker
Adjusts the location of the mic
that is recording the sound of
the speaker.
This can be adjusted in three
steps, with the mic becoming
more distant in the order of 1,
2, and 3.
Volume of the microphone
Volume of the direct sound
Output Level
Specifications of each Speaker Type
The speaker column indicates the diameter of each speaker unit (in
inches) and the number of units.
Type
SMALL 1
SMALL 2
MIDDLE
JC-120
BUILT-IN 1
L out
BUILT-IN 2
BUILT-IN 3
BUILT-IN 4
BUILT-IN 5
R out
BG STACK 1
BG STACK 2
MS STACK 1
MS STACK 2
METAL STACK
2-STACK
3-STACK
11: PHASER
A phase-shifted sound is added to the original sound and
modulated.
fig.MFX-11
L in
R in
Parameter
Mode
Manual #
Rate #
Depth
Polarity
Resonance #
Cross
Feedback
Mix #
Low Gain
High Gain
Level
Cabinet Speaker
small open-back enclosure 10
small open-back enclosure 10
open back enclosure 12 x 1
open back enclosure 12 x 2
open back enclosure 12 x 2
open back enclosure 12 x 2
open back enclosure 12 x 2
open back enclosure 12 x 2
open back enclosure 12 x 2
sealed enclosure 12 x 2
large sealed enclosure 12 x 2
large sealed enclosure 12 x 4
large sealed enclosure 12 x 4
large double stack 12 x 4
large double stack 12 x 4
large triple stack 12 x 4
2-Band
Phaser
EQ
Mix
Mix
2-Band
Phaser
EQ
Value Description
4-STAGE, 8-STAGE, 12- Number of stages in the phaser
STAGE
0–127 Adjusts the basic frequency
from which the sound will be
modulated.
0.05–10.00 Hz, note Frequency of modulation
0–127 Depth of modulation
INVERSE, Selects whether the left and
SYNCHRO right phase of the modulation
will be the same or the opposite.
INVERSE: The left and right
phase will be opposite. When
using a mono source, this
spreads the sound.
SYNCHRO: The left and
right phase will be the same.
Select this when inputting a
stereo source.
0–127 Amount of feedback
-98– +98 % Adjusts the proportion of the
phaser sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
0–127 Level of the phase-shifted
sound
-15– +15 dB Gain of the low range
-15– +15 dB Gain of the high range
0–127 Output Level
Micro-
phone
dynamic
dynamic
dynamic
dynamic
dynamic
condenser
condenser
condenser
condenser
condenser
condenser
condenser
condenser
condenser
condenser
condenser
L out
R out