Input Effect Settings (Input Effect); Switching Input Effects On/Off; Editing The Input Effect Settings - Roland Fantom XR Owner's Manual

Sampling
Input Effect settings
(Input Effect)
You can apply a dedicated effect (Input Effect) to the external audio
input.

Switching input effects on/off

1.
Press [SHIFT] so it lights, and then press the INPUT knob.
The MixIn/InputFX Switch screen will appear.
2.
Press or to select Input FX, and press the VALUE
dial or use [INC][DEC] to turn the Input Effect on/off.
fig.14-010

Editing the Input Effect settings

1.
In the MixIn/InputFX Switch screen, press [MENU].
The Input Setting Menu screen will appear.
2.
Use or to select IN FX (Input Effect).
fig.14-011
3.
Press [ENTER].
The Input Effect screen will appear.
fig.14-003
While this screen is displayed, you can press [SHIFT] so it
lights, then press to view a list of the Input Effect types.
Alternatively, you can access the Input Effect screen by
choosing "Input FX" from the MixIn/InputFX Switch screen
menu, and pressing [ENTER].
116
4.
Turn the VALUE dial, or press [INC] /[DEC] to select the
input effect type.
• Type (Input Effect Type)
Selects the input effect type.
Parameter
1: EQUALIZER
2: ENHANCER
3: COMPRESSOR
4: LIMITER
5: NOISE SUPPRESSOR
6: CENTER CANCELER
In this settings screen, you can edit parameters for the type of
input effect you selected.
For details on the parameters that can be edited, refer to the
section "Input Effect Parameters" (p. 217)
5.
Press [EXIT] to return to the previous screen.
In the Input Effect screen, you can press [SHIFT] so it lights,
then press to move the cursor to the Input Effect type.
Explanation
Adjusts the tone of the low-fre-
quency and high-frequency rang-
es.
Modifies the harmonic content of
the high-frequency range to add
sparkle to the sound.
Restrains high levels and boosts
low levels to make the overall
volume more consistent.
Compresses the sound when it
exceeds a specified volume, to
keep distortion from occurring.
Suppresses noise during periods
of silence.
Removes the sounds that are lo-
calized at the center of the stereo
input. This is a convenient way to
eliminate a vocal.