Table 3-8: MB Attack / Release Controls ........................................................................ 3-47
Table 3-9: MB Band Mix Controls................................................................................... 3-48
8300'
Table 3-10: HD Audio Controls....................................................................................... 3-56
HD I/O Setup Controls ...........................................................................................3-56
HD Audio Controls.................................................................................................3-56
Figure 3-1: Multiplex Power over 15 Minute Observation Interval with MPX Power
Controller Active, measured at Optimod's Composite Output .................................... 3-58
Table 3-11: Test Modes ................................................................................................... 3-59
.................................................................................................................3-59
To recall a preset:...................................................................................................3-64
hard drive:..............................................................................................................3-65
To group multiple 8300s: ......................................................................................3-68
To Quit the Program..............................................................................................3-68
4
.........................................................................................................................................4-1
Table 4-1: Decoder Chart for Power Supervisor .............................................................. 4-8
Table 4-2: Layout Diagram of J7, with expected voltages on each pin ......................... 4-9
Table 4-3: Typical Power Supply Voltages and AC Ripple .............................................. 4-9
5
.........................................................................................................................................5-1
Audible Distortion On-Air ................................................................................................ 5-2
............................................................................3-57
............................................................................3-60
: .........................................................................................3-67
...................................................................................................4-1
.......................................................................4-2
..........................................................................................4-6
...............................................................................5-1
........................................................3-55
...........................................................3-62
: ...........................................................3-67