Yamaha O1V96 Owner's Manual page 268

268
Appendix A: Parameter Lists
DELAY+REV
One input, two output delay and reverb effects in
parallel.
Parameter Range
DELAY L 0.0–1000.0 ms
DELAY R 0.0–1000.0 ms
FB. DLY 0.0–1000.0 ms
FB. GAIN –99 to +99%
DELAY HI 0.1–1.0
THRU,
HPF
21.2 Hz–8.00 kHz
50.0 Hz–16.0 kHz,
LPF
THRU
DLY.BAL 0–100%
REV TIME 0.3–99.0 s
INI. DLY 0.0–500.0 ms
REV HI 0.1–1.0
DIFF. 0–10
DENSITY 0–100%
SYNC OFF, ON
1
NOTE L
NOTE R 1
NOTE FB
1
1.
(Maximum value depends on the tempo setting)
DELAY->REV
One input, two output delay and reverb effects in
series.
Parameter Range
DELAY L 0.0–1000.0 ms
DELAY R 0.0–1000.0 ms
FB. DLY 0.0–1000.0 ms
FB. GAIN –99 to +99%
DELAY HI 0.1–1.0
THRU,
HPF
21.2 Hz–8.00 kHz
50.0 Hz–16.0 kHz,
LPF
THRU
DLY.BAL 0–100%
REV TIME 0.3–99.0 s
INI. DLY 0.0–500.0 ms
REV HI 0.1–1.0
DIFF. 0–10
DENSITY 0–100%
SYNC OFF, ON
01V96 Version 2—Owner's Manual
Description
Left channel delay time
Right channel delay time
Feedback delay time
Feedback gain (plus values for
normal-phase feedback, minus
values for reverse-phase feed-
back)
Delay high-frequency feedback
ratio
High-pass filter cutoff frequency
Low-pass filter cutoff frequency
Delay and reverb balance (0% =
all delay, 100% = all reverb)
Reverb time
Initial delay before reverb begins
High-frequency reverb time ratio
Spread
Reverb density
Tempo parameter sync on/off
Used in conjunction with
TEMPO to determine left chan-
nel DELAY L
Used in conjunction with
TEMPO to determine right chan-
nel DELAY R
Used in conjunction with
TEMPO to determine FB. DLY
Description
Left channel delay time
Right channel delay time
Feedback delay time
Feedback gain (plus values for
normal-phase feedback, minus
values for reverse-phase feed-
back)
Delay high-frequency feedback
ratio
High-pass filter cutoff frequency
Low-pass filter cutoff frequency
Delay and delayed reverb bal-
ance (0% = all delayed reverb,
100% = all delay)
Reverb time
Initial delay before reverb begins
High-frequency reverb time ratio
Spread
Reverb density
Tempo parameter sync on/off
Parameter Range
1
NOTE L
NOTE R *1
NOTE FB *1
1.
(Maximum value depends on the tempo setting)
DIST->DELAY
One input, two output distortion and delay effects in
series.
Parameter Range
DST1, DST2,
DST TYPE OVD1, OVD2,
CRUNCH
DRIVE 0–100
MASTER 0–100
TONE –10 to +10
N. GATE 0–20
DELAY 0.0–2725.0 ms
FB. GAIN –99 to +99%
HI. RATIO 0.1–1.0
FREQ. 0.05–40.00 Hz
DEPTH 0–100%
DLY.BAL 0–100%
SYNC OFF, ON
1
DLY.NOTE
MOD.NOT
2
E
1.
Maximum value depends on the tempo setting)
2.
MULTI FILTER
Two input, two output 3-band multi-filter (24
dB/octave).
Parameter Range
TYPE 1 HPF, LPF, BPF
TYPE 2 HPF, LPF, BPF
TYPE 3 HPF, LPF, BPF
FREQ. 1 28.0 Hz–16.0 kHz
FREQ. 2 28.0 Hz–16.0 kHz
FREQ. 3 28.0 Hz–16.0 kHz
LEVEL 1 0–100
LEVEL 2 0–100
LEVEL 3 0–100
RESO. 1 0–20
RESO. 2 0–20
RESO. 3 0–20
Description
Used in conjunction with
TEMPO to determine left chan-
nel DELAY L
Used in conjunction with
TEMPO to determine right chan-
nel DELAY R
Used in conjunction with
TEMPO to determine FB. DLY
Description
Distortion type (DST = distor-
tion, OVD = overdrive)
Distortion drive
Master volume
Tone control
Noise reduction
Delay time
Feedback gain (plus values for
normal-phase feedback, minus
values for reverse-phase feed-
back)
High-frequency feedback ratio
Modulation speed
Modulation depth
Distortion and delay balance
(0% = all distortion, 100% = all
delayed distortion)
Tempo parameter sync on/off
Used in conjunction with
TEMPO to determine DELAY
Used in conjunction with
TEMPO to determine FREQ.
Description
Filter 1 type: high pass, low pass,
band pass
Filter 2 type: high pass, low pass,
band pass
Filter 3 type: high pass, low pass,
band pass
Filter 1 frequency
Filter 2 frequency
Filter 3 frequency
Filter 1 level
Filter 2 level
Filter 3 level
Filter 1 resonance
Filter 2 resonance
Filter 3 resonance
(