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Chapter 4. Applying Effects to the Sound (Effects)
Multi-Effects (MFX)
Multi-effects provides 25 different Effect Types, each of
which let you apply a different effect. Described here is how
to enter the MFX-related settings.
Turning the multi-effects on/off
The multi-effects is turned on by pressing [MFX] and getting
the indicator to light. To turn it off, press the button again,
extinguishing the indicator.
* This lets you turn the effect on/off for all parts, regardless of
other settings.
Applying the multi-effects to individual
parts
Refer to the explanation of "Part MFX Switch" in "Modifying
the settings of each part" (p. 19).
Using the part buttons to turn the
multi-effects on/off
You can also turn the multi-effects on/off for an individual
part by holding down the D-FIELD function button [MFX]
and pressing the corresponding part button.
The multi-effects is on for parts whose part button is lit while
you are pressing the D-FIELD function button [MFX].
* This method cannot be used to set the MFX switch of the
rhythm part to "RHY." The setting can be changed from
"RHY" to "OFF," but will always change from "OFF" to
"ON."
Making detailed settings
1. Hold down [MFX] and press [EDIT].
* You can also access the setting screen by holding down the D-
FIELD function button [MFX] and pressing [EDIT].
2. Turn [VALUE] to select the desired type of multi-
effects.
3. Press [ENTER] to select the parameter.
4. Turn [VALUE] to modify the setting.
5. When you are finished, press [EXIT].
44
Available Settings
No
MFX TYPE
1
4BAND EQ
2
SPECTRUM
3
ENHANCER
4
OVERDRIVE
5
DISTORTION
6
Lo-Fi
7
NOISE
8
RADIO TUNING
9
PHONOGRAPH
10
COMPRESSOR
11
LIMITER
12
SLICER
13
TREMOLO
14
PHASER
15
CHORUS
16
SPACE-D
17
TETRA CHORUS
18
FLANGER
19
STEP FLANGER
20
SHORT DELAY
21
AUTO PAN
22
FB PITCH
SHIFTER
23
REVERB
24
GATE REVERB
25
ISOLATOR
* For details on the settings for each effect, refer to the
explanations on the next and following pages.
Description
modify the tone
add character to the sound
add sparkle to the sound
distort the sound mildly
distort the sound severely
simulate a "low-fidelity" sound
add various types of noise
simulate a radio being tuned
simulate an old record
make the volume level more consis-
tent
smooth out irregularities in volume
apply successive cuts to the sound
cyclic changes in volume
modulate the sound
add spaciousness and depthto the
sound
add transparent depth
layer chorus sounds to add spacious-
ness
add metallic resonance to the sound
add metallic resonance to the sound
while changing the pitch in steps
add echoes to the sound
automatically move the stereo loca-
tion
skew the pitch
add reverberation
sharply cut the reverberation
Cuts off a specific range
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