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Frequency
Available
Frequencies
Table 25. Available band frequencies (standard and mastering)
Massive Passive Band
Low
Low Mid
High Mid
High
Channel Controls
The controls for the two identical channels (left and right) are
detailed below. Because both UAD Massive Passive plug-ins
operate the same way (and the controls for each channel are
identical), the control descriptions for each channel are only
detailed once.
Note:
page
Passive parameters.
EQ In
sirable low-level system filtering and coloration is retained in the channel, just
like the original hardware.
Channel Gain
UAD Powered Plug-Ins Manual
This control defines the center frequency (Bell mode) or edge
frequency (Shelf mode) for the band. Each band provides a
wide range of specially tuned overlapping and interleaving
frequency choices. The available frequencies for each band
are listed in
Selectable Frequencies (Hz)
22, 33, 47, 68, 100, 150, 220, 330, 470, 680, 1K
82, 120, 180, 270, 390, 560, 820, 1.2K, 1.8K, 2.7K, 3.0K
220, 330, 470, 680, 1K, 1.5K, 2.2K, 3.3K, 4.7K, 6.8K, 10K
560, 820, 1.2K, 1.8K, 2.7K, 3.9K, 5.6K, 8.2K, 12K, 16K, 27K
See
"Standard vs. Mastering Versions" on
322" for the exact differences between the Massive
The EQ In pushbutton switch enables the channel. When the button illu-
minates in a brighter blue, the channel is active and the other channel
controls will affect the signal. When this control is disabled, all the de-
This knob sets the overall gain for the channel. The range for the
standard version is continuously variable from –6 dB to +4 dB. The
range for the Mastering version is ±2.5 dB, in 0.5 dB steps.
Table 25
below.
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Chapter 30: Manley Massive Passive EQ
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