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Color
The Color switch toggles between the original filter emphasis of the hardware
in position A and the "leveled" filter in position B which allows for greater De-
cay ranges.
Unlike the other parameters, the A and B labels for Color are for reference
only. They do not represent the left and right channels.
Note:
Coils and/or Decay.
Treble
Treble controls the high frequency response in the delayed portion of the sig-
nals. It does not affect the dry signal. Treble is a cut/boost control; it has no
effect when in the 12 o'clock position.
Bass controls the low frequency response in the delayed portion of the sig-
Bass
nals. It does not affect the dry signal. Bass is a cut/boost control; it has no ef-
fect when in the 12 o'clock position.
Wet Solo
Wet Solo is optimal when the plug-in is used on an effect group/bus that is
configured for use with channel sends. When the plug-in is used on a channel
insert, this control should be deactivated.
Note:
within the host project/session file, but not within individual preset files.
Power
The Power switch determines whether the plug-in is active. It's useful for com-
paring the processed sound to the original signal.
The VU Meter provides a visual indication of the output level of the plug-in (the
Meter
meter is not calibrated). The meter needle drops to minimum when the plug-in
is disabled with the Power switch.
UAD Powered Plug-Ins Manual
Color can be subtle, and its affect can vary depending on the value of
The Wet Solo switch puts the Cooper Time Cube into "100% Wet"
mode. When Wet Solo is on (in the "up" position), it mutes the dry un-
processed signal.
Wet Solo is a global (per plug-in instance) control. Its value is saved
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Chapter 14: Cooper Time Cube
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