UDO AUDIO SUPER 6 Owner's Manual page 80

12 voice binaural analog-hybrid synthesizer
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NAVIGATION
IMPORTANT SAFETY
INSTRUCTIONS
ACKNOWLEDGEMENTS
INTRODUCTION
OVERVIEW
QUICK START
UPDATING THE FIRMWARE
CONNECTIONS
SOUND DESIGN &
PROGRAMMING
EFFECTS
PERFORMANCE CONTROL
SECTION (KEYBOARD
MODEL)
ADDITIONAL CONTROLS &
PARAMETERS (DESKTOP
MODEL)
USING THE MODULATION
MATRIX
VOICE ASSIGN
ARPEGGIATOR &
SEQUENCER
GLOBAL SETTINGS
MPE SUPPORT
FILE MANAGEMENT
HOW-TO GUIDE
CHEAT SHEET
MIDI SPECIFICATIONS
GLOSSARY
SUPPORT INFORMATION
You can also use the modulation matrix to map more modulation
destinations to LFO 2. See pages 85-91 for more details on how to
use the modulation matrix.
The three modulation destination buttons don't only allow you to create
modulation mappings. You can also use them to instantly determine
whether a modulation destination should be affected by LFO 2 or not.
I DDS II: This button allows you to determine which oscillator is affected
by the pitch modulation controlled by LFO 2. You have the choice between
three options::
• I: With this setting, only the pitch of the first oscillator will be affected
by LFO 2.
• II: With this setting, only the pitch of the second oscillator will be
affected by LFO 2.
• I + II: With this setting, the pitch of both oscillators will be affected by
LFO 2.
VCF: This button allows you to determine whether the low-pass filter's
cutoff frequency will be affected by LFO 2.
VCA: This button allows you to determine whether the VCA level will be
affected by LFO 2.
You may also toggle the single modulation destination buttons on and
off during your playing to modify the impact of LFO 2 in real-time.
UDO Super 6 — Owner's Manual
80

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