UDO AUDIO SUPER 6 Owner's Manual page 41

12 voice binaural analog-hybrid synthesizer
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NAVIGATION
IMPORTANT SAFETY
INSTRUCTIONS
ACKNOWLEDGEMENTS
INTRODUCTION
OVERVIEW
QUICK START
UPDATING THE FIRMWARE
CONNECTIONS
SOUND DESIGN &
PROGRAMMING
EFFECTS
PERFORMANCE CONTROL
SECTION (KEYBOARD
MODEL)
ADDITIONAL CONTROLS &
PARAMETERS (DESKTOP
MODEL)
USING THE MODULATION
MATRIX
VOICE ASSIGN
ARPEGGIATOR &
SEQUENCER
GLOBAL SETTINGS
MPE SUPPORT
FILE MANAGEMENT
HOW-TO GUIDE
CHEAT SHEET
MIDI SPECIFICATIONS
GLOSSARY
SUPPORT INFORMATION
Left half of the filter section.
The DRIVE toggle switch allows you to determine whether and to what
extent the low-pass filter signal is overdriven:
• OFF: This setting results in a clean filter signal.
• 1: This setting adds subtle saturation with resonance compensation.
• 2: This setting adds a healthy dose of overdrive.
The HPF toggle switch allows you to choose from three different high-
pass filter modes:
• OFF: With this setting, the high-pass filter is turned off
• FIX: With this setting, the high-pass filter removes a fixed amount of
low frequency content from the sound at around 500 Hz. This can be
useful for eliminating excessive bass content from polyphonic sounds.
• TRK: With this setting, the low-pass and high-pass filter modes are
combined into a bandpass filter that only allows a frequency band to
pass as set by the cutoff frequency.
FREQ: This fader controls the cutoff frequency of the low-pass filter.
HPF: In shift mode, you can use the FREQ fader to independently control
the high-pass filter's cutoff frequency if you set the HPF toggle switch to
FIX.
RES: This fader controls the amount of resonance the low-pass filter
responds with. As you increase the amount of resonance, the frequencies
around the cutoff frequency set by the FREQ fader will be emphasised
and more pronounced.
UDO Super 6 — Owner's Manual
41

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